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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Categories of Liturgical Problem

Dr. Peter Kwasniewski · May 22, 2014

0319_firefighter-mass-LG N DISCUSSIONS OF LITURGY, one often notices people lumping together problems that are really quite distinct and, therefore, demand different treatments. As a Thomist, I find it helpful to make distinctions and place phenomena in categories.

It seems to me that we are dealing with three categories:

1. The Discontinuous.
2. The Dubious.
3. The Abusive.

As an example of the first, one may cite the new calendar of the modern Roman rite, with its substitution of Ordinary Time for the Season after Pentecost, its abolition of the ancient octave of Pentecost, the removal of pre-Lent, Rogation days, and Ember days, and so forth. Speaking generally, many features of the Ordinary Form are discontinuous with the liturgical tradition that preceded it. This is a problem so serious that it can be repaired only by a pope or an ecumenical council, although naturally bishops and priests can do much to circumvent it simply by returning to the last integral expression of the Roman Rite, the 1962 Missale Romanum, and celebrating it more and more widely. This, in itself, will bring long-term healing by setting up the highest standard and introducing many faithful to the timeless riches of the ancient form of the liturgy.

The second category contains things that are anti-traditional but currently permitted―for example, communion in the hand, females in the sanctuary, the celebration of Mass against the people rather than towards the East, the use of organ during Lent, and other departures from centuries-old practice. Unlike the first, however, this category can be addressed directly by bishops and priests. In particular, bishops are empowered to keep the liturgical life of their dioceses safe from corruption or, if it is already damaged, to bring it back into harmony with Catholic tradition.

The third category refers to things that are not permitted by the Apostolic See but are nonetheless widespread, of which by far the most common example is the “habitual use of extraordinary ministers of holy communion,” which has been repeatedly excluded by church legislation. Of course, the combination of worldwide rebellion against the rules and an utter lack of will-power on the part of ecclesiastical authorities to implement them means, in practice, that nearly everything is tolerated and the rules are made a mockery of. Still, problems in this category are precisely the kind that any priest is allowed to repair on his own authority, since they are abuses of the discipline that he is required to uphold.

THE MORE OUR YOUNG PEOPLE become educated about their Catholic Faith, its traditions and history, the less they will be able to tolerate the postconciliar aberrations in any of these categories. The hermeneutic of rupture and discontinuity can survive only to the extent that people are poorly catechized and educated. Give them the truth, and they will say: “Why are we doing all this other stuff?” A sound theological education is pretty much the direct opposite of the spirit of Vatican II.

The Church is changing: the youth are more demanding and discerning, and they are not satisfied with glib, sentimental, condescending, or duplicitous answers. They are attracted to the Extraordinary Form of the Roman rite for its awesome stillness, its eloquent gestures, the richness of its prayers. It breathes the spirit of prayer, and if prayer is what you’re looking for, you want the real thing―glowing hot coals in the woodstove, not the electric heater. Yes, the rupturists and discontinuists will be around a lot longer, but the logic of their own position is such as to push them increasingly to the margins of the Church, from which they will eventually bail out when they see that their progressivist-modernist agenda is never going to win the day. Meanwhile, the tightly-knit, highly motivated, and extremely pro-clergy, pro-religious, and pro-family traditionalist movement, though relatively small in numbers, has the bloom and boldness of youth on it, and, simply from a demographic point of view, looks poised to be the major force shaping Catholicism in the coming decades.

As Fr. John Hunwicke so rightly said: “Benedict’s Age is a good age in which to be alive, an age of the very truest instauratio catholica.”

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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