• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

I’m not here to make you or me happy. | Music as a Virtue

Richard J. Clark · November 14, 2014

RIENDS OFTEN ASK me how I am able to write something here every week. I tell them that I am emotionally needy and that I seek affirmation on the Internet (just kidding of course.) Musicians want to be liked. We naturally want to make others happy so that in turn we are liked and praised. When people don’t like our music, it is incontrovertible that they lack good taste! (A friend refers to this attitude as the “tyranny of competence.”)

Truthfully, most people experience music through the lens of passive emotional stimulation. (This is not a judgment.) It is also possible, and perhaps preferable, to arrive at music through virtue. For example, it takes effort to listen to Bach’s B minor Mass, but an effort that is well worth it.

Furthermore, successful musicians are highly disciplined. It is not easy practicing the organ 4-5 hours a day in a 55-degree church in the winter or in a 95-degree church during the summer. It is not easy for a choir to not only learn their parts but to listen to each other and sing as one voice. It is not easy for a congregation to listen attentively week after week so that they may absorb, sing, and therefore pray the Word of God. Whether listening or performing, one is not passive, but fully engaged and fully active. Arrived at through virtue, music takes on even greater meaning.

NE MUST BE THICK SKINNED TO BE A MUSICIAN, especially in the Church. In an entitlement society, music is just another item in a long list of things that we “consume” even in corporate prayer. Therefore, musicians are inevitably on the receiving end of contradictory requests. “I want more of this (or that) because it speaks to me.” Such requests are probably not intended to be selfish. However, it must be charitably pointed out that what speaks to one individual may not speak at all to another. (An extremely poignant discussion on this topic by Jonathan Aigner on his blog Ponder Anew: Does the Church Idolize Music?)

Of course, this is not the point of music in worship – to make individuals or even the Music Director happy. In the Roman Rite, music is not merely important. Gregorian Chant and the propers grew up side by side with the Roman Rite. Therefore, music is at the very service of worship with Christ at the center—not us. Sacred music is intended to help us pray the words of the mass, and as such, pray the words of scripture. Sacred music is not simply an emotional stimulant designed for instant gratification, entertainment or sentiment. It is a means for prayer—for sanctification. It is also worth remembering, our prayers are not always answered immediately, but God is always listening to our prayer in song. Music practiced as such is a virtue.

ACRED MUSIC MUST BE BEAUTIFUL and done well. Certainly, we hope to please many who pray with it. But it is easy to get burnt out when dealing with pressures of competing “styles” of worship. Despite this, I find it important to retain a sense of gratitude. Fr. James Keenan, S. J. recently pointed out that we often arrive at gratitude through an emotional feeling. But he reminded us that gratitude is also a virtue. Even when mired in struggle, misunderstanding, and difficulty, we are fortunate to be part of this struggle. Much good will come of it, including a closer relationship with God. This alone will bring us true and lasting happiness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.