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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Appropriate

Aurelio Porfiri · June 30, 2014

CENE ONE: today I participated in a military parade. It was wonderful, with all the marching stepped to the rhythm of an exciting waltz.

SCENE TWO: my niece returns from a rock concert. She is very excited and tells me how the band blew everyone away with a captivating performance of a Gregorian chant, while everyone was madly dancing.

Ok, now if I ask you what is strange in these two scenes, I am sure 100% of you (ok…99%) will say that soldiers do not march to the rhythm of a waltz and that a rock band is not going to entertain fans at the sound of Gregorian chant. I can only say: you are right. It seems so evident for everyone that there is no need even to discuss it.

In the same way, I have never quite understood why people think it normal to sing pop music during the liturgy. I mean, is it appropriate? Of course not. But when we ask why this is possible we are told that this is what the people like. But look: people like sex, alcohol, games, money…are we going to include all of these in our future liturgies to attract people? As I have always said the problem is not pop music. I also listen to pop music and sometimes compose songs in pop and rock style (when I compose Musicals I need to use a style that is appropriate to Musicals). The problem is not pop music, but pop music in the liturgy.

I cannot understand how some people fail to see that pop music is indeed a bearer, for the most part, of certain worldly values, and that the music and the style remain strongly associated with those values that are in direct contrast with the values and teachings of the Catholic Church. So, to bring this association directly into the heart of the church, that is the liturgy, is not a good thing.

People say that this music can be redeemed like the organ that was used by the early Romans for pagan and secular purposes. This is not true. The organ was transformed into a Christian musical instrument, and the old use was completely abandoned; but the same cannot be said for pop music when its commercial use is infinitely more pervasive and powerful than the use the Church may have with it. Why then is it so difficult to understand that there are things that are appropriate to the liturgy and things that are not? If you still are not convinced about my arguments, that’s up to you. Go out and dance wildly in three quarter time with the soldiers.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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