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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How Liberalism Undermines Itself

Dr. Peter Kwasniewski · November 6, 2014

E’VE HEARD for a long time that the solution to society’s problems, including the problems of Catholics in today’s United States of America, is that everyone should “live and let live”—that we should all be classical liberals who rejoice in a land where people are free to live as they choose, as long as they allow others to live as the others choose to live, and as long as nobody hurts anybody. This sounds nice in theory, but how does it work in practice?

The reality of the situation is that the practice of religion (and, mutatis mutandis, the violent opposition to religion that is modern atheism) is necessarily public and political. For example, if all Catholics are to worship on a given day, they must have part or all of the day off of work; and if there is to be a procession, a main road might need to be shut down during it. The former will make companies less efficient or less profitable or both; the latter will impinge on traffic, perhaps on trade, certainly it may seem an imposition on the unbelieving or the unenthusiastic. Modern atheism, for its part, is no less public and political: it tries to get rid of all religious symbols, like crosses and manger scenes, and if it could, it would abolish Sundays and Holy Days (indeed, this has already largely occurred). If they had their way, there would be no room and no respect left for Christianity in the public square. In this sense, the liberal isn’t one who thinks all views should be allowed to flourish; he believes that the only view that can be allowed is the one that says no view is sufficiently known as true for it to have precedence or prerogatives vis-à-vis the people.

Let us take another comparison: music. When someone plays music in his car (especially with extra speakers and windows open, driving down Main Street), or through his earbuds, or in a restaurant, he makes everyone around him listen to what he is listening to. His “free choice” to listen imposes on the others a situation they did not freely choose. He is forcing them to submit to his freedom. So, “giving everyone freedom” is illusory; one man’s exercise of freedom may and likely will impinge on another’s rights.

We see this playing out dramatically with the aggressive homosexual lobby. If “gay marriage” is legalized, then what happens to the freedom of bakers, decorators, clothiers, musicians, and churches to follow their Christian (and natural law-based) conscience, whereby they would choose only to be involved in heterosexual weddings? Sorry, folks, you have no freedom anymore; liberalism has taken it away. You must now do just what the State tells you, no more, no less.

The most serious example, of course, is the denial of the unborn child’s human right to the care of a mother and father and to legal protection, as Joseph Ratzinger discusses in his superb essay “Truth and Freedom.” Because of liberalism’s intolerant creed, the woman’s freedom means everything, the child’s life, rights, and eventual freedom mean nothing. Only a demonic parody of freedom must destroy and abolish another person’s freedom in order to secure itself.

If the social space is not Catholic, it will be filled, over time, with pagan and anti-Catholic elements. Society, like nature, abhors a vacuum. There is no such thing as a religiously-neutral public square. It will be either religious or irreligious, either Christian or anti-Christian.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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