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Views from the Choir Loft

Musings of an Aristotelian Catholic

Dr. Peter Kwasniewski · August 22, 2013

476 Kwasniewski F I WERE to write a book in defence of Aristotle’s epistemology, I would entitle it The Primacy of Here and Now, the Ultimacy of Everywhere and Always.

As my central proof I would offer the mystery of love, which, in keeping with its paradoxical nature, makes a man rooted while uprooting him. On the one hand, Aristotle is an absolutely unbending realist: whatever I can see, hear, touch, taste, smell, feel, or otherwise perceive, is The Real; compared to these, concepts, memories, and imaginings are Less Real. On the other hand, Aristotle is an uncompromising spiritualist: God, the unseen, untouched, inaccessible, imperceptible object of pure thought is The Real, and the entire universe of bodies undergoing alteration, substantial change, and local motion is Less Real, emanating from Him who is the First Principle, striving upwards towards Him who is the Last End. Form and matter, the two great principles of all composites, are themselves unseen, untouched, and the rest. We surmise their necessary presence, hidden though they are behind the veil of common experience.

The Here and the Now is our daily bread, our human sacrament. What is Everywhere and Always is difficult to penetrate, hard to recognise, noble beyond all words, wise beyond all thoughts, consoling to the immortal man. The concrete physical presence of the beloved is the focus, the goal, the fulfillment of the Here and Now, but it is only the beginning of the Real Presence, the spiritual omnipresence of the beloved, by which the Here and the Now is elevated, enlarged, suffused with intimations of eternity and ubiquity that not even (what mortals call) absence can forestall or weaken.

Touch is the only sense that puts us, as we say, “in touch with” reality, touch tells us that things are there, not just in the mind. Touch is closer to matter, but also closer to the truth of material things, which have their being in matter; sight is closer to form. Touch is the sense of certainty. Whatever is fundamental to the sense of touch is fundamental to things themselves. This is our immediate and unshakeable perception of the world that lies before us, the world we “grasp.”

In the mystery of the Incarnation, God takes delight in responding to this foundation of sanity and realism. The being of the Word is not just to be divine, spiritual, holy, but to be man, and therefore to be bodily, embodied, tangible. Christ tells the doubting Thomas to touch him, He tells Mary Magdalen not to touch him. St. John later writes: “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon and touched with our hands, concerning the word of life—the life was made manifest, and we saw it, and testify to it, and proclaim to you the eternal life which was with the Father and was made manifest to us…” (1 Jn 1:1–2)

In our Lord Jesus Christ, the God who is Always and Everywhere, who dwells in Light inaccessible, infinitely beyond us evanescent and confined mortals, deigns to become the Here and Now in flesh and blood, a body we can touch and hold on to for certain, a soul we can intimately know and love. Praised be this man, our God and Lord Jesus Christ, now and forever! “He is the head of the body, the Church; He is the beginning, the firstborn from the dead, that in all things he may hold the primacy.”

I make my own the wonderfully incarnational prayer of St. Gertrude the Great: “May my heart and my soul, with all the substance of my flesh, all my senses, and all the powers of my body and my mind, with all creatures, praise Thee and give Thee thanks, O sweet Lord, faithful lover of mankind, for Thy infinite mercy”!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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