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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Jeff Ostrowski · July 26, 2013

601 Missale Romanum cum lectionibus ad usum fidelium HE FOLLOWING FOUR VOLUMES appear to be permanently out-of-print. Not even PaxBooks has them. Can anybody provide me some xerox copies of sample pages? Missale Romanum cum lectionibus ad usum fidelium (1977). In four volumes, all the prayers and readings for the whole year for use as a hand missal for the faithful. Musical settings include some chants for the Mass.


UPDATE !!!   This book is now available in PDF format. Click here.

Missale Romanum cum lectionibus ad usum fidelium. Vatican Press. 4 vols.

This is truly a splendid work, and finally some nine years after the appearance of the Missale Romanum (altar edition) of Paul VI, puts into the hands of the laity a portable Latin missal which (pace Archibshop Bugnini) contains everything said or read at Mass. To this extent, it resembles the pre-Vatican II missals which contained everything, either in Latin or in English, or, in the case of the Saint Andrew Missal, in both languages. The big difference between the present work and its predecessors, however, is the number of pages it takes to present the material. The comparable older missals ran to about 1300 pages; the new one comprises four volumes of about 2000 pages each. The increase in bulk is not solely due to the new cycle of readings; the new missal is arranged to provide the maximum convenience for the user.

Volume I contains the time of advent and Christmas as well as the time before lent. Volume II contains lent and paschaltime. Volume III has the Sundays numbered during the year from the sixth to the twenty-first. The remaining are in Volume IV. Each volume contains the ordinary of the Mass, together with the proper of the saints and the commons as well as all the ritual Masses and Masses for various necessities, votive Masses and Masses for the dead. The music for the Ordo Missae and other chants that are needed can be found also. Each volume contains the Ordo Missae, both cum and sine populo. The Masses proper to the time period for each volume include the readings, as of course do all the other Masses. In addition, each volume contains all of the Masses for the thirty-four Sundays per annum but without the readings. The reason for including all of the Masses except the readings is clearly indicated at the top of the pages containing the Mass where it states that on the weekdays through the year any one of the thirty-four Masses is able to be said according to the pastoral usefulness of the texts. The four volumes all contain all of the common Masses of the year, beginning with the dedication of a church and ending with the Commune sanctorum et sanctarum. The next sections of each contain the Missae rituales, Missae et orationes pro variis necessitatibus, Missae votivae and Missae defunctorum. An appendix, also appearing in each volume, repeats the appendix of the altar edition, with the blessing of holy water, specimen formulas for the Oratio universalis and some examples of the chants used in the Mass, i.e., for the introductory rites, one preface, and the parts of the eucharistic prayer which may be sung. They even include the pontifical blessing.

As will by now be obvious, the Vatican press has been extremely generous in its inclusions. Each volume, for example, contains not only the prefaces proper to the time it covers, but all of the other prefaces which could conceivably be used in that time. The advent volume, for instance, contains, in addition to the prefaces of advent, Christmas, etc., all of the votive and festal prefaces, even those of the Sacred Heart and the Holy Eucharist. The only omissions for this seasonal volume are the obvious prefaces de tempore which could not be used during the volume’s currency, e.g., Easter and Pentecost. It is difficult in a review to avoid overpraising the work. Its appearance is quite handsome, the “cheap” edition (about $80) being bound in brown vinyl, fully rubricated with a bright red ink, and equipped with six ribbons.

For any serious student of the Roman rite, this is an essential acquisition, and should put to rest the hoary concept that Latin is no longer a language of the Roman Church. — Harold Hughesdon

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 16, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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