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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (6 of 7)

Andrew R. Motyka · August 13, 2014

ET’S SEE: CanticaNOVA, CPDL, the nearly-infinite number of resources offered here on CCW. All these have already been presented by my esteemed colleagues. I liked this “series” idea better when I could go first and take all the good ideas.

In seriousness, though, here are some good resources for the primary tools we each have at our disposal: cantor, choir, and organ.

An often overlooked resource for the parish choir is the Graduale Simplex. This book, which originally was published in 1967, has much simpler settings of chant propers than the Graduale Romanum. One challenge is that, since the first edition was released before we even had a revised order of Mass, it can be difficult to line up and use liturgically. Thankfully, we have several derivative works that make it more accessible in the average parish. First is Paul Ford’s By Flowing Waters. It is a relatively straightforward English adaptation of the chants found in the Simplex, with some accommodations to the tunes to more easily accept the English text. A second, more unknown resource is Aristotle Esguerra’s Choral Simplex, another English language setting, but in SATB harmony. Esguerra’s treatment of the melodies and adaptations for choir shows an elegance and a clear mind for choral singing. I strongly recommend it.

Since most parishes only have one “choir Mass” per weekend, resources for cantors can be helpful, too. I would be far too selfless if I didn’t mention these Communion Antiphons, and selflessness is something I can only aspire to. They are antiphons settings that are free, simple, free, congregational, accompanied, modal, complete, and free.

Lastly, I would like to call to attention a not-specifically-Catholic resource, but one I think needs to be known nonetheless. Just like CPDL (the Choral Public Domain Library) offers thousands of free choral scores online, IMSLP (the International Music Score Literacy Project) offers free choral AND instrumental scores. This is a great resource if you are an organ hack like me who needs to broaden your organ-literature horizons greatly. There are thousands of free scores, searchable by many criteria, including instrumentation, genre, solo type, etc. Care needs to be taken about whether or not each score is actually in the public domain in your country, however. Since IMSLP is based in Canada, where everything falls into the public domain in 50 years, there are some scores that are free on that website that are illegal to download in the US. Watch your dates and you’ll be fine. This is a pretty minor drawback considering the volume of usable scores on the site.

We directors are always on the lookout for free resources for our choirs and music programs in general. Hopefully you can find some use for these, as well as the others in this series.


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Liberalism in religion is the doctrine that there is no positive truth in religion, but that one creed is as good as another… It teaches that all are to be tolerated, for all are matters of opinion. Revealed religion is not a truth, but a sentiment and a taste; not an objective fact, not miraculous; and it is the right of each individual to make it say just what strikes his fancy. […] Men may go to Protestant Churches and to Catholic, may get good from both and belong to neither.”

— Bl. John Henry Cardinal Newman (May of 1879)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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