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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How Liberalism Undermines Itself

Dr. Peter Kwasniewski · November 6, 2014

E’VE HEARD for a long time that the solution to society’s problems, including the problems of Catholics in today’s United States of America, is that everyone should “live and let live”—that we should all be classical liberals who rejoice in a land where people are free to live as they choose, as long as they allow others to live as the others choose to live, and as long as nobody hurts anybody. This sounds nice in theory, but how does it work in practice?

The reality of the situation is that the practice of religion (and, mutatis mutandis, the violent opposition to religion that is modern atheism) is necessarily public and political. For example, if all Catholics are to worship on a given day, they must have part or all of the day off of work; and if there is to be a procession, a main road might need to be shut down during it. The former will make companies less efficient or less profitable or both; the latter will impinge on traffic, perhaps on trade, certainly it may seem an imposition on the unbelieving or the unenthusiastic. Modern atheism, for its part, is no less public and political: it tries to get rid of all religious symbols, like crosses and manger scenes, and if it could, it would abolish Sundays and Holy Days (indeed, this has already largely occurred). If they had their way, there would be no room and no respect left for Christianity in the public square. In this sense, the liberal isn’t one who thinks all views should be allowed to flourish; he believes that the only view that can be allowed is the one that says no view is sufficiently known as true for it to have precedence or prerogatives vis-à-vis the people.

Let us take another comparison: music. When someone plays music in his car (especially with extra speakers and windows open, driving down Main Street), or through his earbuds, or in a restaurant, he makes everyone around him listen to what he is listening to. His “free choice” to listen imposes on the others a situation they did not freely choose. He is forcing them to submit to his freedom. So, “giving everyone freedom” is illusory; one man’s exercise of freedom may and likely will impinge on another’s rights.

We see this playing out dramatically with the aggressive homosexual lobby. If “gay marriage” is legalized, then what happens to the freedom of bakers, decorators, clothiers, musicians, and churches to follow their Christian (and natural law-based) conscience, whereby they would choose only to be involved in heterosexual weddings? Sorry, folks, you have no freedom anymore; liberalism has taken it away. You must now do just what the State tells you, no more, no less.

The most serious example, of course, is the denial of the unborn child’s human right to the care of a mother and father and to legal protection, as Joseph Ratzinger discusses in his superb essay “Truth and Freedom.” Because of liberalism’s intolerant creed, the woman’s freedom means everything, the child’s life, rights, and eventual freedom mean nothing. Only a demonic parody of freedom must destroy and abolish another person’s freedom in order to secure itself.

If the social space is not Catholic, it will be filled, over time, with pagan and anti-Catholic elements. Society, like nature, abhors a vacuum. There is no such thing as a religiously-neutral public square. It will be either religious or irreligious, either Christian or anti-Christian.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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