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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Categories of Liturgical Problem

Dr. Peter Kwasniewski · May 22, 2014

0319_firefighter-mass-LG N DISCUSSIONS OF LITURGY, one often notices people lumping together problems that are really quite distinct and, therefore, demand different treatments. As a Thomist, I find it helpful to make distinctions and place phenomena in categories.

It seems to me that we are dealing with three categories:

1. The Discontinuous.
2. The Dubious.
3. The Abusive.

As an example of the first, one may cite the new calendar of the modern Roman rite, with its substitution of Ordinary Time for the Season after Pentecost, its abolition of the ancient octave of Pentecost, the removal of pre-Lent, Rogation days, and Ember days, and so forth. Speaking generally, many features of the Ordinary Form are discontinuous with the liturgical tradition that preceded it. This is a problem so serious that it can be repaired only by a pope or an ecumenical council, although naturally bishops and priests can do much to circumvent it simply by returning to the last integral expression of the Roman Rite, the 1962 Missale Romanum, and celebrating it more and more widely. This, in itself, will bring long-term healing by setting up the highest standard and introducing many faithful to the timeless riches of the ancient form of the liturgy.

The second category contains things that are anti-traditional but currently permitted―for example, communion in the hand, females in the sanctuary, the celebration of Mass against the people rather than towards the East, the use of organ during Lent, and other departures from centuries-old practice. Unlike the first, however, this category can be addressed directly by bishops and priests. In particular, bishops are empowered to keep the liturgical life of their dioceses safe from corruption or, if it is already damaged, to bring it back into harmony with Catholic tradition.

The third category refers to things that are not permitted by the Apostolic See but are nonetheless widespread, of which by far the most common example is the “habitual use of extraordinary ministers of holy communion,” which has been repeatedly excluded by church legislation. Of course, the combination of worldwide rebellion against the rules and an utter lack of will-power on the part of ecclesiastical authorities to implement them means, in practice, that nearly everything is tolerated and the rules are made a mockery of. Still, problems in this category are precisely the kind that any priest is allowed to repair on his own authority, since they are abuses of the discipline that he is required to uphold.

THE MORE OUR YOUNG PEOPLE become educated about their Catholic Faith, its traditions and history, the less they will be able to tolerate the postconciliar aberrations in any of these categories. The hermeneutic of rupture and discontinuity can survive only to the extent that people are poorly catechized and educated. Give them the truth, and they will say: “Why are we doing all this other stuff?” A sound theological education is pretty much the direct opposite of the spirit of Vatican II.

The Church is changing: the youth are more demanding and discerning, and they are not satisfied with glib, sentimental, condescending, or duplicitous answers. They are attracted to the Extraordinary Form of the Roman rite for its awesome stillness, its eloquent gestures, the richness of its prayers. It breathes the spirit of prayer, and if prayer is what you’re looking for, you want the real thing―glowing hot coals in the woodstove, not the electric heater. Yes, the rupturists and discontinuists will be around a lot longer, but the logic of their own position is such as to push them increasingly to the margins of the Church, from which they will eventually bail out when they see that their progressivist-modernist agenda is never going to win the day. Meanwhile, the tightly-knit, highly motivated, and extremely pro-clergy, pro-religious, and pro-family traditionalist movement, though relatively small in numbers, has the bloom and boldness of youth on it, and, simply from a demographic point of view, looks poised to be the major force shaping Catholicism in the coming decades.

As Fr. John Hunwicke so rightly said: “Benedict’s Age is a good age in which to be alive, an age of the very truest instauratio catholica.”

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The renewal also showed clearly that the formulas of the Roman Missal had to be revised and enriched. This was begun by Pope Pius XII in the restoration of the Easter Vigil and the Holy Week services, which formed the first stage in accommodating the Roman Missal to contemporary mentality.”

— Pope Paul VI (1974 Sacramentary)

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