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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Art of Negotiation in Liturgy

Richard J. Clark · August 22, 2014

HE MASS IS THE MASS, is it not? Yes it is. Say the Black. Do the Red. Sing the propers. End of story. Ite missa est. Experience tells us this rarely is the case. Reasons for this are as plentiful as the stars in the sky.

For many musicians, the idea of negotiation or ongoing give and take is distasteful. We’ve worked hard to cultivate our skills. The Vatican II Documents validate our views in no uncertain terms, e.g, “112. The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art.” (Sacrosanctum Concilium.)

Consider as well, the following language from Vatican II:

118. Religious singing by the people is to be intelligently fostered so that in devotions and sacred exercises, as also during liturgical services, the voices of the faithful may ring out according to the norms and requirements of the rubrics. (ibid)

HERE IS A UNIVERSAL REALITY that the typical parish is very far from understanding, no less implementing, the liturgical ideals put forth by the Liturgy Documents. They may lack financial resources, training, or support from leadership. Furthermore, it is vital to understand that progress is never made by making declarations or even quoting the liturgical documents, even if we feel justified in doing so. It doesn’t work and never will. So what will?

Here are four important steps:
    1 • Stop complaining and start mentoring!
    2 • Meet people where they are at and challenge them little by little from there.
    3 • Model the ideal whenever the opportunity presents itself.
    4 • Know when to push the envelope and when to put on the brakes. (This avoids backlash from too much change, too fast.)

You expect this to be easy? Forget it. This is the work of a lifetime!

FFECTIVE NEGOTIATION IS LARGELY EMOTIONAL. So, if there is one thing to put into daily practice it is this: Acknowledge the emotional importance a particular view plays in another’s life. Even if you do not share that view or preference, in doing so you begin dialogue by validating the other’s emotion. This is essential because the other feels that they are being listened to and are not necessarily entering into an adversarial dynamic. Dismiss this emotional dynamic, demand 100%, and assuredly you will be left with nothing no matter how justified your position. Acknowledge the emotion and the door may be cracked open for mutually constructive dialogue.

A SIMPLE AND COMMON EXAMPLE: A couple has an emotional connection to a pop song that they absolutely must have at their wedding. Begin by directly expressing your understanding that this piece is personally important to them. (Remember, the wedding is not about you.) Continue with a brief layman’s explanation of why it would not be appropriate in the sacred context. Be prepared to offer alternatives, even if not up to your personal standards. (Meet them where they are at and try to challenge them a little.) Finally, suggest another way they can use this song that is so important to them, perhaps at a special moment during the reception.

Dismiss the pop song that has emotional relevance in their life, and you have just made your job a lot harder. It takes more energy to be kind. Furthermore, keep in mind that citing rules is the fastest way to get people to leave the Church. Being kind will open the door for them to stay or return.

Practice this in smaller matters, and over time you will develop better skills. In doing so, you will be far better equipped to handle more important matters such as the musical education of our children and uplifting liturgical standards.

Meanwhile, revel in the support of colleagues. Read and reread the liturgy documents, for they are inspiring. Above all, remain passionate for God and your work, for your example may be most persuasive of all.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

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