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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Universal Music

Andrew Leung · April 9, 2015

CTL Universal Music T IS GOOD to be back on the blog after two weeks of silence. Some of you might know that this past Holy Week was pretty holy and crazy for me because it was my first one as a full-time music director. I have been serving in other area (not music) for the past few Holy Weeks. The Triduum this year was very fruitful and prayerful. As a musician, singing is such a natural way for me to pray. Being able to sing the pieces I picked based on beautiful and rich texts from the Triduum Liturgies deepened my prayer a lot!

Here is my little reflection on Holy Week. In many documents on Sacred Music, we see that the Church mentioned, over and over again, that universality being one of the three characteristics of Liturgical Music. I just want to share two personal experience of the universality of Sacred Music.

The first experience happened four years ago at World Youth Day 2011. I went to the World Youth Day in Madrid, Spain, in 2011 with a group from home. We were on the street attending the opening ceremony of WYD with thousands of youth from around the whole world. It was a hot summer day and it was really crowded. The unforgettable part was the end of the welcoming ceremony when the Gregorian Salve Regina was sung. Everyone on the streets were united by this chant and were praying in one voice. Chanting with all the youth and our beloved Pope Benedict was a very moving experience for me. That was the first time I experience the universality of Gregorian Chant.

The second experience happened this past weekend during the Triduum and is still happening. My parish is a very diverse parish and we have people with many different cultural backgrounds. Prayers of the Faithful were read in seven different languages on Holy Thursday and there are few music groups that provide different styles of music regularly on Sundays. During Holy Week, my choirs did a wonderful job with the music. In the four days, we chanted all the Propers of the Liturgies and sang more than ten motets. At a diverse parish like mine, Holy Week is the one time a year that everyone attends the same Liturgies and music is sung by the “one choir”. One of my concerns before Holy Week was whether people would understand and appreciate the traditional Sacred Music. Well, it turned out really well and I have been hearing a lot of positive comments from parishioners with different cultural backgrounds.

Both of these experiences show the reason, importance and the application of the universality of Sacred Music. The universality of Sacred Music allows everyone on earth to sing and pray together. And when the music is universal, everyone can appreciate it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

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