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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Permission Needed to Replace the Propers?—(4 of 7)

Dr. Lucas Tappan · February 24, 2015

239 Bishop Sample ECENTLY Dan Craig wrote an article regarding the use—or lack thereof—of the Propers within the Ordinary Form of the Roman Rite, as well the practice of replacing the Propers with less than ideal texts.

In his closing statement, he opined: “I feel many of our present difficulties [he refers here to liturgical difficulties] would vanish if we simply followed the GIRM.” I agree with him wholeheartedly and confess that I find it rather odd that we tend to replace most of the Propers of the Mass (usually taken from Sacred Scripture) with songs that at best leave the believer in a confused theological state (I think of the text Sing a New Church Into Being). That being said, I don’t foresee those in authority publicly setting things aright any time soon. 1

To be honest, I think some of our clergy suffer from the same problem that many dads do, namely, they have lost all sense of what it means to lead as a father. A good father doesn’t raise his children by following the latest trends, but unfortunately that seems to be the rule of the day. What about the father who has a spiritual awakening and realizes that his family is far from where it needs to be? Should he merely resign himself to the fact that his family will never come closer to the good Lord? Sometimes good priests do the same thing. I have heard members of the clergy pass the buck and say they are waiting for their bishop to speak about the matter, or for the Church to take a stronger stance. The priest is waiting for the bishop, the bishop is waiting for the bishop’s conference, the bishop’s conference is waiting for Rome, and Rome is, well… You get the point.

Perhaps the only advise I can offer are a few points:

(1) Think of how far we have come regarding music in the Church, even in the last 20 years. I realize some readers feel the situations in their own parishes are hopeless, but take heart. There has been an explosion of interest in chant and other great liturgical music in the Church and the younger clergy are on board. Several years ago a good friend of mine was ordained for a rural diocese and asked me to provide music for his first Mass, which included the Simple English Propers and the English chants from the Roman Missal. Last May another friend was ordained who asked me to lead a Schola singing English Propers by Fr. Samuel Weber and Mass XIII. This year one of the seminarians from our parish is being ordained and he has asked that our parish’s Schola Cantorum sing the Propers from the Graduale Romanum and Juan Padilla’s Missa Ego flos campi for his first Mass. Take heart and be of good cheer. It won’t be long before one of these men comes to your parish.

(2) Priests, sing the Mass! You are the father of your congregation and you must lead by example. I don’t care if you can sing or not (I mean that sincerely). It will change the way your parish worships and will provide a welcoming environment for the propers.

(3) Start a choir school, especially if your parish already has a school. My parish graduates 50 students every year. In ten years that will be 500 students who love good liturgical music (Propers included) and know how to make it—and who will have been taught why the Propers are so important. Imagine how the liturgical landscape would change if even 100 parishes across the nation made the change. That would be 50,000 people in only 10 years! It is hard to beat an army that large.



NOTES FROM THIS ARTICLE:

1   Without question, some have taken steps in this area. For example, read the letter by Archbishop Alexander K. Sample.

This article is part of a series:

Part 1 • Richard Clark

Part 2 • Veronica Brandt

Part 3 • Andrew Leung

Part 4 • Dr. Lucas Tappan

Part 5 • Andrew Motyka

Part 6 • Cynthia Ostrowski

Part 7 • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers Last Updated: October 15, 2022

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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