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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bigger Fish to Fry

Richard J. Clark · June 19, 2015

HE HEIGHT OF WEDDING season is upon us. Many church musicians find much to complain about with regard to weddings. These complaints range from overly demanding couples who have not been to mass in years, to fielding requests for secular music. Some of these gripes may be understandable, legitimate, and make our jobs highly stressful.

But today I propose a change of perspective and attitude. Why? Because we’ve got bigger fish to fry.

Many of us work for years to cultivate and promote professional standards. Weddings often frustrate these designs. But within these challenges also lie opportunity. And here’s the thing: the opportunity may or may not be very gratifying to the musician.

One more newsflash: It’s not our wedding. The organist does not confer the sacrament upon the couple—they do. The couple has bigger fish to fry than to make sure our exquisite taste rules their day.

HE FIRST THING TO RECOGNIZE IS THIS: a lot of music couples request, appropriate or not, has deep personal significance to them. Additionally, they have not spent years learning an instrument and studying Church documents.

However, if the piece in question is by Coldplay (a common request) we have a clear-cut problem to address. The smartest thing to do is to acknowledge that this piece may be important to them. The worst thing to do is to ridicule or dismiss their feelings about it. Now you’ve lost them and not just for now, but possibly from the Church entirely.

Respectfully acknowledge their request and you can now begin to address the musical problems of pulling it off on the pipe organ for the processional, no less the theological problem. Do it nicely. Sempre! You have perhaps only one shot at keeping an open dialogue so that they may be receptive to your alternative suggestions.

ERE’S THE BIG PICTURE AND BIGGEST OPPORTUNITY: Weddings, with all of their challenges offer an important chance to evangelize. Have they insisted upon a setting of “Wherever You Go” that is not to your liking? So what. Take the opportunity to make small talk about the text from the book of Ruth and the Song of Songs (in some cases) and the profound spiritual significance. The book of Ruth evokes great emotion. Even those who rarely go to mass appreciate knowing that you care enough about their music and their wedding.

Is a setting of Psalm 118 too cheesy? My heart bleeds for you. Talk about how this is the same responsorial used on Easter Sunday. The connection of the holiest day of the year to their wedding may plant a mustard seed in their hearts to come back to mass.

Folks, we have bigger fish to fry. Be a jerk and they definitely won’t come back. Behave as though you care (and you should) and they will remember you twenty years from now. More importantly, they will remember that those in the Church were welcoming and caring. We need that today more than ever. When they come back, they may have opportunity to hear more reverent and prayerful music. This in turn may help in ways you may never know.


SOME OTHER ADJUSTMENTS OF PERSPECTIVE:

HAVING TROUBLE GETTING THROUGH SEVEN OR EIGHT masses on a weekend and must play Canon in D for the tenth time this month? I may be quite grateful. It’s less stress for me. My fifteen–month old woke us up twice in the middle of the night. I have a lot to prepare for Sunday’s mass and the choir. It’s 83 degrees in the choir loft. I have bigger fish to fry than be personally disappointed by the choice of music.

Did I mention I have tuition to pay for my older two children? Weddings pay. I have bigger fish to fry.

How is the quality of the sacred music at mass on Sunday? Are my choirs engaged, growing, and learning? Is the congregation able to sing and pray with the music we provide on Sunday? Children, families, are touched by our work. So are young men and women who may be getting married someday. We have bigger fish to fry.

Furthermore, how is my relationship with God, my wife, my family, my boss, and my colleagues? If I’m not right with them, I’m going to have difficulty doing my job well. These are very big fish to fry.

Finally, God calls us to be fishers of women and men. That’s the most important catch of all.

Here is the best series of articles on practical advice for weddings by Andrew Motyka. It is also entertaining reading!

Here are some Free Musical Scores For Catholic Weddings.

Here’s the coolest wedding I’ve ever been a part of (aside from my own, of course…)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

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