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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Three Categories of Liturgical Problem

Dr. Peter Kwasniewski · May 22, 2014

0319_firefighter-mass-LG N DISCUSSIONS OF LITURGY, one often notices people lumping together problems that are really quite distinct and, therefore, demand different treatments. As a Thomist, I find it helpful to make distinctions and place phenomena in categories.

It seems to me that we are dealing with three categories:

1. The Discontinuous.
2. The Dubious.
3. The Abusive.

As an example of the first, one may cite the new calendar of the modern Roman rite, with its substitution of Ordinary Time for the Season after Pentecost, its abolition of the ancient octave of Pentecost, the removal of pre-Lent, Rogation days, and Ember days, and so forth. Speaking generally, many features of the Ordinary Form are discontinuous with the liturgical tradition that preceded it. This is a problem so serious that it can be repaired only by a pope or an ecumenical council, although naturally bishops and priests can do much to circumvent it simply by returning to the last integral expression of the Roman Rite, the 1962 Missale Romanum, and celebrating it more and more widely. This, in itself, will bring long-term healing by setting up the highest standard and introducing many faithful to the timeless riches of the ancient form of the liturgy.

The second category contains things that are anti-traditional but currently permitted―for example, communion in the hand, females in the sanctuary, the celebration of Mass against the people rather than towards the East, the use of organ during Lent, and other departures from centuries-old practice. Unlike the first, however, this category can be addressed directly by bishops and priests. In particular, bishops are empowered to keep the liturgical life of their dioceses safe from corruption or, if it is already damaged, to bring it back into harmony with Catholic tradition.

The third category refers to things that are not permitted by the Apostolic See but are nonetheless widespread, of which by far the most common example is the “habitual use of extraordinary ministers of holy communion,” which has been repeatedly excluded by church legislation. Of course, the combination of worldwide rebellion against the rules and an utter lack of will-power on the part of ecclesiastical authorities to implement them means, in practice, that nearly everything is tolerated and the rules are made a mockery of. Still, problems in this category are precisely the kind that any priest is allowed to repair on his own authority, since they are abuses of the discipline that he is required to uphold.

THE MORE OUR YOUNG PEOPLE become educated about their Catholic Faith, its traditions and history, the less they will be able to tolerate the postconciliar aberrations in any of these categories. The hermeneutic of rupture and discontinuity can survive only to the extent that people are poorly catechized and educated. Give them the truth, and they will say: “Why are we doing all this other stuff?” A sound theological education is pretty much the direct opposite of the spirit of Vatican II.

The Church is changing: the youth are more demanding and discerning, and they are not satisfied with glib, sentimental, condescending, or duplicitous answers. They are attracted to the Extraordinary Form of the Roman rite for its awesome stillness, its eloquent gestures, the richness of its prayers. It breathes the spirit of prayer, and if prayer is what you’re looking for, you want the real thing―glowing hot coals in the woodstove, not the electric heater. Yes, the rupturists and discontinuists will be around a lot longer, but the logic of their own position is such as to push them increasingly to the margins of the Church, from which they will eventually bail out when they see that their progressivist-modernist agenda is never going to win the day. Meanwhile, the tightly-knit, highly motivated, and extremely pro-clergy, pro-religious, and pro-family traditionalist movement, though relatively small in numbers, has the bloom and boldness of youth on it, and, simply from a demographic point of view, looks poised to be the major force shaping Catholicism in the coming decades.

As Fr. John Hunwicke so rightly said: “Benedict’s Age is a good age in which to be alive, an age of the very truest instauratio catholica.”

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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