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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Art of Negotiation in Liturgy

Richard J. Clark · August 22, 2014

HE MASS IS THE MASS, is it not? Yes it is. Say the Black. Do the Red. Sing the propers. End of story. Ite missa est. Experience tells us this rarely is the case. Reasons for this are as plentiful as the stars in the sky.

For many musicians, the idea of negotiation or ongoing give and take is distasteful. We’ve worked hard to cultivate our skills. The Vatican II Documents validate our views in no uncertain terms, e.g, “112. The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art.” (Sacrosanctum Concilium.)

Consider as well, the following language from Vatican II:

118. Religious singing by the people is to be intelligently fostered so that in devotions and sacred exercises, as also during liturgical services, the voices of the faithful may ring out according to the norms and requirements of the rubrics. (ibid)

HERE IS A UNIVERSAL REALITY that the typical parish is very far from understanding, no less implementing, the liturgical ideals put forth by the Liturgy Documents. They may lack financial resources, training, or support from leadership. Furthermore, it is vital to understand that progress is never made by making declarations or even quoting the liturgical documents, even if we feel justified in doing so. It doesn’t work and never will. So what will?

Here are four important steps:
    1 • Stop complaining and start mentoring!
    2 • Meet people where they are at and challenge them little by little from there.
    3 • Model the ideal whenever the opportunity presents itself.
    4 • Know when to push the envelope and when to put on the brakes. (This avoids backlash from too much change, too fast.)

You expect this to be easy? Forget it. This is the work of a lifetime!

FFECTIVE NEGOTIATION IS LARGELY EMOTIONAL. So, if there is one thing to put into daily practice it is this: Acknowledge the emotional importance a particular view plays in another’s life. Even if you do not share that view or preference, in doing so you begin dialogue by validating the other’s emotion. This is essential because the other feels that they are being listened to and are not necessarily entering into an adversarial dynamic. Dismiss this emotional dynamic, demand 100%, and assuredly you will be left with nothing no matter how justified your position. Acknowledge the emotion and the door may be cracked open for mutually constructive dialogue.

A SIMPLE AND COMMON EXAMPLE: A couple has an emotional connection to a pop song that they absolutely must have at their wedding. Begin by directly expressing your understanding that this piece is personally important to them. (Remember, the wedding is not about you.) Continue with a brief layman’s explanation of why it would not be appropriate in the sacred context. Be prepared to offer alternatives, even if not up to your personal standards. (Meet them where they are at and try to challenge them a little.) Finally, suggest another way they can use this song that is so important to them, perhaps at a special moment during the reception.

Dismiss the pop song that has emotional relevance in their life, and you have just made your job a lot harder. It takes more energy to be kind. Furthermore, keep in mind that citing rules is the fastest way to get people to leave the Church. Being kind will open the door for them to stay or return.

Practice this in smaller matters, and over time you will develop better skills. In doing so, you will be far better equipped to handle more important matters such as the musical education of our children and uplifting liturgical standards.

Meanwhile, revel in the support of colleagues. Read and reread the liturgy documents, for they are inspiring. Above all, remain passionate for God and your work, for your example may be most persuasive of all.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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