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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Comprehensive Conversation on Veils

Veronica Brandt · July 27, 2013

ES, I WEAR A VEIL AT MASS, most of the time anyway. There are times when I wear a hat instead, times when a babe-in-arms will take a mantilla for a teething blanky, times when I just plain forget, but mostly I wear a black mantilla to Mass.

Most of the time it’s a no-brainer. After ten years or so it just seems right. And after having to face up to Our Lord and Saviour over so many faults and failings over the years, its good to have some sort of cover in the presence of the Blessed Sacrament. Any opportunity to remember God’s awesomeness is welcome, and it seems to help deflect the friendly chatter that cute offspring attracts.

Last week I read Should I Veil? A Debate Between Me & My Brain, a much more comprehensive and entertaining article on the conundrum than many I’ve seen. The author may be a little crazy, but she (or should I say, her brain) makes good points:

Well, the reason St Paul gives – and remember this is your brain talking so it could well be wrong – is that it is a sign of authority whereby the woman/wife expresses her relation to the man/husband as being between Christ and the Church, where Christ is the head of the Church, and analogously, the husband the head of the wife. As Christ gives His life for the Church and the Church submits to Christ, so the husband sacrifices for the wife and the wife submits to the husband. Both you see, are dying to themselves to love the other. By veiling therefore, the woman sums up the entire history of redemption as the nuptial union culminating in the Wedding Supper of the Lamb, and affirms her place salvation history by imaging the loving submission of the Church to Christ, and of Christ to His Father.

A sign of authority, a not my will, but thine be done. In this mad world where bill-boards exhort us to be selfish and the cult of personality puts human weakness up on a pedestal to be adored, it’s good to come back down to earth, with a little cloth to remind me of the infinite gap between me and the Creator of heaven and earth and all things. Knowing that He is in charge is a great comfort – in both senses of feeling settled and giving courage.

And here’s the disclaimer: wearing a veil does not forgive all your sins, infuse all virtues and guarantee you a place among the blessed. It’s not supposed to be elevating the wearer as pointing to something greater, someone greater, before whom every knee must bend. The last thing we want is people making it into an unnecessary stumbling block or a source of division and derision on either side.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Chapel Veil Mantilla Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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