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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Lazarus, Come Out!

Fr. David Friel · April 6, 2014

ROWING UP, I worked a bunch of different part-time jobs. But the very first job I ever had in the Church was cutting the grass in the cemetery at my home parish. My friend, Tim, and I used to push-mow the whole cemetery and then go back and weedwhack it. It took us a few days to trim the whole cemetery. In the summer months, by the time we finished the project, we had to start all over again; we would mow then weedwhack, mow then weedwhack.

Some folks might think working in and around cemeteries is a morbid thing, but that hasn’t been my experience. Remember that the Lord, Himself, spent three days in a tomb. As we hear in the readings for the Fifth Sunday of Lent, the Lord is not at all afraid to talk about graves and deal with them in a hands-on way.

The words of Ezekiel, chapter 37: “Thus says the Lord GOD: O my people, I will open your graves and have you rise from them.” Our first instinct upon hearing these words is probably to think of them as a future promise: God will raise us up after we die. But, is this promise really only about the future, after we die? Or is it also about the here and now?

I propose that the Lord is promising to raise us up not only on the Last Day, but also to raise us up out of the graves of our sins. Sin is death; sin is slavery; sin is a state of being buried alive. Those are all scriptural ways of describing sin, and we know them all-too-well from our own experience.

We refuse to stand up for someone who needs it, and, in so doing, we bind up our feet. We fail to give money to the poor and needy among us, and our hands are bound up. Every time we speak harsh words out of anger or frustration, our mouths are wrapped tight. We choose not to be compassionate in sharing a friend’s burden, and our shoulders are bound with tape. When we don’t make time for church and daily prayer, our hearts are shrouded. When we judge the people around us by superficial measures, our eyes are blindfolded. After a little while, as our sins pile on top of one another, we end up totally mummified. We end up looking a lot like Lazarus.

Lazarus is a dead man in this Gospel story. The text tells us that he has been in the tomb already for four days and that he is “tied hand and foot.” After Martha & Mary beg Jesus to do something, the Lord calls Lazarus out of the tomb: “Lazarus, come out!” Then, He immediately gives another very direct command. He says to Martha and Mary, “Untie (λύσατε) him and let him go.”

That word Jesus uses for “untie” is interesting. That word in Greek (λύσατε) is the same word that means “to set loose” in the Gospel verse that says, “Whatever you bind on Earth shall be bound in heaven, and whatever you loose on Earth shall be loosed in heaven” (Matt 18:18). That verse, of course, refers to the power given to the Apostles to forgive sins. So, the same meaning can be applied to Jesus’ command to “untie” Lazarus. What’s going on there isn’t just the physical removal of burial cloths. It’s also about Jesus’ power to forgive sins. The message is this: Jesus has power over sin and death, and He offers us freedom in place of the bondage of sin.

What our Lord does for Lazarus, He wants so much to do for us, too. As He says through Ezekiel: “O my people, I will open your graves and have you rise from them.” In the Sacrament of Penance, Jesus says to each one of us, “Lazarus, come out [of the grave].” He says, “Untie him,” and the burial cloths of our sins fall to pieces around us. It took Jesus only a few simple words to restore Lazarus, and it takes only the simple words of a priest to bring us new life and the forgiveness of our sins.

When was the last time you went to confession? Our Lord stands ready to do His part, but we must agree to leave the grave. We cannot reach out for freedom & forgiveness and cling to slavery & sin at the same time. The Lord is eager to begin the work of unbinding, unchaining us. Will we allow ourselves to be set free?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

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