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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Poverty, Self-Denial, and Peace – Part II

Dr. Peter Kwasniewski · February 6, 2014

St_Therese_375 HE CONTRAST between Buddhist “salvation” and Christian salvation―which means entering fully into the radiant, though to our eyes darksome, plenitude of love, gaining one’s identity in communion with the other―could not be more striking (see last week’s post for more). In his book Truth and Tolerance, Joseph Ratzinger dwells in a similar way on the contrast between the path of mystical “identification,” where the ego is lost in an ocean of impersonal “divinity,” and the path of personal communion where the self, through a process of abandonment and purification, becomes for the first time really and truly itself, precisely by surrendering to and being caught up in the Beloved. Here is where the Christian faith is unique: we find rest in a person, in a friendship founded on a love that knows no limits and lasts forever, if only we will cling to him in love. We can see this clearly in Matthew 11:28–29:

Come to me, all you who labor and are heavy laden,
and I will give you rest.
Take my yoke upon you, and learn from me;
for I am gentle and lowly of heart,
and you will find rest for your souls.

Our Lord says, first of all, not “Envision an ideal,” or “Go to the streets,” or “Enter into your psyche,” but “Come to ME”―this is where the laborer (and that means each one of us after the fall) must go. The laborer is heavy laden with the world. Christ wants to replace this burden with a “yoke” that is, paradoxically, the opposite of burdensome: a being yoked in friendship, a union of our restless hearts with his peaceful heart, burning with gentle love, so lowly that it welcomes even sinners. Without Jesus, whose power is made perfect in our weakness, we can do nothing at all, not one deed worthy of eternal life (cf. 2 Cor 12:9; Jn 15:5).

How different this teaching, at once consoling and challenging, is from the despairing self-portrait of modern man: self-sufficient and self-satisfied on the surface, but utterly lacking in true peace of soul, and utterly afraid of suffering and death. No, we somehow have to face, or rather, embrace, suffering and death―not because they are the final word, but because our Lord has made them the path to inner freedom and the gateway to eternal life. In the Canticle of the Sun St. Francis calls death “his sister.” Why? Because she puts an end to illusion and to sin. We must be ready for this end. The only way to be ready for it is to learn the art of dying to self.

A crucial part of peace-making (and, as I observed a couple of posts ago, a remote preparation for martyrdom) is to learn to do without, to learn to be poor in spirit as well as in bodily goods. In this way we try to strip ourselves of the self-will or wilfulness that leads to conflict, we strip ourselves of the goods that lead to one man’s being exalted over another in real or apparent power―for he who has much, has power to hoard it and use it irresponsibly, at the expense of others, indulging himself while others look on. Recall Our Lord’s parable of Dives and Lazarus (Lk 16:19–31).

How do we learn this most challenging and subtle art? In small ways. We cannot do everything all at once. We can only tackle one thing at a time. It will be a question, at first, of seemingly insignificant, unnoticed acts by which we thwart our own selfish desire in favor of loving and serving another, for God’s sake and for the other person’s sake. Each one of us can think, if we are honest, of a hundred small ways in which we might help out others, in spite of our habitual inclinations against undertaking this or that particular task―we might think of our mothers or fathers, our roommates, our friends, our sweethearts, our wives, our children, our coworkers, even and perhaps especially the people who dislike us or whom we dislike. The little dyings-to-self are the endurance training for the final supreme act of heroism: the acceptance of the death that divine Providence has appointed for us.

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Last Fall, however, the bishop of Augsburg in West Germany, the Most Rev. Josef Stimpfle, ordered all parishes in his diocese to have a Latin High Mass at least once a month. This policy drew a letter of warm commendation from the apostolic nuncio to West Germany, Archbishop Guido del Mestri, who termed the decree “exemplary” and added, “The way chosen by you is one desired by the whole Church.”

— Latin Liturgy Association “Newsletter” (September 1980)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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