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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Death and Rebirth of Monastic Life

Dr. Peter Kwasniewski · October 9, 2014

0319_MC T GIVES ME JOY to recall a visit I made many years ago in France to a Benedictine monastery whose monks were living the monastic life to the hilt—chanted solemn liturgy, a demanding horarium, fasting and abstinence, much study and lectio divina, manual labor, the whole nine yards. They were living, in essence, a life indistinguishable from that of the earliest monks, in the days when water wheels represented the height of technology, quite as if the modern world, with its ever-multiplying complexities and ever-deeper confusion, simply had nothing to say to them. And they were right: it could have only spoken to them at lurid length of the world, the flesh, and the devil, when they were seeking heaven, grace, and God. They did not have a need to be up to date, rushing around with all the other people rushing around in a frantic desire to be noticed, to be relevant, to be on the cutting edge. In reality, it is the world that so desperately needs these monks and their timelessness, prayer, and peace. By being utterly irrelevant and unnoticed in their daily round of song and silence, they came to possess a medicine that heals the victims of our times.

As I participated from the sidelines in the life of these modern-day desert fathers, for whom the Eucharist was truly the font and apex of their entire being, I began to think and feel that the death of the traditional monastic life was probably, all things considered, the single worst thing that happened after the Second Vatican Council, even if it is not nearly as obvious or widespread as the general doctrinal, moral, and liturgical chaos and the ensuing wasteland. In monasteries and religious houses, observances going back for centuries were suddenly thrown off; habits were modified or discarded; the daily round of prayer was severely cut back or even replaced with novel practices; the Holy Mass lost its contemplative spirit and degraded itself in arbitrary and subjective experiments. Places that had been epicenters of devotion for towns, provinces, and countries could no longer offer thirsty laymen the concentration of prayer and purity of vision they longed for. Those who have seen the statistics know what happened: within a few years, the monastic life collapsed almost everywhere, as thousands gave up their vocations. Whole congregations and orders disappeared off the face of the earth.

Although a vastly larger number of the faithful were harmed by innovations and dissent at the parish and diocesan level, the loss of the fullness of Christian life as it is uniquely lived in convents and monasteries was a devastating blow struck to the very heart of the Mystical Body of Christ on earth. If prayer is the oxygen of the soul, as Padre Pio once said, the collapse of monastic life was like a deoxygenation of the blood and a weakening of the entire circulation throughout the body. It has often been said that the external and missionary vitality of the Church is in direct proportion to the vitality of the hidden contemplative life within her—one of the reasons a cloistered Carmelite, St. Thérèse of Lisieux, was declared co-patron of the missions with St. Francis Xavier.

We are fortunate to be alive right now in the very earliest preliminary phase of recovery, as the number of authentic monasteries of men and women very slowly grows by the mercy of God. May the Lord who loves the fruitfulness of the hidden life, the jewel of heavenly contemplation, the burning sun of interior righteousness, have mercy on us and save us, for He is gracious and loves mankind, and to Him we render glory, Father, Son, and Holy Spirit, now and always and for ever and ever, Amen.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

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