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Views from the Choir Loft

Video • Disrespect For God’s House

Jeff Ostrowski · June 9, 2015

OME WILL CLAIM I’ve posted the below video 1 so we can mock it—with a “holier than thou” attitude—and feel better about ourselves. Those who read my entire article will realize that’s not accurate.


Growing up in a wealthy (mainstream) 1990s Catholic parish, I’m afraid that kind of stuff happened frequently. I was there. I witnessed it.

Please understand: I’m not against people being happy. I think being happy is a blessing. I just feel that in God’s House—where our Lord is present—we ought to maintain a certain level of DIGNITY. The laughing, dancing, giggling, and so forth always struck me as inappropriate and made me uncomfortable. When you read the rest of my article, you’ll see why I bring this up.

SOME POSTCONCILIAR LITURGISTS claim Vatican II changed how we look at the Eucharistic Prayer. According to their theory, the entire Eucharistic Prayer is what causes Transubstantiation—a word they dislike & avoid, by the way. However, another school of thought says the formula printed in a special font (This is my Body, etc.) constitutes the moment when Transubstantiation happens.

Fr. Adrian Fortescue addressed some of these issues 100 years ago:

The practice of elevating the Blessed Sacrament immediately after the words “Hoc est enim corpus meum” had been spoken developed as a sign that the bread was consecrated then at once. For, in the XIIth century—and chiefly at the University of Paris—there was much dispute as to this point; several theologians maintained the view that the bread was not consecrated till after the consecration of the wine. I, myself, am not quite sure. One might perhaps take the elevation as one more dramatic misplacement, like the “immaculata hostia” at the offertory, the Byzantine Cherubikon, and so on. Is Consecration by the words of Institution de fide? It certainly seems to be sententia catholica. Pope Pius VII (May, 1822) forbade any other theory to be defended.   (SOURCE)

Interestingly, the “dramatic misplacements” Fortescue mentions are rejected by progressive liturgists when it comes to the Offertory prayers, which were totally eliminated. Here’s more from Fortescue:

Our baptism service is the obvious parallel case. All through it we ask God to give the child the graces which, as a matter of fact, He gives at once—at the moment at which the essential matter and form are complete. So the Ordination rite dramatically separates the elements of the priesthood (power of sacrificing, of forgiving sins) which, presumably, are really conferred at one moment, when the man becomes a priest. In all such cases we say that at whatever moment of our time God gives the Sacramental grace, He gives it in answer to the whole prayer or group of prayers, which, of course, take time to say.

Why do I bring this up in the same article as that video above?

When St. John Vianney was in the presence of the Sanctissimum, he was so overwhelmed by God’s Presence he could scarcely breathe, move, or speak. 2 Regardless of the precise moment when Transubstantiation happens, the entire Holy Mass is connected to this great miracle. Let us redouble our efforts to maintain proper reverence throughout the entire Mass.

If we try our best to maintain reverence in Church, God will be pleased.



NOTES FROM THIS ARTICLE:

1   I came across this video on a blog called Offerimus Tibi Domine.

2   In former times, men used to smoke cigarettes outside of Church until they heard the “AMEN” of the Credo—which was repeated over and over—then rush into Mass so they could fulfill their obligation which (some said) required physical presence from Offertory till Communion. This is quite different from the example given to us by St. John Vianney.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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