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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Poverty, Self-Denial, and Peace – Part II

Dr. Peter Kwasniewski · February 6, 2014

St_Therese_375 HE CONTRAST between Buddhist “salvation” and Christian salvation―which means entering fully into the radiant, though to our eyes darksome, plenitude of love, gaining one’s identity in communion with the other―could not be more striking (see last week’s post for more). In his book Truth and Tolerance, Joseph Ratzinger dwells in a similar way on the contrast between the path of mystical “identification,” where the ego is lost in an ocean of impersonal “divinity,” and the path of personal communion where the self, through a process of abandonment and purification, becomes for the first time really and truly itself, precisely by surrendering to and being caught up in the Beloved. Here is where the Christian faith is unique: we find rest in a person, in a friendship founded on a love that knows no limits and lasts forever, if only we will cling to him in love. We can see this clearly in Matthew 11:28–29:

Come to me, all you who labor and are heavy laden,
and I will give you rest.
Take my yoke upon you, and learn from me;
for I am gentle and lowly of heart,
and you will find rest for your souls.

Our Lord says, first of all, not “Envision an ideal,” or “Go to the streets,” or “Enter into your psyche,” but “Come to ME”―this is where the laborer (and that means each one of us after the fall) must go. The laborer is heavy laden with the world. Christ wants to replace this burden with a “yoke” that is, paradoxically, the opposite of burdensome: a being yoked in friendship, a union of our restless hearts with his peaceful heart, burning with gentle love, so lowly that it welcomes even sinners. Without Jesus, whose power is made perfect in our weakness, we can do nothing at all, not one deed worthy of eternal life (cf. 2 Cor 12:9; Jn 15:5).

How different this teaching, at once consoling and challenging, is from the despairing self-portrait of modern man: self-sufficient and self-satisfied on the surface, but utterly lacking in true peace of soul, and utterly afraid of suffering and death. No, we somehow have to face, or rather, embrace, suffering and death―not because they are the final word, but because our Lord has made them the path to inner freedom and the gateway to eternal life. In the Canticle of the Sun St. Francis calls death “his sister.” Why? Because she puts an end to illusion and to sin. We must be ready for this end. The only way to be ready for it is to learn the art of dying to self.

A crucial part of peace-making (and, as I observed a couple of posts ago, a remote preparation for martyrdom) is to learn to do without, to learn to be poor in spirit as well as in bodily goods. In this way we try to strip ourselves of the self-will or wilfulness that leads to conflict, we strip ourselves of the goods that lead to one man’s being exalted over another in real or apparent power―for he who has much, has power to hoard it and use it irresponsibly, at the expense of others, indulging himself while others look on. Recall Our Lord’s parable of Dives and Lazarus (Lk 16:19–31).

How do we learn this most challenging and subtle art? In small ways. We cannot do everything all at once. We can only tackle one thing at a time. It will be a question, at first, of seemingly insignificant, unnoticed acts by which we thwart our own selfish desire in favor of loving and serving another, for God’s sake and for the other person’s sake. Each one of us can think, if we are honest, of a hundred small ways in which we might help out others, in spite of our habitual inclinations against undertaking this or that particular task―we might think of our mothers or fathers, our roommates, our friends, our sweethearts, our wives, our children, our coworkers, even and perhaps especially the people who dislike us or whom we dislike. The little dyings-to-self are the endurance training for the final supreme act of heroism: the acceptance of the death that divine Providence has appointed for us.

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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