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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Video • Disrespect For God’s House

Jeff Ostrowski · June 9, 2015

OME WILL CLAIM I’ve posted the below video 1 so we can mock it—with a “holier than thou” attitude—and feel better about ourselves. Those who read my entire article will realize that’s not accurate.


Growing up in a wealthy (mainstream) 1990s Catholic parish, I’m afraid that kind of stuff happened frequently. I was there. I witnessed it.

Please understand: I’m not against people being happy. I think being happy is a blessing. I just feel that in God’s House—where our Lord is present—we ought to maintain a certain level of DIGNITY. The laughing, dancing, giggling, and so forth always struck me as inappropriate and made me uncomfortable. When you read the rest of my article, you’ll see why I bring this up.

SOME POSTCONCILIAR LITURGISTS claim Vatican II changed how we look at the Eucharistic Prayer. According to their theory, the entire Eucharistic Prayer is what causes Transubstantiation—a word they dislike & avoid, by the way. However, another school of thought says the formula printed in a special font (This is my Body, etc.) constitutes the moment when Transubstantiation happens.

Fr. Adrian Fortescue addressed some of these issues 100 years ago:

The practice of elevating the Blessed Sacrament immediately after the words “Hoc est enim corpus meum” had been spoken developed as a sign that the bread was consecrated then at once. For, in the XIIth century—and chiefly at the University of Paris—there was much dispute as to this point; several theologians maintained the view that the bread was not consecrated till after the consecration of the wine. I, myself, am not quite sure. One might perhaps take the elevation as one more dramatic misplacement, like the “immaculata hostia” at the offertory, the Byzantine Cherubikon, and so on. Is Consecration by the words of Institution de fide? It certainly seems to be sententia catholica. Pope Pius VII (May, 1822) forbade any other theory to be defended.   (SOURCE)

Interestingly, the “dramatic misplacements” Fortescue mentions are rejected by progressive liturgists when it comes to the Offertory prayers, which were totally eliminated. Here’s more from Fortescue:

Our baptism service is the obvious parallel case. All through it we ask God to give the child the graces which, as a matter of fact, He gives at once—at the moment at which the essential matter and form are complete. So the Ordination rite dramatically separates the elements of the priesthood (power of sacrificing, of forgiving sins) which, presumably, are really conferred at one moment, when the man becomes a priest. In all such cases we say that at whatever moment of our time God gives the Sacramental grace, He gives it in answer to the whole prayer or group of prayers, which, of course, take time to say.

Why do I bring this up in the same article as that video above?

When St. John Vianney was in the presence of the Sanctissimum, he was so overwhelmed by God’s Presence he could scarcely breathe, move, or speak. 2 Regardless of the precise moment when Transubstantiation happens, the entire Holy Mass is connected to this great miracle. Let us redouble our efforts to maintain proper reverence throughout the entire Mass.

If we try our best to maintain reverence in Church, God will be pleased.



NOTES FROM THIS ARTICLE:

1   I came across this video on a blog called Offerimus Tibi Domine.

2   In former times, men used to smoke cigarettes outside of Church until they heard the “AMEN” of the Credo—which was repeated over and over—then rush into Mass so they could fulfill their obligation which (some said) required physical presence from Offertory till Communion. This is quite different from the example given to us by St. John Vianney.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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