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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Dr. Peter Kwasniewski · March 20, 2014

0319_east-rite-lg YZANTINE CATHOLICS and Eastern Orthodox Christians have maintained in full and essential integrity the depth, beauty, and sacredness of the Church’s Eastern liturgical heritage; the Western Church has eradicated countless elements of her equally deep, beautiful, and sacred heritage. The latter is slowly coming back, but for a time, it looked like it was going to become extinct―and, even now, it is still an endangered species in far too many dioceses.

This is troubling because it puts educated and loyal Roman Catholics at a disadvantage in their apostolic work, not only in regard to using persuasive apologetics about the Church’s continuity with her own apostolic tradition (something we used to assert as true and would still like to be able to say), but also in regard to the very effort to live out an authentically Catholic life from day to day, week to week, year to year, which is the foundation for every fruitful apostolate.

So much of the structure of Catholic life was disturbed, distorted, or obliterated in the past five decades that it is much harder to see who we are any more, what we believe, or why we do what we do. Ask lots of Catholics out there about the teachings of the Church on faith or morals, and about what happens at Mass and even what the Mass is, and you will quickly sense the crisis―the fragmentation, balkanization, vacancy of content―the dimensions of which very few people are willing to stare in the face. That is what the mainstream looks like, and no wonder: we are only just now beginning to get beyond the period when the ranks of the clergy, from top to bottom, were stacked with soft or hard modernists who changed, as far as it lay in their power, the content of “the Faith which was once for all delivered to the saints” (Jude 1:3). On top of this is the new silly season that has been unleashed by the media’s running away with papal comments taken out of context.

As goes the clergy, so goes the faithful. St. Pius X is purported to have said, “If the priest is a saint, the people will be good; if the priest is good, the people will be mediocre; if the priest is mediocre, the people will be wretches; and if the priest is bad, the people will be beasts.” As T. S. Eliot foresaw, we have around us the grotesque spectacle of high-tech barbarism: men and women with the latest gadgets but with a moral conscience equal to or lower than that of the ancient barbarians. Pope Pius XII spoke of modernity’s “monstrous masterpiece,” namely, “transforming man into a giant of the physical world at the expense of his spirit, which is reduced to that of a pygmy in the supernatural and eternal world.”

OFTEN THINK of Joseph Ratzinger’s disturbing remark: What are we to think of a Church that all of a sudden repudiated that which it had once held to be its most sacred possession? What happens when those who are striving to remain loyal to the 2,000-year doctrinal, liturgical, and disciplinary heritage of the Church are driven away, alienated, mocked, left without comfort, without a clear sign that their Church has not in fact collapsed under the weight of modernity’s errors and treacheries?

So we grit our teeth and courageously say “I will never abandon the Church of Christ,” and our Lord will reward us for that fidelity. But does it not seem strange that divine worship, in which we are supposed to see and hear and feel a foretaste of heavenly glory, should be, for so many, an onerous burden, as from Sunday to Sunday we behold abominations in the sanctuary, improvisations, innovations, that sever the “Catholicism” of today from its entire patrimony? Is divine worship really meant to be such a trial?

Should catechesis, grammar school, and seminary life have changed so drastically that individuals who want to convert to the true faith no longer know where to turn, orthodox parents no longer want to send their children to Catholic schools, and young men eager to become holy priests can find only with difficulty a diocesan seminary that is fully in line with the tradition and magisterium of the Church?

All of this bodes ill for the future of the Church, and that is why so many disgruntled Catholics are leaving for good. The uneducated ones are sucked into evangelical congregations where they can get firm and demanding (or at least highly entertaining) doctrine from Bible preachers, not a wishy-washy sermon about being nice. The more educated may fall prey to the aesthetic majesty and persuasive polemics of the Eastern Orthodox, who can quench any man’s thirst for genuine ascetical-liturgical spirituality. Often, the best that can be realistically hoped for is that earnest and educated Catholics will simply go East “half way,” so to speak, by migrating to an Eastern Catholic church like the Ukrainian, Ruthenian, or Melkite, or that they will be fortunate enough to discover a thriving Tridentine community nearby that can fulfill their need for profound worship and serious Catholic doctrine.

I was struck by the words of Benedictine monk Fr. Hugh Somerville-Knapman (here):

One thing seems sure: without a wholesale renewal of liturgical practice and spirituality the New Evangelization will remain just another expensive white-elephant of a programme. And priests will remain faced with the temptation to entertain and be creative in worship, and in so doing seriously undermine that worship. Without authentic worship the faithful, especially the young, will not be truly challenged to live with integrity, treating their own bodies as temples of the Holy Spirit, and their neighbours as Christs in disguise.

As Dr. Alcuin Reid recently wrote, if you want to find Catholics who actually know who they are and what they believe with some clarity and depth―people who know why they do what they do in the worship of God or in the duties of daily life―you will generally find them in traditional enclaves. There is no future for those who reject their past.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

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