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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Can’t We Use Secular Music During Mass?

Jeff Ostrowski · February 13, 2014

OMPOSER DAN SCHUTTE, formerly a Jesuit priest, published a musical setting in 2012 of the Glory To God which has been widely criticized because it changes the words. 1

To me, however, something else is even more problematic. Please listen to these brief excerpts and see if you can guess what I’m getting at:

* *  “Glory To God” • Refrain by Dan Schutte

* *  “My Little Pony” • Mp3 Audio Excerpt

Am I crazy, or is this resemblance jarring?

ON 22 NOVEMBER 2003, Blessed John Paul II decreed that Church music must “avoid any concessions to frivolity or superficiality.” He went on to remind us of many other important things. For instance, he said neither vocal nor instrumental music can be used at Mass if it “does not possess a sense of prayer, dignity and beauty.”

A few years ago, we created this video which presented Church legislation on Sacred music and drew some conclusions. Some of my friends were angry we used the term “Disney” to describe certain liturgical music. Others thought we were kidding. However, I stand behind that term, because technical descriptions like “modal” and “rhythmically free” mean nothing to the vast majority of Catholics who lack professional training in music.

PLEASE, DON’T LEAVE ANY NASTY COMMENTS saying I am “anti-Schutte” or anything like that. I have absolutely nothing against Schutte, who is incredibly accomplished 2 and literally world-famous. He’s free to write whatever he wishes and folks are free to purchase it.

However, I do object to certain would-be “scholarly” publications treating this music in a serious fashion, using the most outlandish psychobabble. 3 Sometimes I’m tempted to scream: “How can such things be written about a tune lifted from My Little Pony?” Just a decade ago, I believed Musicology symposia had a monopoly on this kind of gibberish — I was wrong!

N.B.   The musically-observant priest who discovered this Schutte/Pony similarity is currently Liturgy Director for a major Archdiocese in the United States. It was sent to me via email “chain letter.” This was the first time I’d ever heard Schutte’s Mass setting.




NOTES FROM THIS ARTICLE:

1   Musical settings which alter the official Mass texts were supposed to have been eliminated beginning in 2011.

2   Dan Schutte (b. 1947) is best known for composing the hymn “Here I Am, Lord.” He has received three honorary doctoral degrees, numerous Grammy nominations, and many other awards. He is considered one of the most influential living composers of “contemporary” Catholic liturgical music.

3   I have some examples I’ve saved over the years, but I hesitate to post them at this moment (I will explain another day).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony, Oregon Catholic Press, Secular vs Sacred Music at Mass Last Updated: October 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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