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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Permission Needed to Replace the Propers?—(4 of 7)

Dr. Lucas Tappan · February 24, 2015

239 Bishop Sample ECENTLY Dan Craig wrote an article regarding the use—or lack thereof—of the Propers within the Ordinary Form of the Roman Rite, as well the practice of replacing the Propers with less than ideal texts.

In his closing statement, he opined: “I feel many of our present difficulties [he refers here to liturgical difficulties] would vanish if we simply followed the GIRM.” I agree with him wholeheartedly and confess that I find it rather odd that we tend to replace most of the Propers of the Mass (usually taken from Sacred Scripture) with songs that at best leave the believer in a confused theological state (I think of the text Sing a New Church Into Being). That being said, I don’t foresee those in authority publicly setting things aright any time soon. 1

To be honest, I think some of our clergy suffer from the same problem that many dads do, namely, they have lost all sense of what it means to lead as a father. A good father doesn’t raise his children by following the latest trends, but unfortunately that seems to be the rule of the day. What about the father who has a spiritual awakening and realizes that his family is far from where it needs to be? Should he merely resign himself to the fact that his family will never come closer to the good Lord? Sometimes good priests do the same thing. I have heard members of the clergy pass the buck and say they are waiting for their bishop to speak about the matter, or for the Church to take a stronger stance. The priest is waiting for the bishop, the bishop is waiting for the bishop’s conference, the bishop’s conference is waiting for Rome, and Rome is, well… You get the point.

Perhaps the only advise I can offer are a few points:

(1) Think of how far we have come regarding music in the Church, even in the last 20 years. I realize some readers feel the situations in their own parishes are hopeless, but take heart. There has been an explosion of interest in chant and other great liturgical music in the Church and the younger clergy are on board. Several years ago a good friend of mine was ordained for a rural diocese and asked me to provide music for his first Mass, which included the Simple English Propers and the English chants from the Roman Missal. Last May another friend was ordained who asked me to lead a Schola singing English Propers by Fr. Samuel Weber and Mass XIII. This year one of the seminarians from our parish is being ordained and he has asked that our parish’s Schola Cantorum sing the Propers from the Graduale Romanum and Juan Padilla’s Missa Ego flos campi for his first Mass. Take heart and be of good cheer. It won’t be long before one of these men comes to your parish.

(2) Priests, sing the Mass! You are the father of your congregation and you must lead by example. I don’t care if you can sing or not (I mean that sincerely). It will change the way your parish worships and will provide a welcoming environment for the propers.

(3) Start a choir school, especially if your parish already has a school. My parish graduates 50 students every year. In ten years that will be 500 students who love good liturgical music (Propers included) and know how to make it—and who will have been taught why the Propers are so important. Imagine how the liturgical landscape would change if even 100 parishes across the nation made the change. That would be 50,000 people in only 10 years! It is hard to beat an army that large.



NOTES FROM THIS ARTICLE:

1   Without question, some have taken steps in this area. For example, read the letter by Archbishop Alexander K. Sample.

This article is part of a series:

Part 1 • Richard Clark

Part 2 • Veronica Brandt

Part 3 • Andrew Leung

Part 4 • Dr. Lucas Tappan

Part 5 • Andrew Motyka

Part 6 • Cynthia Ostrowski

Part 7 • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers Last Updated: October 15, 2022

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

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  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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