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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Showing Off During Mass

Aurelio Porfiri · January 20, 2015

440 John Vianney Mass Quote LEASE CONSIDER WITH ME the following scenarios: your doctor is curing a health problem for you and he demonstrates good medical skills, but you’re unhappy about that; your driver shows his ability to drive you properly, but that drives you crazy; the teacher of your children is so excellent it makes you insane…

Yes, you think there is something wrong here: it’s you.

Now, these apparently nonsensical situations are very common in one field: church music. It happens, quite frequently, that if the choir is singing well or in polyphony there is always the frustrated person that feels compelled to comment that they are showing off. Of course sometimes people show off, but going from one extreme to the other is not the right solution: IN MEDIO STAT VIRTUS (“virtue stands in the middle”).

We know that the choir also has to help the congregation to join in some parts of the Mass. But please ponder that carefully. “Also” is not “only,” but “also.” However the real problem here does not deal with liturgy, but rather with insecurities and frustrations of people raising this kind of objection. Where we should praise God for showing His greatness through the work of dedicated choirs, there are some who would rather take pleasure in having the whole world matching their level of mediocrity.

We need to know that it is good to resist to these ways of falling down to mediocrity. The American writer Scott Alexander says it very well: “All good is hard. All evil is easy. Dying, losing, cheating, and mediocrity is easy. Stay away from easy.” When people talk to me about lowering standards to meet the needs of the people, it is like wanting to help the poor by being sure to remain poor.

Many years ago I had a spiritual director that gave me a lesson that I have never forgotten: beware of the evilness of mediocre people. I came to realize that mediocrity is possibly the worst sin, because it’s the mother and father of many other sins. When we make ourselves beautiful for God, in our singing, painting, preaching and so on, we are doing what we would do for someone we truly love. We give our best for God, like the widow of the Gospel, giving little when you only have little, giving more when you have more. God is not a lover deserving to be loved with cheap stuff.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ with regard to 1960s switch to vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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