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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Comprehensive Conversation on Veils

Veronica Brandt · July 27, 2013

ES, I WEAR A VEIL AT MASS, most of the time anyway. There are times when I wear a hat instead, times when a babe-in-arms will take a mantilla for a teething blanky, times when I just plain forget, but mostly I wear a black mantilla to Mass.

Most of the time it’s a no-brainer. After ten years or so it just seems right. And after having to face up to Our Lord and Saviour over so many faults and failings over the years, its good to have some sort of cover in the presence of the Blessed Sacrament. Any opportunity to remember God’s awesomeness is welcome, and it seems to help deflect the friendly chatter that cute offspring attracts.

Last week I read Should I Veil? A Debate Between Me & My Brain, a much more comprehensive and entertaining article on the conundrum than many I’ve seen. The author may be a little crazy, but she (or should I say, her brain) makes good points:

Well, the reason St Paul gives – and remember this is your brain talking so it could well be wrong – is that it is a sign of authority whereby the woman/wife expresses her relation to the man/husband as being between Christ and the Church, where Christ is the head of the Church, and analogously, the husband the head of the wife. As Christ gives His life for the Church and the Church submits to Christ, so the husband sacrifices for the wife and the wife submits to the husband. Both you see, are dying to themselves to love the other. By veiling therefore, the woman sums up the entire history of redemption as the nuptial union culminating in the Wedding Supper of the Lamb, and affirms her place salvation history by imaging the loving submission of the Church to Christ, and of Christ to His Father.

A sign of authority, a not my will, but thine be done. In this mad world where bill-boards exhort us to be selfish and the cult of personality puts human weakness up on a pedestal to be adored, it’s good to come back down to earth, with a little cloth to remind me of the infinite gap between me and the Creator of heaven and earth and all things. Knowing that He is in charge is a great comfort – in both senses of feeling settled and giving courage.

And here’s the disclaimer: wearing a veil does not forgive all your sins, infuse all virtues and guarantee you a place among the blessed. It’s not supposed to be elevating the wearer as pointing to something greater, someone greater, before whom every knee must bend. The last thing we want is people making it into an unnecessary stumbling block or a source of division and derision on either side.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Chapel Veil Mantilla Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026
  • “Rare Photographs” • Hannibal Bugnini
  • “Regina Caeli” • More Than You Wanted To Know
  • Music List • “5th Sunday of Easter” (Year A)

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