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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Showing Off During Mass

Aurelio Porfiri · January 20, 2015

440 John Vianney Mass Quote LEASE CONSIDER WITH ME the following scenarios: your doctor is curing a health problem for you and he demonstrates good medical skills, but you’re unhappy about that; your driver shows his ability to drive you properly, but that drives you crazy; the teacher of your children is so excellent it makes you insane…

Yes, you think there is something wrong here: it’s you.

Now, these apparently nonsensical situations are very common in one field: church music. It happens, quite frequently, that if the choir is singing well or in polyphony there is always the frustrated person that feels compelled to comment that they are showing off. Of course sometimes people show off, but going from one extreme to the other is not the right solution: IN MEDIO STAT VIRTUS (“virtue stands in the middle”).

We know that the choir also has to help the congregation to join in some parts of the Mass. But please ponder that carefully. “Also” is not “only,” but “also.” However the real problem here does not deal with liturgy, but rather with insecurities and frustrations of people raising this kind of objection. Where we should praise God for showing His greatness through the work of dedicated choirs, there are some who would rather take pleasure in having the whole world matching their level of mediocrity.

We need to know that it is good to resist to these ways of falling down to mediocrity. The American writer Scott Alexander says it very well: “All good is hard. All evil is easy. Dying, losing, cheating, and mediocrity is easy. Stay away from easy.” When people talk to me about lowering standards to meet the needs of the people, it is like wanting to help the poor by being sure to remain poor.

Many years ago I had a spiritual director that gave me a lesson that I have never forgotten: beware of the evilness of mediocre people. I came to realize that mediocrity is possibly the worst sin, because it’s the mother and father of many other sins. When we make ourselves beautiful for God, in our singing, painting, preaching and so on, we are doing what we would do for someone we truly love. We give our best for God, like the widow of the Gospel, giving little when you only have little, giving more when you have more. God is not a lover deserving to be loved with cheap stuff.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is most important that when the faithful assist at the sacred ceremonies … they should sing alternately with the clergy or the choir, as it is prescribed.”

— ‘Pope Pius XI, Divini Cultus (20 Dec 1928) §9’

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