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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Colloquium Update I

Fr. David Friel · July 3, 2014

OGETHER WITH Andy Motyka, I have been enjoying some wonderful first days at the CMAA Sacred Music Colloquium in Indianapolis. This is my third Colloquium, and all the things I love about the experience are here in force: an extraordinary faculty, magnificent liturgies, good fellowship, etc. Here are a few random thoughts about highlights thus far.

We were treated to a marvelous choral evensong at Christ Church Cathedral (Anglican) on our first evening. The tone and unity of the choristers were of the highest quality and very much appreciated by those who attended the service.

I am singing in the men’s chant schola under the directions of Scott Turkington, who is returning to the Colloquium for the first time in a few years. It’s fascinating to learn from a man who is one of the true experts in the field of Gregorian chant.

Also, the number of priests in attendance is noteworthy & encouraging. There are approximately 15 priests here, which is a much larger group than usual.

When I saw on the preliminary schedule that Dr. Denis McNamara would be delivering a plenary address this year, I was very excited. In addition to all his work as an architect, Dr. McNamara has also done quite a bit of writing on the topic of sacred architecture, which is where I have chiefly encountered him. What most excited me is the fact that I don’t remember such an inter-disciplinary lecture at the other Colloquia I have attended. So, while my expectations were high, they were still far exceeded. McNamara’s presentation was engaging, fast-paced, humble, rich in theology, and filled with hope. When all is said and done, I think this may be my personal highlight for Colloquium 2014. Too soon too call? Maybe, maybe not.

One of the other highlights has been the morning solfege warm-ups with Jeffrey Morse. I regret that I was not trained in solfege at an early age, but I can notice how, in just a few days time, Jeffrey’s presentation of the Ward Method has significantly improved my solfege facility.

Finally (for now), I had the chance on Wednesday afternoon to attend a breakout session with Adam Bartlett, who presented on “Chant in English & Spanish.” After some discussion of the challenges with composing vernacular chant, Adam traced a bit of the history of the various resources that have become available in recent years for singing the propers. The group received many insights into the Lumen Christi project, which is one of the greatest recent contributions to the field. (For an good, albeit informal, review of Barlett’s latest Lumen Christi Simple Gradual, click HERE.)

Many exciting things still lie ahead this week. I’m grateful to be in this terrific city, surrounded by so many people who want to sing with the heart of the Church!

Colloquium Update II

Colloquium Update III

Colloquium Update IV

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

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Quick Thoughts

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski
PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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