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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Dr. Peter Kwasniewski · March 20, 2014

0319_east-rite-lg YZANTINE CATHOLICS and Eastern Orthodox Christians have maintained in full and essential integrity the depth, beauty, and sacredness of the Church’s Eastern liturgical heritage; the Western Church has eradicated countless elements of her equally deep, beautiful, and sacred heritage. The latter is slowly coming back, but for a time, it looked like it was going to become extinct―and, even now, it is still an endangered species in far too many dioceses.

This is troubling because it puts educated and loyal Roman Catholics at a disadvantage in their apostolic work, not only in regard to using persuasive apologetics about the Church’s continuity with her own apostolic tradition (something we used to assert as true and would still like to be able to say), but also in regard to the very effort to live out an authentically Catholic life from day to day, week to week, year to year, which is the foundation for every fruitful apostolate.

So much of the structure of Catholic life was disturbed, distorted, or obliterated in the past five decades that it is much harder to see who we are any more, what we believe, or why we do what we do. Ask lots of Catholics out there about the teachings of the Church on faith or morals, and about what happens at Mass and even what the Mass is, and you will quickly sense the crisis―the fragmentation, balkanization, vacancy of content―the dimensions of which very few people are willing to stare in the face. That is what the mainstream looks like, and no wonder: we are only just now beginning to get beyond the period when the ranks of the clergy, from top to bottom, were stacked with soft or hard modernists who changed, as far as it lay in their power, the content of “the Faith which was once for all delivered to the saints” (Jude 1:3). On top of this is the new silly season that has been unleashed by the media’s running away with papal comments taken out of context.

As goes the clergy, so goes the faithful. St. Pius X is purported to have said, “If the priest is a saint, the people will be good; if the priest is good, the people will be mediocre; if the priest is mediocre, the people will be wretches; and if the priest is bad, the people will be beasts.” As T. S. Eliot foresaw, we have around us the grotesque spectacle of high-tech barbarism: men and women with the latest gadgets but with a moral conscience equal to or lower than that of the ancient barbarians. Pope Pius XII spoke of modernity’s “monstrous masterpiece,” namely, “transforming man into a giant of the physical world at the expense of his spirit, which is reduced to that of a pygmy in the supernatural and eternal world.”

OFTEN THINK of Joseph Ratzinger’s disturbing remark: What are we to think of a Church that all of a sudden repudiated that which it had once held to be its most sacred possession? What happens when those who are striving to remain loyal to the 2,000-year doctrinal, liturgical, and disciplinary heritage of the Church are driven away, alienated, mocked, left without comfort, without a clear sign that their Church has not in fact collapsed under the weight of modernity’s errors and treacheries?

So we grit our teeth and courageously say “I will never abandon the Church of Christ,” and our Lord will reward us for that fidelity. But does it not seem strange that divine worship, in which we are supposed to see and hear and feel a foretaste of heavenly glory, should be, for so many, an onerous burden, as from Sunday to Sunday we behold abominations in the sanctuary, improvisations, innovations, that sever the “Catholicism” of today from its entire patrimony? Is divine worship really meant to be such a trial?

Should catechesis, grammar school, and seminary life have changed so drastically that individuals who want to convert to the true faith no longer know where to turn, orthodox parents no longer want to send their children to Catholic schools, and young men eager to become holy priests can find only with difficulty a diocesan seminary that is fully in line with the tradition and magisterium of the Church?

All of this bodes ill for the future of the Church, and that is why so many disgruntled Catholics are leaving for good. The uneducated ones are sucked into evangelical congregations where they can get firm and demanding (or at least highly entertaining) doctrine from Bible preachers, not a wishy-washy sermon about being nice. The more educated may fall prey to the aesthetic majesty and persuasive polemics of the Eastern Orthodox, who can quench any man’s thirst for genuine ascetical-liturgical spirituality. Often, the best that can be realistically hoped for is that earnest and educated Catholics will simply go East “half way,” so to speak, by migrating to an Eastern Catholic church like the Ukrainian, Ruthenian, or Melkite, or that they will be fortunate enough to discover a thriving Tridentine community nearby that can fulfill their need for profound worship and serious Catholic doctrine.

I was struck by the words of Benedictine monk Fr. Hugh Somerville-Knapman (here):

One thing seems sure: without a wholesale renewal of liturgical practice and spirituality the New Evangelization will remain just another expensive white-elephant of a programme. And priests will remain faced with the temptation to entertain and be creative in worship, and in so doing seriously undermine that worship. Without authentic worship the faithful, especially the young, will not be truly challenged to live with integrity, treating their own bodies as temples of the Holy Spirit, and their neighbours as Christs in disguise.

As Dr. Alcuin Reid recently wrote, if you want to find Catholics who actually know who they are and what they believe with some clarity and depth―people who know why they do what they do in the worship of God or in the duties of daily life―you will generally find them in traditional enclaves. There is no future for those who reject their past.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

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