• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

I’m not here to make you or me happy. | Music as a Virtue

Richard J. Clark · November 14, 2014

RIENDS OFTEN ASK me how I am able to write something here every week. I tell them that I am emotionally needy and that I seek affirmation on the Internet (just kidding of course.) Musicians want to be liked. We naturally want to make others happy so that in turn we are liked and praised. When people don’t like our music, it is incontrovertible that they lack good taste! (A friend refers to this attitude as the “tyranny of competence.”)

Truthfully, most people experience music through the lens of passive emotional stimulation. (This is not a judgment.) It is also possible, and perhaps preferable, to arrive at music through virtue. For example, it takes effort to listen to Bach’s B minor Mass, but an effort that is well worth it.

Furthermore, successful musicians are highly disciplined. It is not easy practicing the organ 4-5 hours a day in a 55-degree church in the winter or in a 95-degree church during the summer. It is not easy for a choir to not only learn their parts but to listen to each other and sing as one voice. It is not easy for a congregation to listen attentively week after week so that they may absorb, sing, and therefore pray the Word of God. Whether listening or performing, one is not passive, but fully engaged and fully active. Arrived at through virtue, music takes on even greater meaning.

NE MUST BE THICK SKINNED TO BE A MUSICIAN, especially in the Church. In an entitlement society, music is just another item in a long list of things that we “consume” even in corporate prayer. Therefore, musicians are inevitably on the receiving end of contradictory requests. “I want more of this (or that) because it speaks to me.” Such requests are probably not intended to be selfish. However, it must be charitably pointed out that what speaks to one individual may not speak at all to another. (An extremely poignant discussion on this topic by Jonathan Aigner on his blog Ponder Anew: Does the Church Idolize Music?)

Of course, this is not the point of music in worship – to make individuals or even the Music Director happy. In the Roman Rite, music is not merely important. Gregorian Chant and the propers grew up side by side with the Roman Rite. Therefore, music is at the very service of worship with Christ at the center—not us. Sacred music is intended to help us pray the words of the mass, and as such, pray the words of scripture. Sacred music is not simply an emotional stimulant designed for instant gratification, entertainment or sentiment. It is a means for prayer—for sanctification. It is also worth remembering, our prayers are not always answered immediately, but God is always listening to our prayer in song. Music practiced as such is a virtue.

ACRED MUSIC MUST BE BEAUTIFUL and done well. Certainly, we hope to please many who pray with it. But it is easy to get burnt out when dealing with pressures of competing “styles” of worship. Despite this, I find it important to retain a sense of gratitude. Fr. James Keenan, S. J. recently pointed out that we often arrive at gratitude through an emotional feeling. But he reminded us that gratitude is also a virtue. Even when mired in struggle, misunderstanding, and difficulty, we are fortunate to be part of this struggle. Much good will come of it, including a closer relationship with God. This alone will bring us true and lasting happiness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.