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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Prayers of Children

Andrew R. Motyka · September 25, 2013

uite a bit of ink (both literal and electronic) has been spilled these last few days regarding Pope Francis’ most recent interview. I have almost nothing to add to any of it, since if you read Francis’ words, in context, in their entirety, I think he’s pretty clear about what he’s trying to say.

Francis recognizes that the Postmodern world doesn’t know Jesus at all, and he wants to do something about that. He wants the Church to be, first and foremost, a group of ambassadors for Christ, to go into the world and proclaim the Gospel (sound familiar?). To that end, he comes across as critical of serious liturgy and the “culture wars.” I think it is because Francis wants us to get the basics right first, and then move into a deeper focus. Beautiful liturgy is important to the Church. I wouldn’t do what I do for a living if I thought it wasn’t. Liturgy and morality, however, come out of an already existing relationship with Jesus Christ. Without this prior relationship, liturgy is just an act, and morality is just a sham (an edifice that will fall like a house of cards, in Francis’ words). Our first encounter with Christ must be like that of a child before building to a more mature, moral and liturgical faith.

When I was very young, my family used to vacation to Lavallette, New Jersey, every summer. We would rent a house for a week or so and spend almost every day at the beach, interspersed with taking in Little League games or walking the boardwalk. To this day, when I think of the word vacation, those are the images that come to mind.

One year, when I was perhaps 3 years old or so, we went to Lavallette, taking my cousin and his girlfriend along for the trip. The ocean on one particular day was heavily affected by a nearby storm, and the waves were strong and dangerous. The red flags were out at the beach: no swimming allowed. Not wanting to waste a day, our family stayed anyway, lounging on the beach and making an enormous sandcastle with my teenage cousin. It was much taller than I was at the time, and it had a sweet moat and even a couple of full sized thrones.

I ran down to fill my favorite red bucket with water for the (sweet) moat, the vicious undertow snatched it out of my hands. Before I could recover it, the bucket was swept out into the ocean. The strong surf prevented any attempts to recover it, and I was crushed. I wept like, well, a 3 year-old and was positively inconsolable. There was nothing anyone could do. My mother, just trying to calm me down, told me I should pray about it.

I did. I paced around the blanket for 5 or 10 minutes with my eyes closed and my hands clenched in prayer. I don’t really remember what I was thinking or saying, but I remember my posture.

Suddenly, a massive wave rose off in the distance, caught up the bucket (which was at least a hundred yards out by this point) and swept down on us. The wave crashed far past where any of the others had, traveling all the way to the back fence and the dunes. It flattened our umbrella, ruined the radio, soaked everyone present, and leveled the sandcastle (leaving my cousin hilariously up to his waist in sand). It hit no other blanket on the beach, only ours, but I got the bucket back.

Supernatural? Probably not. I am one that believes that most miracles have less to do with substance and more to do with the who, what, and when they occur. The timing is indisputably precise on this one. It didn’t save lives. In fact, it seems like a pretty trivial event for divine intervention. When I think of it, though, almost all of my problems seem pretty trivial, but I pray anyway.

I think Francis’ aim to point people to a relationship with Christ is timely and powerful. If we turn to Him as children do, the Church and the world will face a renewal that we truly need.

Francis recognizes what could potentially happen when you ask children to pray:

They just might do it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • Dom Pothier • Photo from 1904
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  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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