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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Tips for Parents in Guiding Artistic Teenagers

Gwyneth Holston · December 30, 2013

GWYN_Vermeer “The Art of Painting” by Vermeer.
T IS DIFFICULT for parents to know what to do for their artistic son or daughter. Should he or she even be encouraged? It is next to impossible to make a living as an artist, art supplies and classes are expensive, and moral debauchery pervades contemporary art. I believe that being an artist is a rare vocation, but it is a vocation nonetheless and should be encouraged despite its many difficulties. If your teen is about to graduate from high school and is serious about becoming an artist, it is his responsibility to provide the passion and drive in pursuing such a path. It is your responsibility to guide him.

Here are a few suggestions:

1. Buy the best quality art supplies you can afford. It makes a difference whether colored pencils are Crayola (student grade) versus Prismacolor (professional grade). It is better to have a few really excellent art tools than a wide array of cheap materials. Creating art is hard enough without having to battle art supplies.

2. Surround your child with examples of good-quality art. Visit art museums and check out books from the library. Have a framed piece of original art in your home. Travel abroad if possible. This will train his aesthetic sensibilities even before he learns anything formal about art history.

3. Formal instruction is important and worth the expense. The self-taught artist will make some progress at first and then experience long plateaus. Sometimes just a few words from an experienced teacher will save months or years of time. It will also help your child to gain the humility and maturity necessary to grow after hearing a harsh critique.

4. Find the best art instruction available in your area. Larger cities often have an Art Students League or art colleges that provide Saturday classes for children and teens (including need-based scholarships). Recreation centers are good for introducing a child to a new medium (pottery, for example) but are useless for providing higher-level training.

5. Encourage your child to enter art contests. During my teens, I won certificates, apparel, sports memorabilia, a bike, and the opportunity to attend a reception for foreign dignitaries. I also lost a lot of competitions. Since I never knew which contest I would win, I entered them all. It got me in the habit of pursuing every opportunity and not taking it personally when I lost.

6. After high school, don’t send your child to an art college. I don’t know of any degree-granting Catholic art schools that provide high-quality training. Secular art colleges are dens of iniquity that sell very expensive, very useless degrees.

7. Encourage your child to get intellectual training first, then technical training. Artists are an integral part of culture. Artists need to have a solid formation in the language of Catholic culture before they can be capable of forming a visual sentence in that language. I would encourage future artists to get a degree in the classics, history, literature, or theology.

8. Your child will need to have a practical skill as well. Art does not pay the bills. Even if he does become a successful artist, it will not be for at least a decade or two. He should consider learning a trade or getting a certificate in a high-demand field. Future free-lance artists will benefit greatly from taking classes in small business management and understanding taxes, accounting, etc.

9. Professional training in the arts is best found in an atelier setting. An atelier is a professional artist who takes on a small group of students and trains them in the academic method. You can find a list of ateliers on the Art Renewal Center website www.artrenewal.org.

10. The only way to learn to draw the figure is to draw the figure. Nothing can replace the knowledge of form gained by life drawing, but it should only be undertaken by serious students in a professional setting. Figure drawing is not the lascivious event imagined by non-artists. It is an extremely challenging exercise that is far closer to the cold analysis of a medical professional. Students over the age of eighteen should have a talk with their parents and confessors before deciding to take a Life Drawing class.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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