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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Prayers of Children

Andrew R. Motyka · September 25, 2013

uite a bit of ink (both literal and electronic) has been spilled these last few days regarding Pope Francis’ most recent interview. I have almost nothing to add to any of it, since if you read Francis’ words, in context, in their entirety, I think he’s pretty clear about what he’s trying to say.

Francis recognizes that the Postmodern world doesn’t know Jesus at all, and he wants to do something about that. He wants the Church to be, first and foremost, a group of ambassadors for Christ, to go into the world and proclaim the Gospel (sound familiar?). To that end, he comes across as critical of serious liturgy and the “culture wars.” I think it is because Francis wants us to get the basics right first, and then move into a deeper focus. Beautiful liturgy is important to the Church. I wouldn’t do what I do for a living if I thought it wasn’t. Liturgy and morality, however, come out of an already existing relationship with Jesus Christ. Without this prior relationship, liturgy is just an act, and morality is just a sham (an edifice that will fall like a house of cards, in Francis’ words). Our first encounter with Christ must be like that of a child before building to a more mature, moral and liturgical faith.

When I was very young, my family used to vacation to Lavallette, New Jersey, every summer. We would rent a house for a week or so and spend almost every day at the beach, interspersed with taking in Little League games or walking the boardwalk. To this day, when I think of the word vacation, those are the images that come to mind.

One year, when I was perhaps 3 years old or so, we went to Lavallette, taking my cousin and his girlfriend along for the trip. The ocean on one particular day was heavily affected by a nearby storm, and the waves were strong and dangerous. The red flags were out at the beach: no swimming allowed. Not wanting to waste a day, our family stayed anyway, lounging on the beach and making an enormous sandcastle with my teenage cousin. It was much taller than I was at the time, and it had a sweet moat and even a couple of full sized thrones.

I ran down to fill my favorite red bucket with water for the (sweet) moat, the vicious undertow snatched it out of my hands. Before I could recover it, the bucket was swept out into the ocean. The strong surf prevented any attempts to recover it, and I was crushed. I wept like, well, a 3 year-old and was positively inconsolable. There was nothing anyone could do. My mother, just trying to calm me down, told me I should pray about it.

I did. I paced around the blanket for 5 or 10 minutes with my eyes closed and my hands clenched in prayer. I don’t really remember what I was thinking or saying, but I remember my posture.

Suddenly, a massive wave rose off in the distance, caught up the bucket (which was at least a hundred yards out by this point) and swept down on us. The wave crashed far past where any of the others had, traveling all the way to the back fence and the dunes. It flattened our umbrella, ruined the radio, soaked everyone present, and leveled the sandcastle (leaving my cousin hilariously up to his waist in sand). It hit no other blanket on the beach, only ours, but I got the bucket back.

Supernatural? Probably not. I am one that believes that most miracles have less to do with substance and more to do with the who, what, and when they occur. The timing is indisputably precise on this one. It didn’t save lives. In fact, it seems like a pretty trivial event for divine intervention. When I think of it, though, almost all of my problems seem pretty trivial, but I pray anyway.

I think Francis’ aim to point people to a relationship with Christ is timely and powerful. If we turn to Him as children do, the Church and the world will face a renewal that we truly need.

Francis recognizes what could potentially happen when you ask children to pray:

They just might do it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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