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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I’m not here to make you or me happy. | Music as a Virtue

Richard J. Clark · November 14, 2014

RIENDS OFTEN ASK me how I am able to write something here every week. I tell them that I am emotionally needy and that I seek affirmation on the Internet (just kidding of course.) Musicians want to be liked. We naturally want to make others happy so that in turn we are liked and praised. When people don’t like our music, it is incontrovertible that they lack good taste! (A friend refers to this attitude as the “tyranny of competence.”)

Truthfully, most people experience music through the lens of passive emotional stimulation. (This is not a judgment.) It is also possible, and perhaps preferable, to arrive at music through virtue. For example, it takes effort to listen to Bach’s B minor Mass, but an effort that is well worth it.

Furthermore, successful musicians are highly disciplined. It is not easy practicing the organ 4-5 hours a day in a 55-degree church in the winter or in a 95-degree church during the summer. It is not easy for a choir to not only learn their parts but to listen to each other and sing as one voice. It is not easy for a congregation to listen attentively week after week so that they may absorb, sing, and therefore pray the Word of God. Whether listening or performing, one is not passive, but fully engaged and fully active. Arrived at through virtue, music takes on even greater meaning.

NE MUST BE THICK SKINNED TO BE A MUSICIAN, especially in the Church. In an entitlement society, music is just another item in a long list of things that we “consume” even in corporate prayer. Therefore, musicians are inevitably on the receiving end of contradictory requests. “I want more of this (or that) because it speaks to me.” Such requests are probably not intended to be selfish. However, it must be charitably pointed out that what speaks to one individual may not speak at all to another. (An extremely poignant discussion on this topic by Jonathan Aigner on his blog Ponder Anew: Does the Church Idolize Music?)

Of course, this is not the point of music in worship – to make individuals or even the Music Director happy. In the Roman Rite, music is not merely important. Gregorian Chant and the propers grew up side by side with the Roman Rite. Therefore, music is at the very service of worship with Christ at the center—not us. Sacred music is intended to help us pray the words of the mass, and as such, pray the words of scripture. Sacred music is not simply an emotional stimulant designed for instant gratification, entertainment or sentiment. It is a means for prayer—for sanctification. It is also worth remembering, our prayers are not always answered immediately, but God is always listening to our prayer in song. Music practiced as such is a virtue.

ACRED MUSIC MUST BE BEAUTIFUL and done well. Certainly, we hope to please many who pray with it. But it is easy to get burnt out when dealing with pressures of competing “styles” of worship. Despite this, I find it important to retain a sense of gratitude. Fr. James Keenan, S. J. recently pointed out that we often arrive at gratitude through an emotional feeling. But he reminded us that gratitude is also a virtue. Even when mired in struggle, misunderstanding, and difficulty, we are fortunate to be part of this struggle. Much good will come of it, including a closer relationship with God. This alone will bring us true and lasting happiness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

Recent Posts

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  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?

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