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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Art of Negotiation in Liturgy

Richard J. Clark · August 22, 2014

HE MASS IS THE MASS, is it not? Yes it is. Say the Black. Do the Red. Sing the propers. End of story. Ite missa est. Experience tells us this rarely is the case. Reasons for this are as plentiful as the stars in the sky.

For many musicians, the idea of negotiation or ongoing give and take is distasteful. We’ve worked hard to cultivate our skills. The Vatican II Documents validate our views in no uncertain terms, e.g, “112. The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art.” (Sacrosanctum Concilium.)

Consider as well, the following language from Vatican II:

118. Religious singing by the people is to be intelligently fostered so that in devotions and sacred exercises, as also during liturgical services, the voices of the faithful may ring out according to the norms and requirements of the rubrics. (ibid)

HERE IS A UNIVERSAL REALITY that the typical parish is very far from understanding, no less implementing, the liturgical ideals put forth by the Liturgy Documents. They may lack financial resources, training, or support from leadership. Furthermore, it is vital to understand that progress is never made by making declarations or even quoting the liturgical documents, even if we feel justified in doing so. It doesn’t work and never will. So what will?

Here are four important steps:
    1 • Stop complaining and start mentoring!
    2 • Meet people where they are at and challenge them little by little from there.
    3 • Model the ideal whenever the opportunity presents itself.
    4 • Know when to push the envelope and when to put on the brakes. (This avoids backlash from too much change, too fast.)

You expect this to be easy? Forget it. This is the work of a lifetime!

FFECTIVE NEGOTIATION IS LARGELY EMOTIONAL. So, if there is one thing to put into daily practice it is this: Acknowledge the emotional importance a particular view plays in another’s life. Even if you do not share that view or preference, in doing so you begin dialogue by validating the other’s emotion. This is essential because the other feels that they are being listened to and are not necessarily entering into an adversarial dynamic. Dismiss this emotional dynamic, demand 100%, and assuredly you will be left with nothing no matter how justified your position. Acknowledge the emotion and the door may be cracked open for mutually constructive dialogue.

A SIMPLE AND COMMON EXAMPLE: A couple has an emotional connection to a pop song that they absolutely must have at their wedding. Begin by directly expressing your understanding that this piece is personally important to them. (Remember, the wedding is not about you.) Continue with a brief layman’s explanation of why it would not be appropriate in the sacred context. Be prepared to offer alternatives, even if not up to your personal standards. (Meet them where they are at and try to challenge them a little.) Finally, suggest another way they can use this song that is so important to them, perhaps at a special moment during the reception.

Dismiss the pop song that has emotional relevance in their life, and you have just made your job a lot harder. It takes more energy to be kind. Furthermore, keep in mind that citing rules is the fastest way to get people to leave the Church. Being kind will open the door for them to stay or return.

Practice this in smaller matters, and over time you will develop better skills. In doing so, you will be far better equipped to handle more important matters such as the musical education of our children and uplifting liturgical standards.

Meanwhile, revel in the support of colleagues. Read and reread the liturgy documents, for they are inspiring. Above all, remain passionate for God and your work, for your example may be most persuasive of all.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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