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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Quick Takes: Saying No

Andrew R. Motyka · January 15, 2014

UST BECAUSE you shouldn’t be indiscriminate about which arguments you are willing to go to the wall for doesn’t mean that you should never take a stand for principle. I had a conversation with several music directors yesterday about funeral preparation, and the conversation naturally had a sidebar about funerals, weddings, and how to turn down a request from a family.

Naturally, both situations are fraught with peril. On one hand, with funerals you have a grieving family that doesn’t need extra trouble while planning a liturgy for the death of their loved one. On the other hand, you have an angry bride or (shudder) her mother. Nevertheless, sometimes you have to put your foot down and say, “I’m sorry, but perhaps ‘My Humps’ isn’t the best choice we can make for your bridal procession.” Here are some things to keep in mind, my brave fellow director:

1. Be clear that you’re saying no. Here’s a trap I’ve fallen into before. I try to let a bride down gently regarding her choice for a particular piece of music, but what she really hears is, “It isn’t the best choice, but I’ll do it anyway.” When you say No, make sure that it is understood that you really aren’t going to do it.

2. Offer an alternative. It stinks to be in the position of Gatekeeper of the Liturgy, and it also stinks to be on the receiving end, where a bride or family has suggestions that have genuine connections for them, but they feel like they are just trying to get past the censors. Every time you say no, counter with a suggestion and, most importantly, explain why your suggestion fits better without attacking theirs. If you say No, but provide a way out, it’s often all that is needed to diffuse the situation.

3. Take the opportunity to teach. Often, the people with whom we are discussing such matters are people who have not been to Mass in a long time; sometimes they aren’t Catholic at all. Even if they are, usually all they know about liturgical music is that they like That Song and really want it at “their liturgy.” This can be a great opportunity to teach a bit about liturgy, solemnity, and the dignity of our worship. Sometimes they won’t listen, and sometimes (like in the case of a funeral) you have to use your best judgment to determine what will sink in at this particular moment. Once again, many of these problems arise because they just don’t know.

I am currently trying to absorb as much as I can about this skill. Our archdiocesan Director of Worship is the master here. He can not only steer people away from bad choices, but can make them feel like a million dollars while following his guidelines. The trick is to avoid making them feel silly while gently guiding them in the right direction.

And don’t even meet with the mothers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

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7 June 2022 • FEEDBACK

From Chelan, Washington: “CCWatershed is a God-sent resource that I can’t function without! Such great work by the team to bring beauty back to our liturgy!” From Gainesville, Florida: “I am so appreciative of the work, of my brothers and sisters in music!” From Troutman, North Carolina: “Keep up the excellent work in service of the Liturgy!”

—Jeff Ostrowski

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