Views from the Choir Loft

Interleaving Latin and English on the page

Veronica Brandt · January 4, 2014

AST WEEK Jeff asked Aren’t Altar Missals Required to Print the Latin Alongside the English. The article deplored the excuse for leaving out the Latin because of “difficulties” in accommodating two languages on the one page or even in the one book.

An adventure is only an inconvenience rightly considered. An inconvenience is an adventure wrongly considered. – G. K. Chesterton

Maybe Bugnini should have read more Chesterton.

Usually Latin and English are set in parallel columns or even on facing pages. Sometimes one language is set in smaller type or in an italic to help the eye differentiate the two. Some books keep one language on the outer edge of the page, another on the inner, which gives each two page spread a nice symmetry.

At the moment I am working on a booklet for Compline according to the Roman Breviary of 1962 for my family. The picture up there is an extract. I did start with the two column layout, but thought that maybe this layout inspired by The New Psalter with Interverse Translation might go better. The New Psalter uses a bold roman for the Latin and a mid weight roman for the English. My pointed psalms make this tricky as the Latin utilizes bold and italic. I though about using Comic Sans, as the booklet is just for my family, but couldn’t quite bring myself to do it. Instead I settled on Worstveld Sling.

Click the above photo for a better look. The rest of the booklet is sporadically updated at GitHub.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and six children.

“Abraham” • Guerrero Imitates His Teacher

Father Francisco Guerrero (d. 1599) studied music with Father Cristóbal de Morales circa 1545. He taught himself the organ. On 3 April 1542 he was engaged as a contralto by Seville Cathedral at an annual salary of 12,000 maravedís. He remained there until 1546, when, at the age of only 17, he was invited—on the recommendation of Father Morales—to become mæstro de capilla of Jaén Cathedral. He was entrusted with the boarding, lodging, and instruction of the six choirboys; but he neglected this duty and was sentenced to be dismissed on 30 August 1548. However, he was absolved and reinstated on 3 November. I think you can see (perhaps) a little homage to his teacher on the word “Abraham.”

—Jeff Ostrowski

Too much music!

Choosing music for the Sacred Music Symposium requires careful consideration. We make sure (always) to have great variety. Because the schedule is so full, there’s never sufficient time to discuss the music fully—indeed, we could easily do a month-long seminar on each piece! For example, last year Dr. Calabrese conducted a setting of the Magnificat by Father Guerrero (d. 1599). It is one of the most magnificent (pardon the pun) pieces ever written, and I wish I had time to point out the brilliant way he syncopates the word “dispersit,” which means “He has scattered” or “He has dispersed.” Superb!

—Jeff Ostrowski

“Sharing Is Caring”

I would like to share a message from a highly respected scholar. (His articles appear in distinguished journals such as Études grégoriennes and Oxford’s Early Music.) He wrote as follows:

The Brébeuf Hymnal is very tastefully done. Your team has exquisite literary and musical taste. I see from my copy of the hymnal that you also set Ex more docti to “Rockingham” (one of my favorite melodies for “When I survey the wondrous cross”). I especially appreciate the background information at the bottom of the page. When I played at the Lutheran church, I would always have a little note about the music, sometimes about a hymn, if the “Hymnal Companion” offered something of interest. The church we attend has battered Worship II hymnals (one per pew), but almost nobody seems to want to sing. I congratulate you on the staggering amount of work it took to produce the Brébeuf hymnal: excellent contents and production.

—Jeff Ostrowski