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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Focus So Much on the Liturgy?

Dr. Peter Kwasniewski · February 13, 2014

803 Latin QUESTION ONE often hears asked: “Why do traditionalists focus so much on the liturgy? Do they think it’s the most important thing in the world?” The implied answer is, No, it really isn’t the most important thing; after all, there’s the doctrinal content of the faith, and the Church’s whole magisterium, there’s missionary work and social work for the poor, there’s catechesis and adult education, etc. Surely, all that together is more important or at least equally so?

But in truth, it is not so. Catechesis, marriage, theology, devotions, everything hinges on the sacred liturgy, which, in its eucharistic consummation, is the source and summit of the Church’s entire life, as Vatican II lucidly taught. The Christian people is formed by the liturgy more than by anything else; it is the one formative influence that is universal to believers and intended by our Lord to be their very food and drink. Catechesis may vary, interest in doctrine and use of devotional practices may vary, but Sunday worship, and the celebration of the other sacraments, will profoundly affect the way believers think of God, worship God, and lead their lives. Take away the liturgy, and you have ripped the heart right out of the body. Or, to use a similar metaphor, it’s like the difference between cutting off a limb and chopping off the head. Man can survive a lot of wounds and amputations, but once the head is gone, nothing else matters.

Jesus taught us: “eye is the lamp of the body. So, if your eye is sound, your whole body will be full of light; but if your eye is not sound, your whole body will be full of darkness. If then the light in you is darkness, how great is the darkness!” (Mt 6:22-23 RSV) The liturgy is like the eye of the Church. If this eye is sound, the whole body will be full of its light. When the public worship of God is our first priority, when it is carried out reverently, lovingly, with adoration, and we give our very best to it, doing everything in harmony with Catholic tradition and the directives of the Church, then we have brought ourselves into the right relationship with the Mystical Body and its Head, Christ our King, Sovereign High Priest. From that right relationship flows our personal prayer, our study and catechesis, our works of charity and evangelization, even our leisure and recreation.

But if the liturgy is perverted, if it is shallow, horizontal, and full of abuses, if it embodies and promotes a hermeneutic of rupture and discontinuity vis-à-vis the great tradition of the Church, then the Church has been dealt the closest thing to a death-blow that she, who is immortal, can be dealt. We are not only not bringing our entire lives into harmony around the Holy Sacrifice of the Mass, we are even running the risk of sinning against the light, profaning the holiest of holies, losing our way in the world, losing our ability or even desire to evangelize because there ceases to be that for the sake of which all proclamation of the Gospel exists. “How great is the darkness!”

Let us flee such darkness as much as we can, doing all that we can to illuminate the world with the light and warmth of the adoration of God in spirit and in truth. When the liturgy is intrinsically good, as it was and still is wherever the traditionalist revival has caught on, the Church will thrive again, will gain converts and produce missionary shoots, and will prevail over every tyranny that dares to stand in her way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

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