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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Lazarus, Come Out!

Fr. David Friel · April 6, 2014

ROWING UP, I worked a bunch of different part-time jobs. But the very first job I ever had in the Church was cutting the grass in the cemetery at my home parish. My friend, Tim, and I used to push-mow the whole cemetery and then go back and weedwhack it. It took us a few days to trim the whole cemetery. In the summer months, by the time we finished the project, we had to start all over again; we would mow then weedwhack, mow then weedwhack.

Some folks might think working in and around cemeteries is a morbid thing, but that hasn’t been my experience. Remember that the Lord, Himself, spent three days in a tomb. As we hear in the readings for the Fifth Sunday of Lent, the Lord is not at all afraid to talk about graves and deal with them in a hands-on way.

The words of Ezekiel, chapter 37: “Thus says the Lord GOD: O my people, I will open your graves and have you rise from them.” Our first instinct upon hearing these words is probably to think of them as a future promise: God will raise us up after we die. But, is this promise really only about the future, after we die? Or is it also about the here and now?

I propose that the Lord is promising to raise us up not only on the Last Day, but also to raise us up out of the graves of our sins. Sin is death; sin is slavery; sin is a state of being buried alive. Those are all scriptural ways of describing sin, and we know them all-too-well from our own experience.

We refuse to stand up for someone who needs it, and, in so doing, we bind up our feet. We fail to give money to the poor and needy among us, and our hands are bound up. Every time we speak harsh words out of anger or frustration, our mouths are wrapped tight. We choose not to be compassionate in sharing a friend’s burden, and our shoulders are bound with tape. When we don’t make time for church and daily prayer, our hearts are shrouded. When we judge the people around us by superficial measures, our eyes are blindfolded. After a little while, as our sins pile on top of one another, we end up totally mummified. We end up looking a lot like Lazarus.

Lazarus is a dead man in this Gospel story. The text tells us that he has been in the tomb already for four days and that he is “tied hand and foot.” After Martha & Mary beg Jesus to do something, the Lord calls Lazarus out of the tomb: “Lazarus, come out!” Then, He immediately gives another very direct command. He says to Martha and Mary, “Untie (λύσατε) him and let him go.”

That word Jesus uses for “untie” is interesting. That word in Greek (λύσατε) is the same word that means “to set loose” in the Gospel verse that says, “Whatever you bind on Earth shall be bound in heaven, and whatever you loose on Earth shall be loosed in heaven” (Matt 18:18). That verse, of course, refers to the power given to the Apostles to forgive sins. So, the same meaning can be applied to Jesus’ command to “untie” Lazarus. What’s going on there isn’t just the physical removal of burial cloths. It’s also about Jesus’ power to forgive sins. The message is this: Jesus has power over sin and death, and He offers us freedom in place of the bondage of sin.

What our Lord does for Lazarus, He wants so much to do for us, too. As He says through Ezekiel: “O my people, I will open your graves and have you rise from them.” In the Sacrament of Penance, Jesus says to each one of us, “Lazarus, come out [of the grave].” He says, “Untie him,” and the burial cloths of our sins fall to pieces around us. It took Jesus only a few simple words to restore Lazarus, and it takes only the simple words of a priest to bring us new life and the forgiveness of our sins.

When was the last time you went to confession? Our Lord stands ready to do His part, but we must agree to leave the grave. We cannot reach out for freedom & forgiveness and cling to slavery & sin at the same time. The Lord is eager to begin the work of unbinding, unchaining us. Will we allow ourselves to be set free?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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