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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Returning Home

Fr. David Friel · August 14, 2013

Y PARISH is in a neighborhood called Parkwood Manor. Most of the folks in our parish at some point moved to this neighborhood from another Philadelphia neighborhood. Some of them have roots in Kensington & Fishtown, others in West Oak Lane or South Philly. Many of them moved here as young couples in the 1960’s, and others have moved in more recently.

No matter where you are from, if you have ever relocated, you know that it can be quite a difficult experience to go back. It can be an eye-opening venture when you take a drive through “the old neighborhood.” Things change after we have moved on, and, when we go back, rarely do we ever think they have changed for the better. The new owners may have painted over the woodwork or put up a new fence or let some part of the house fall into disrepair. It can be hard to observe the changes to a place we once loved. I remember my parents taking our family once on a drive by the house we lived in when I was very young. I hardly remembered the house, myself, but I’ll never forget how my dad went on a tirade about how the new owner had let the bushes in front of the house grow wild.

Perhaps this was the reason for the Assumption. Jesus spent his earliest days in Mary’s womb; He went on to spend 30 years at her side; she was there when He died. Perhaps Jesus couldn’t bear to allow His Mother’s body to decay, like all of ours will some day. She is the Immaculate Conception, after all, so we ought not to be indignant that she would receive special treatment. All of us are sinners, and the “wages of sin” are death and decay. But Mary was sinless from the first moment of her conception. Just as our Lord preserved her from the stain of sin before her conception, we believe that He preserved her from the stain of decay after her death. Instead, He chose to bring her, body & soul, to heaven. This we call the Assumption.

It can be hard to go back to the neighborhood where we grew up. Ultimately, though, the place we really come from isn’t a neighborhood, but the heart of God, Himself. On this feast of the Assumption, Mary shows us the way back home. Where our Blessed Mother has gone, we hope to follow!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
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  • “Innsbruck Hymn” • Bach Saint Matthew Passion

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