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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Dr. Peter Kwasniewski · March 20, 2014

0319_east-rite-lg YZANTINE CATHOLICS and Eastern Orthodox Christians have maintained in full and essential integrity the depth, beauty, and sacredness of the Church’s Eastern liturgical heritage; the Western Church has eradicated countless elements of her equally deep, beautiful, and sacred heritage. The latter is slowly coming back, but for a time, it looked like it was going to become extinct―and, even now, it is still an endangered species in far too many dioceses.

This is troubling because it puts educated and loyal Roman Catholics at a disadvantage in their apostolic work, not only in regard to using persuasive apologetics about the Church’s continuity with her own apostolic tradition (something we used to assert as true and would still like to be able to say), but also in regard to the very effort to live out an authentically Catholic life from day to day, week to week, year to year, which is the foundation for every fruitful apostolate.

So much of the structure of Catholic life was disturbed, distorted, or obliterated in the past five decades that it is much harder to see who we are any more, what we believe, or why we do what we do. Ask lots of Catholics out there about the teachings of the Church on faith or morals, and about what happens at Mass and even what the Mass is, and you will quickly sense the crisis―the fragmentation, balkanization, vacancy of content―the dimensions of which very few people are willing to stare in the face. That is what the mainstream looks like, and no wonder: we are only just now beginning to get beyond the period when the ranks of the clergy, from top to bottom, were stacked with soft or hard modernists who changed, as far as it lay in their power, the content of “the Faith which was once for all delivered to the saints” (Jude 1:3). On top of this is the new silly season that has been unleashed by the media’s running away with papal comments taken out of context.

As goes the clergy, so goes the faithful. St. Pius X is purported to have said, “If the priest is a saint, the people will be good; if the priest is good, the people will be mediocre; if the priest is mediocre, the people will be wretches; and if the priest is bad, the people will be beasts.” As T. S. Eliot foresaw, we have around us the grotesque spectacle of high-tech barbarism: men and women with the latest gadgets but with a moral conscience equal to or lower than that of the ancient barbarians. Pope Pius XII spoke of modernity’s “monstrous masterpiece,” namely, “transforming man into a giant of the physical world at the expense of his spirit, which is reduced to that of a pygmy in the supernatural and eternal world.”

OFTEN THINK of Joseph Ratzinger’s disturbing remark: What are we to think of a Church that all of a sudden repudiated that which it had once held to be its most sacred possession? What happens when those who are striving to remain loyal to the 2,000-year doctrinal, liturgical, and disciplinary heritage of the Church are driven away, alienated, mocked, left without comfort, without a clear sign that their Church has not in fact collapsed under the weight of modernity’s errors and treacheries?

So we grit our teeth and courageously say “I will never abandon the Church of Christ,” and our Lord will reward us for that fidelity. But does it not seem strange that divine worship, in which we are supposed to see and hear and feel a foretaste of heavenly glory, should be, for so many, an onerous burden, as from Sunday to Sunday we behold abominations in the sanctuary, improvisations, innovations, that sever the “Catholicism” of today from its entire patrimony? Is divine worship really meant to be such a trial?

Should catechesis, grammar school, and seminary life have changed so drastically that individuals who want to convert to the true faith no longer know where to turn, orthodox parents no longer want to send their children to Catholic schools, and young men eager to become holy priests can find only with difficulty a diocesan seminary that is fully in line with the tradition and magisterium of the Church?

All of this bodes ill for the future of the Church, and that is why so many disgruntled Catholics are leaving for good. The uneducated ones are sucked into evangelical congregations where they can get firm and demanding (or at least highly entertaining) doctrine from Bible preachers, not a wishy-washy sermon about being nice. The more educated may fall prey to the aesthetic majesty and persuasive polemics of the Eastern Orthodox, who can quench any man’s thirst for genuine ascetical-liturgical spirituality. Often, the best that can be realistically hoped for is that earnest and educated Catholics will simply go East “half way,” so to speak, by migrating to an Eastern Catholic church like the Ukrainian, Ruthenian, or Melkite, or that they will be fortunate enough to discover a thriving Tridentine community nearby that can fulfill their need for profound worship and serious Catholic doctrine.

I was struck by the words of Benedictine monk Fr. Hugh Somerville-Knapman (here):

One thing seems sure: without a wholesale renewal of liturgical practice and spirituality the New Evangelization will remain just another expensive white-elephant of a programme. And priests will remain faced with the temptation to entertain and be creative in worship, and in so doing seriously undermine that worship. Without authentic worship the faithful, especially the young, will not be truly challenged to live with integrity, treating their own bodies as temples of the Holy Spirit, and their neighbours as Christs in disguise.

As Dr. Alcuin Reid recently wrote, if you want to find Catholics who actually know who they are and what they believe with some clarity and depth―people who know why they do what they do in the worship of God or in the duties of daily life―you will generally find them in traditional enclaves. There is no future for those who reject their past.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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