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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fruitful Virginity

Fr. David Friel · January 1, 2014

HE COLLECT for today’s solemnity contains a very beautiful phrase. Speaking about the Blessed Mother, the oration references her “fruitful virginity,” which is a rather interesting thing to say. (Notably, this phrase was overlooked entirely by the former translation of the missal.)

“Fruitful virginity” is the same as saying “Virgin Mother,” both of which appear to be oxymorons. An oxymoron is a combination of words that have opposite meanings. It doesn’t seem like the words “fruitful” and “virginity” could ever describe the same person. And yet, in Mary, they do.

That the Son of God was borne into this world through a Virgin should remind us a bit of the creation story. We say that God created the world ex nihilo. In much the same way, Mary conceives and bears a Son “out of nothing,” with the assistance of the Holy Spirit instead of a man.

There is another Old Testament passage that comes to mind, as well. In the Book of Exodus, chapter 3, we read about Moses on Mount Horeb, where God manifests Himself to Moses through a burning bush. Moses heard the voice of the Lord calling to him, and the voice came from the bush. So he took a closer look and noticed that, despite the flames, the bush, itself, was not being consumed.

If the bush had simply been burning, that would not have been remarkable. I’m sure that was a frequent sight out in the desert. But Moses rightly says this is a “remarkable sight” (Exodus 3:3), because the bush was on fire yet was not being consumed. That right there is an image of “fruitful virginity.” Without losing anything of itself, the bush that Moses saw brought forth flames and so served as an image of God, Who creates “out of nothing” and Mary, who conceives a Child as a Virgin.

Why is it important that Mary should display “fruitful virginity”? Because motherhood and virginity are the two glories of womanhood. In the natural order, there is no way for any woman to retain both throughout the entire course of her life. It is one or the other. The vocation to motherhood and the vocation to consecrated virginity are both beautiful, but both cannot subsist in one person at the same time. With Mary, however, it is not an either-or proposition. She is both Virgin and Mother. Thus, she can be a model for every woman.

Friends, “fruitful virginity” is not just a striking phrase; it is a description of the way we are all meant to live. Whether you’re a parent with ten children or a high school student or a celibate priest, all of us are called to bring forth life by our single-hearted devotion to God. We are called to bring forth Christ in our own words and actions and so draw Him out of those around us.

Holy Mary, Mother of God, you brought forth for us our Savior, while still ever remaining a Virgin. Help us, also, to bring Jesus into this world, which longs so much for Him!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition, The Old ICEL Translation of the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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