• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Soft Source of Calm Tranquillity”: The Quiet Mass

Dr. Peter Kwasniewski · April 24, 2014

EORGE FRIDERIC HANDEL is so well known for his multitudinous English oratorios and Italian operas that it can be hard to remember he was a native German-speaker for whom both of those languages were acquired in the course of a colorful, productive, and largely successful career. It is also surprising that he set to music very few German texts in his life. One lovely exception are the Nine German Arias (HWV 202-210), to which I have been recently listening. The text of the aria “Süße Stille, sanfte Quelle” (HWV 205), written by Barthold Heinrich Brocke in 1721, particularly caught my attention:

Sweet silence,
soft source of calm tranquility:
when after this time
of vain labor
I see in my mind’s eye
that rest which awaits us in eternity.

To me, this poem perfectly captures the feelings one often has at a quiet low Mass. And while I am admittedly an ardent advocate of the sung High Mass and the Solemn Mass, I also know from long and grateful experience how the low Mass (especially on weekdays) can be an oasis of spiritual rest in the midst of our labors, a foretaste of that eternal resting in God that we long for if we are awake and alert to His reality and our destiny.

At Wyoming Catholic College we have a calm, almost whispered early morning low Mass each Saturday. It is so still in the church that you are strangely aware of silent things like the sunlight pouring through the windows. You hear the birds singing around the church as the daylight grows. As the age-old and ageless dialogue of the priest and servers wafts over me, I feel my soul grow calm in the presence of the Lord: the “still, small voice” of God speaks to me through the sacred liturgy. I understand better what Dom Guéranger once wrote: “The Holy Spirit has made the liturgy the center of his working in men’s souls.”

The Novus Ordo almost never allows for this kind of experience. After decades of experiencing it in the best possible situations, with priests of unquestionable orthodoxy and piety, appropriate sacred music, and so forth, that profound tranquillity, simplicity, silence, and otherworldliness, so characteristic of the traditional Low Mass, has proved ever elusive. I think the main reason is that the Novus Ordo is often demanding that you DO something, SPEAK or MOVE or whatever; you are never left at peace for long. It’s like having a schoolmarm who is always there poking you awake from your daydream and demanding that you get back to your long division problems: no time to waste! We’ve got work to do!

We modern Westerners are so inured to (one might even say seduced by) activism, we sometimes end up losing in our feverish work the graces we could have obtained in peace of soul, “waiting on the Lord.” Perhaps what we need the most is to let ourselves simply “be” in the presence of the Lord, abiding with Him, breathing with His breath, watching for Him to show Himself in some small way that is nevertheless immensely precious. It’s very hard to express what I’m talking about to someone who has not experienced a truly prayerful Low Mass―and for those who have experienced it, no explanation is necessary.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • Eucharistic Hymns for Your Choir
  • Fulton J. Sheen • “24-Hour Catechism”
  • “Breviary Editors Did It First!” • Omitting Verses?
  • Music List • (4th Sunday of Lent)
  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.