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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Elvis Presley, Offertory Processions, & “Alius Cantus”

Jeff Ostrowski · February 2, 2015

384 Offertory Procession 1940s ACK IN 2013, we uploaded the complete 1965 Missal, which has generated a considerable amount of interest among those seeking to understand the reformed rites. I was recently made aware of an incredible video which shows an “Offertory Procession” from the 1960s:

      * *  Video • Elvis Presley & 1965 Missal

I’m not kidding. Click the link to see for yourself.

If you scroll down, you’ll see that Offertory processions and “versus populum” were started before the 1960s in some locations. Progressive liturgists of the 1940s justified processions at the Offertory because “the rubrics don’t specifically say they cannot be done.” However, when today’s priests try to reintroduce more traditional practices by means of “mutual enrichment,” these same liturgists complain. A double standard appears to be at work…

In any event, I would say three things about this video: *

1. A most destructive force at work after the Second Vatican Council has been a “loophole” which allows musicians to substitute alius cantus congruus (“anything else appropriate”) for the official Propers assigned by the Church. Only recently have books such as the Jogues Pew Missal made the official texts accessible to congregations. Hopefully more parishes will consider using these assigned texts (in English or Latin).

2. People justify alius cantus congruus in the name of “people participating at Mass.” They fail to realize that when you replace the official texts and sing something else—like Elvis did in that video—you’re no longer participating at Mass the way the Vatican II fathers desired.

3. Everything says something. Everything. If we eliminate the Mass Propers, we must replace them with something. Therefore, we cannot fault Elvis for what he did in that video.

376 Facing the People 1954 377 Facing the People 1965 378 Facing the People 1947 379 Facing the People 1965

P.S.

Based on a quick Google search, I assume the video clip comes from a movie I’ve never seen called Change of Habit. Obviously, a film is not real, but in this case, it gives us a glimpse into what was happening in some Catholic Churches during the 1960s.




NOTES FROM THIS ARTICLE:

*   Regarding number 1, the GIRM says any substitute texts must be approved by the local bishop. The USCCB Committee on the Liturgy—in clear contradiction to the GIRM—declared that this requirement can be ignored. However, several Canonists have said the USCCB does not have the power to overrule the GIRM, and official replies by the Pontifical Commission for the Interpretation of the Code of Canon Law support this view.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1965 Missal, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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