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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musings of an Aristotelian Catholic

Dr. Peter Kwasniewski · August 22, 2013

476 Kwasniewski F I WERE to write a book in defence of Aristotle’s epistemology, I would entitle it The Primacy of Here and Now, the Ultimacy of Everywhere and Always.

As my central proof I would offer the mystery of love, which, in keeping with its paradoxical nature, makes a man rooted while uprooting him. On the one hand, Aristotle is an absolutely unbending realist: whatever I can see, hear, touch, taste, smell, feel, or otherwise perceive, is The Real; compared to these, concepts, memories, and imaginings are Less Real. On the other hand, Aristotle is an uncompromising spiritualist: God, the unseen, untouched, inaccessible, imperceptible object of pure thought is The Real, and the entire universe of bodies undergoing alteration, substantial change, and local motion is Less Real, emanating from Him who is the First Principle, striving upwards towards Him who is the Last End. Form and matter, the two great principles of all composites, are themselves unseen, untouched, and the rest. We surmise their necessary presence, hidden though they are behind the veil of common experience.

The Here and the Now is our daily bread, our human sacrament. What is Everywhere and Always is difficult to penetrate, hard to recognise, noble beyond all words, wise beyond all thoughts, consoling to the immortal man. The concrete physical presence of the beloved is the focus, the goal, the fulfillment of the Here and Now, but it is only the beginning of the Real Presence, the spiritual omnipresence of the beloved, by which the Here and the Now is elevated, enlarged, suffused with intimations of eternity and ubiquity that not even (what mortals call) absence can forestall or weaken.

Touch is the only sense that puts us, as we say, “in touch with” reality, touch tells us that things are there, not just in the mind. Touch is closer to matter, but also closer to the truth of material things, which have their being in matter; sight is closer to form. Touch is the sense of certainty. Whatever is fundamental to the sense of touch is fundamental to things themselves. This is our immediate and unshakeable perception of the world that lies before us, the world we “grasp.”

In the mystery of the Incarnation, God takes delight in responding to this foundation of sanity and realism. The being of the Word is not just to be divine, spiritual, holy, but to be man, and therefore to be bodily, embodied, tangible. Christ tells the doubting Thomas to touch him, He tells Mary Magdalen not to touch him. St. John later writes: “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon and touched with our hands, concerning the word of life—the life was made manifest, and we saw it, and testify to it, and proclaim to you the eternal life which was with the Father and was made manifest to us…” (1 Jn 1:1–2)

In our Lord Jesus Christ, the God who is Always and Everywhere, who dwells in Light inaccessible, infinitely beyond us evanescent and confined mortals, deigns to become the Here and Now in flesh and blood, a body we can touch and hold on to for certain, a soul we can intimately know and love. Praised be this man, our God and Lord Jesus Christ, now and forever! “He is the head of the body, the Church; He is the beginning, the firstborn from the dead, that in all things he may hold the primacy.”

I make my own the wonderfully incarnational prayer of St. Gertrude the Great: “May my heart and my soul, with all the substance of my flesh, all my senses, and all the powers of my body and my mind, with all creatures, praise Thee and give Thee thanks, O sweet Lord, faithful lover of mankind, for Thy infinite mercy”!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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