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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Categories of Liturgical Problem

Dr. Peter Kwasniewski · May 22, 2014

0319_firefighter-mass-LG N DISCUSSIONS OF LITURGY, one often notices people lumping together problems that are really quite distinct and, therefore, demand different treatments. As a Thomist, I find it helpful to make distinctions and place phenomena in categories.

It seems to me that we are dealing with three categories:

1. The Discontinuous.
2. The Dubious.
3. The Abusive.

As an example of the first, one may cite the new calendar of the modern Roman rite, with its substitution of Ordinary Time for the Season after Pentecost, its abolition of the ancient octave of Pentecost, the removal of pre-Lent, Rogation days, and Ember days, and so forth. Speaking generally, many features of the Ordinary Form are discontinuous with the liturgical tradition that preceded it. This is a problem so serious that it can be repaired only by a pope or an ecumenical council, although naturally bishops and priests can do much to circumvent it simply by returning to the last integral expression of the Roman Rite, the 1962 Missale Romanum, and celebrating it more and more widely. This, in itself, will bring long-term healing by setting up the highest standard and introducing many faithful to the timeless riches of the ancient form of the liturgy.

The second category contains things that are anti-traditional but currently permitted―for example, communion in the hand, females in the sanctuary, the celebration of Mass against the people rather than towards the East, the use of organ during Lent, and other departures from centuries-old practice. Unlike the first, however, this category can be addressed directly by bishops and priests. In particular, bishops are empowered to keep the liturgical life of their dioceses safe from corruption or, if it is already damaged, to bring it back into harmony with Catholic tradition.

The third category refers to things that are not permitted by the Apostolic See but are nonetheless widespread, of which by far the most common example is the “habitual use of extraordinary ministers of holy communion,” which has been repeatedly excluded by church legislation. Of course, the combination of worldwide rebellion against the rules and an utter lack of will-power on the part of ecclesiastical authorities to implement them means, in practice, that nearly everything is tolerated and the rules are made a mockery of. Still, problems in this category are precisely the kind that any priest is allowed to repair on his own authority, since they are abuses of the discipline that he is required to uphold.

THE MORE OUR YOUNG PEOPLE become educated about their Catholic Faith, its traditions and history, the less they will be able to tolerate the postconciliar aberrations in any of these categories. The hermeneutic of rupture and discontinuity can survive only to the extent that people are poorly catechized and educated. Give them the truth, and they will say: “Why are we doing all this other stuff?” A sound theological education is pretty much the direct opposite of the spirit of Vatican II.

The Church is changing: the youth are more demanding and discerning, and they are not satisfied with glib, sentimental, condescending, or duplicitous answers. They are attracted to the Extraordinary Form of the Roman rite for its awesome stillness, its eloquent gestures, the richness of its prayers. It breathes the spirit of prayer, and if prayer is what you’re looking for, you want the real thing―glowing hot coals in the woodstove, not the electric heater. Yes, the rupturists and discontinuists will be around a lot longer, but the logic of their own position is such as to push them increasingly to the margins of the Church, from which they will eventually bail out when they see that their progressivist-modernist agenda is never going to win the day. Meanwhile, the tightly-knit, highly motivated, and extremely pro-clergy, pro-religious, and pro-family traditionalist movement, though relatively small in numbers, has the bloom and boldness of youth on it, and, simply from a demographic point of view, looks poised to be the major force shaping Catholicism in the coming decades.

As Fr. John Hunwicke so rightly said: “Benedict’s Age is a good age in which to be alive, an age of the very truest instauratio catholica.”

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

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