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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Video • Disrespect For God’s House

Jeff Ostrowski · June 9, 2015

OME WILL CLAIM I’ve posted the below video 1 so we can mock it—with a “holier than thou” attitude—and feel better about ourselves. Those who read my entire article will realize that’s not accurate.


Growing up in a wealthy (mainstream) 1990s Catholic parish, I’m afraid that kind of stuff happened frequently. I was there. I witnessed it.

Please understand: I’m not against people being happy. I think being happy is a blessing. I just feel that in God’s House—where our Lord is present—we ought to maintain a certain level of DIGNITY. The laughing, dancing, giggling, and so forth always struck me as inappropriate and made me uncomfortable. When you read the rest of my article, you’ll see why I bring this up.

SOME POSTCONCILIAR LITURGISTS claim Vatican II changed how we look at the Eucharistic Prayer. According to their theory, the entire Eucharistic Prayer is what causes Transubstantiation—a word they dislike & avoid, by the way. However, another school of thought says the formula printed in a special font (This is my Body, etc.) constitutes the moment when Transubstantiation happens.

Fr. Adrian Fortescue addressed some of these issues 100 years ago:

The practice of elevating the Blessed Sacrament immediately after the words “Hoc est enim corpus meum” had been spoken developed as a sign that the bread was consecrated then at once. For, in the XIIth century—and chiefly at the University of Paris—there was much dispute as to this point; several theologians maintained the view that the bread was not consecrated till after the consecration of the wine. I, myself, am not quite sure. One might perhaps take the elevation as one more dramatic misplacement, like the “immaculata hostia” at the offertory, the Byzantine Cherubikon, and so on. Is Consecration by the words of Institution de fide? It certainly seems to be sententia catholica. Pope Pius VII (May, 1822) forbade any other theory to be defended.   (SOURCE)

Interestingly, the “dramatic misplacements” Fortescue mentions are rejected by progressive liturgists when it comes to the Offertory prayers, which were totally eliminated. Here’s more from Fortescue:

Our baptism service is the obvious parallel case. All through it we ask God to give the child the graces which, as a matter of fact, He gives at once—at the moment at which the essential matter and form are complete. So the Ordination rite dramatically separates the elements of the priesthood (power of sacrificing, of forgiving sins) which, presumably, are really conferred at one moment, when the man becomes a priest. In all such cases we say that at whatever moment of our time God gives the Sacramental grace, He gives it in answer to the whole prayer or group of prayers, which, of course, take time to say.

Why do I bring this up in the same article as that video above?

When St. John Vianney was in the presence of the Sanctissimum, he was so overwhelmed by God’s Presence he could scarcely breathe, move, or speak. 2 Regardless of the precise moment when Transubstantiation happens, the entire Holy Mass is connected to this great miracle. Let us redouble our efforts to maintain proper reverence throughout the entire Mass.

If we try our best to maintain reverence in Church, God will be pleased.



NOTES FROM THIS ARTICLE:

1   I came across this video on a blog called Offerimus Tibi Domine.

2   In former times, men used to smoke cigarettes outside of Church until they heard the “AMEN” of the Credo—which was repeated over and over—then rush into Mass so they could fulfill their obligation which (some said) required physical presence from Offertory till Communion. This is quite different from the example given to us by St. John Vianney.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

For the most part, a “good pope” is defined as someone who does what the critic would do if he were pope.

— William F. Buckley Jr. (6 September 1978)

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