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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The American Idolization of Liturgy

Andrew R. Motyka · January 7, 2015

EOPLE WHO KNOW ME won’t be surprised to hear that I’m a pretty opinionated person. My mother-in-law has said before that I have opinions about things that she never even considered having opinions about. What I’m trying to say is that I’m a big fat raging hypocrite for what I’m about to write.

When American Idol premiered in 2002, it was a wild sensation, a new way for people to get involved in selecting the winners of talent competitions. My main objection, as a snobby music major in college, was that it was the hoi polloi choosing the winners instead of people that knew anything at all about music (yes, I’m still a little miffed about Taylor Hicks). Obviously, the entire point of the public voting system was getting the public to select the artist that they thought was the best, and hence which singer from whom they would purchase the most albums when they made it big.

It annoyed me, though, that sometimes better singers were passed over for better looking ones, or ones that slickly packaged themselves, or just sang a song that everyone liked better. Shouldn’t people who know a little bit about music and singing be the ones whose opinions count? Why did everyone hate Simon Cowell (okay, he was a jerk, but the dude knew what he was talking about, for the most part)?

If you spend any more than 0.75 seconds on the Catholic blogosphere, you are bound to wade into liturgical issues. Whether it’s people complaining about the Evil Cardinal Burke and his weaponized Cappa Magna, or the elusive Clown Mass that everyone seems to have suffered through yet no one has ever attended, the rhetoric gets heated, and every single person, from the musician to the priest to the average lay person, has an opinion about the liturgy. Some want it to be silent, some want the traditional music of the Church, and some want something “more upbeat and modern.” Everyone has an opinion.

My gut reaction to all of this is the same as Snobby College Andy. Why does everyone need to have an opinion, especially when so few people actually know a single thing as to what they’re talking about? Even when I agree with so many commentators, the sheer number of them drowns out the articulate voices that can actually make a difference. Hook all of that noise up to the internet microphone and it’s a cacophony of opinion, each shouting down the opposition and frequently bayoneting their own allies. We have priests and musicians trying to do their best to render glory to God in the liturgy, and many people in the pews ready to text their vote to the number that best criticizes anything in their local Mass. It can be maddening.

he other day, though, I had a truly great conversation with a close friend about our faith. He has gone back and forth on the Catholic Church for some time, and is working out his faith the best he can (would that we could all be as self critical and honest). One thing he mentioned to me was that, the last time he attended Mass, he was bothered by how few people seemed to really grasp the importance of what was happening in front of them, like they weren’t taking it very seriously at all. They were going through the motions without any idea of what they were doing. I think his frustration touches on something very real, and much more important than our conversations over one song versus another.

Liturgy, like music, has a direct impact on us personally, emotionally, and spiritually. Even though the average person can’t readily articulate what it is that makes him like his favorite American Idol contestant, he knows that he connects in some way to the performance. In the same way, liturgy affects each of us, even if don’t quite know why. We have opinions about our local Mass because we know what we like, and even more importantly, we know that we need to be fed.

Of course, the sacramental presence of Jesus Christ in the Eucharist is enough, from a strictly grace-viewed standpoint, to fill us completely. But as I’ve said before, disposition is important when receiving the sacraments. Of people leaving the Church today, most of them say it’s because they aren’t being spiritually fed, a figure echoed in the tremendously important book on evangelization, Forming Intentional Disciples. While there are many avenues that need to be traveled to help feed people, we aren’t doing any favors by cheapening the liturgy. A sacramental grace that falls on a poorly disposed heart can die quickly, and a dead heart has a difficult time evangelizing. And if we aren’t evangelizing, we’re doing something wrong.

So maybe it’s not a bad thing that everyone has an opinion about liturgy. Maybe it’s that our frustrations with worship are symptomatic of something more: that we’re not being fed properly. We aren’t being drawn into a relationship with Jesus Christ first, which comes before any liturgical expression, musical or otherwise. If we can enrich that relationship, the liturgical pieces will come much easier. Remember that without that interior reality first, the exterior expression is just a show, subject to the text message voting and Nielson Family Ratings that turn the liturgical experience into just another consumer product.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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