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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fruitful Virginity

Fr. David Friel · January 1, 2014

HE COLLECT for today’s solemnity contains a very beautiful phrase. Speaking about the Blessed Mother, the oration references her “fruitful virginity,” which is a rather interesting thing to say. (Notably, this phrase was overlooked entirely by the former translation of the missal.)

“Fruitful virginity” is the same as saying “Virgin Mother,” both of which appear to be oxymorons. An oxymoron is a combination of words that have opposite meanings. It doesn’t seem like the words “fruitful” and “virginity” could ever describe the same person. And yet, in Mary, they do.

That the Son of God was borne into this world through a Virgin should remind us a bit of the creation story. We say that God created the world ex nihilo. In much the same way, Mary conceives and bears a Son “out of nothing,” with the assistance of the Holy Spirit instead of a man.

There is another Old Testament passage that comes to mind, as well. In the Book of Exodus, chapter 3, we read about Moses on Mount Horeb, where God manifests Himself to Moses through a burning bush. Moses heard the voice of the Lord calling to him, and the voice came from the bush. So he took a closer look and noticed that, despite the flames, the bush, itself, was not being consumed.

If the bush had simply been burning, that would not have been remarkable. I’m sure that was a frequent sight out in the desert. But Moses rightly says this is a “remarkable sight” (Exodus 3:3), because the bush was on fire yet was not being consumed. That right there is an image of “fruitful virginity.” Without losing anything of itself, the bush that Moses saw brought forth flames and so served as an image of God, Who creates “out of nothing” and Mary, who conceives a Child as a Virgin.

Why is it important that Mary should display “fruitful virginity”? Because motherhood and virginity are the two glories of womanhood. In the natural order, there is no way for any woman to retain both throughout the entire course of her life. It is one or the other. The vocation to motherhood and the vocation to consecrated virginity are both beautiful, but both cannot subsist in one person at the same time. With Mary, however, it is not an either-or proposition. She is both Virgin and Mother. Thus, she can be a model for every woman.

Friends, “fruitful virginity” is not just a striking phrase; it is a description of the way we are all meant to live. Whether you’re a parent with ten children or a high school student or a celibate priest, all of us are called to bring forth life by our single-hearted devotion to God. We are called to bring forth Christ in our own words and actions and so draw Him out of those around us.

Holy Mary, Mother of God, you brought forth for us our Savior, while still ever remaining a Virgin. Help us, also, to bring Jesus into this world, which longs so much for Him!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition, The Old ICEL Translation of the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

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  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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