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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Jeff Ostrowski · July 26, 2013

601 Missale Romanum cum lectionibus ad usum fidelium HE FOLLOWING FOUR VOLUMES appear to be permanently out-of-print. Not even PaxBooks has them. Can anybody provide me some xerox copies of sample pages? Missale Romanum cum lectionibus ad usum fidelium (1977). In four volumes, all the prayers and readings for the whole year for use as a hand missal for the faithful. Musical settings include some chants for the Mass.


UPDATE !!!   This book is now available in PDF format. Click here.

Missale Romanum cum lectionibus ad usum fidelium. Vatican Press. 4 vols.

This is truly a splendid work, and finally some nine years after the appearance of the Missale Romanum (altar edition) of Paul VI, puts into the hands of the laity a portable Latin missal which (pace Archibshop Bugnini) contains everything said or read at Mass. To this extent, it resembles the pre-Vatican II missals which contained everything, either in Latin or in English, or, in the case of the Saint Andrew Missal, in both languages. The big difference between the present work and its predecessors, however, is the number of pages it takes to present the material. The comparable older missals ran to about 1300 pages; the new one comprises four volumes of about 2000 pages each. The increase in bulk is not solely due to the new cycle of readings; the new missal is arranged to provide the maximum convenience for the user.

Volume I contains the time of advent and Christmas as well as the time before lent. Volume II contains lent and paschaltime. Volume III has the Sundays numbered during the year from the sixth to the twenty-first. The remaining are in Volume IV. Each volume contains the ordinary of the Mass, together with the proper of the saints and the commons as well as all the ritual Masses and Masses for various necessities, votive Masses and Masses for the dead. The music for the Ordo Missae and other chants that are needed can be found also. Each volume contains the Ordo Missae, both cum and sine populo. The Masses proper to the time period for each volume include the readings, as of course do all the other Masses. In addition, each volume contains all of the Masses for the thirty-four Sundays per annum but without the readings. The reason for including all of the Masses except the readings is clearly indicated at the top of the pages containing the Mass where it states that on the weekdays through the year any one of the thirty-four Masses is able to be said according to the pastoral usefulness of the texts. The four volumes all contain all of the common Masses of the year, beginning with the dedication of a church and ending with the Commune sanctorum et sanctarum. The next sections of each contain the Missae rituales, Missae et orationes pro variis necessitatibus, Missae votivae and Missae defunctorum. An appendix, also appearing in each volume, repeats the appendix of the altar edition, with the blessing of holy water, specimen formulas for the Oratio universalis and some examples of the chants used in the Mass, i.e., for the introductory rites, one preface, and the parts of the eucharistic prayer which may be sung. They even include the pontifical blessing.

As will by now be obvious, the Vatican press has been extremely generous in its inclusions. Each volume, for example, contains not only the prefaces proper to the time it covers, but all of the other prefaces which could conceivably be used in that time. The advent volume, for instance, contains, in addition to the prefaces of advent, Christmas, etc., all of the votive and festal prefaces, even those of the Sacred Heart and the Holy Eucharist. The only omissions for this seasonal volume are the obvious prefaces de tempore which could not be used during the volume’s currency, e.g., Easter and Pentecost. It is difficult in a review to avoid overpraising the work. Its appearance is quite handsome, the “cheap” edition (about $80) being bound in brown vinyl, fully rubricated with a bright red ink, and equipped with six ribbons.

For any serious student of the Roman rite, this is an essential acquisition, and should put to rest the hoary concept that Latin is no longer a language of the Roman Church. — Harold Hughesdon

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 16, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

Recent Posts

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  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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