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Views from the Choir Loft

Returning Home

Fr. David Friel · August 14, 2013

Y PARISH is in a neighborhood called Parkwood Manor. Most of the folks in our parish at some point moved to this neighborhood from another Philadelphia neighborhood. Some of them have roots in Kensington & Fishtown, others in West Oak Lane or South Philly. Many of them moved here as young couples in the 1960’s, and others have moved in more recently.

No matter where you are from, if you have ever relocated, you know that it can be quite a difficult experience to go back. It can be an eye-opening venture when you take a drive through “the old neighborhood.” Things change after we have moved on, and, when we go back, rarely do we ever think they have changed for the better. The new owners may have painted over the woodwork or put up a new fence or let some part of the house fall into disrepair. It can be hard to observe the changes to a place we once loved. I remember my parents taking our family once on a drive by the house we lived in when I was very young. I hardly remembered the house, myself, but I’ll never forget how my dad went on a tirade about how the new owner had let the bushes in front of the house grow wild.

Perhaps this was the reason for the Assumption. Jesus spent his earliest days in Mary’s womb; He went on to spend 30 years at her side; she was there when He died. Perhaps Jesus couldn’t bear to allow His Mother’s body to decay, like all of ours will some day. She is the Immaculate Conception, after all, so we ought not to be indignant that she would receive special treatment. All of us are sinners, and the “wages of sin” are death and decay. But Mary was sinless from the first moment of her conception. Just as our Lord preserved her from the stain of sin before her conception, we believe that He preserved her from the stain of decay after her death. Instead, He chose to bring her, body & soul, to heaven. This we call the Assumption.

It can be hard to go back to the neighborhood where we grew up. Ultimately, though, the place we really come from isn’t a neighborhood, but the heart of God, Himself. On this feast of the Assumption, Mary shows us the way back home. Where our Blessed Mother has gone, we hope to follow!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

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