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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Visual Catechism

Fr. David Friel · July 14, 2013

ROWING UP, my parents spoke with a great deal of nostalgia about the Baltimore Catechism. Around the dinner table, they would often quote to me some of the questions and answers they still remembered decades after first memorizing them. As a result, without ever holding a copy of the famed tome in my hands, I came to memorize a good number of the questions and answers myself.

As it happens, when I went to the seminary, I actually came across reprints of the Baltimore Catechism, so now I have laid hands on the volumes my parents so loved. Without a doubt, the Baltimore Catechism comes from a certain time. In saying that, I do not mean to imply that its volumes have become outdated or are no longer useful. Quite the contrary, in fact. Some of the best features of the series are the little graphics, which accompany and elucidate the subject matter. I have actually found several of those illustrations useful in teaching little lessons to students today.

At the same time, however, revolutions in mass media have created new opportunities for how one might catechize & evangelize. Fr. Richard Barron has taken heed, and his “Word on Fire Ministries” produced in late 2011 a landmark, DVD catechism entitled Catholicism. Many readers have probably seen at least some of that ten-part series. I have watched the whole thing and found it mesmerizing. I mention it here because it is the type of thing that would interest folks who are interested in the work of sacred music and the Corpus Christi Watershed.

One of the ways Catholicism is remarkable is that it has universal appeal. It could be understood by the neophyte and used as a tool for basic instruction, yet at the same time it is profound enough to deepen the faith of the cradle Catholic. In addition to the quality catechesis, it employs sacred music, art, & architecture in a masterful way. Throughout the series, Fr. Barron appears on nearly every continent and in many notable edifices of our faith; he uses some of the world’s great paintings and fine literature to explain church doctrine; much of the music used in the background is very sacred and apt for the topic being discussed. These things all conspire together to form an integral work that is attractive—even compelling—and fit for communicating the faith to believers & seekers living in modernity. After watching all ten episodes, it is clear to me that Fr. Barron is not only well educated in philosophy and theology, but also a man who can appreciate the arts in all their splendor. He very adeptly uses the arts to demonstrate the beauty of God and of His ways.

My parish purchased a copy of the Catholicism series and used them for adult faith formation sessions during Advent and Lent last year. Now the DVD’s are available in our parish library. If you have not yet seen this monumental work, I could not recommend doing so highly enough. It will inspire you to know, love, and serve God with renewed fervor!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.