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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Silence (Part 1 of 3)

Dr. Peter Kwasniewski · July 11, 2013

HILE AUTHORS for Views from the Choir Loft are often found speaking about music, we are no less committed to the necessary counterpart of music and the companion of prayer: silence. As Saint Faustina Kowalska says in her autobiography: “In order to hear the voice of God, one has to have silence in one’s soul and to keep silence.” She says in the same Diary: “Silence is so powerful a language that it reaches the throne of the living God. Silence is His language, though secret, yet living and powerful.” Through music and speech we speak to God, but during silence He speaks to us, and how vital it is that we give him occasions to speak!

Even though she is mainly referring to the silence the sisters were supposed to keep during most of the day, I think this has some relevance to the silence we need sometimes at Mass. What the proportion should be of speech, song, and silence is hard to say, although we have a fairly good sense of when there is too little silence for recollection. Amidst clamor, it is difficult to focus on listening interiorly.

The General Instruction of the Roman Missal speaks clearly of the importance of silence during the sacred liturgy:

Sacred silence also, as part of the celebration, is to be observed at the designated times. Its purpose, however, depends on the time it occurs in each part of the celebration. Thus within the Act of Penitence and again after the invitation to pray, all recollect themselves; but at the conclusion of a reading or the homily, all meditate briefly on what they have heard; then after Communion, they praise and pray to God in their hearts. Even before the celebration itself, it is commendable that silence be observed in the church, in the sacristy, in the vesting room, and in adjacent areas, so that all may dispose themselves to carry out the sacred action in a devout and fitting manner.

In his commentary on silence in the Mass, liturgist Fr. Edward McNamara says:

To this we would add that silence should also be observed after Mass until one is outside the Church building, both for respect toward the Blessed Sacrament, and toward those members of the faithful who wish to prolong their thanksgiving after Mass.

Would that so simple a support of piety, decorum, and respect for others could be patiently explained and encouraged far and wide by the clergy! It is amazing how, across the United States, congregations burst into chatter the moment the priest exits the church. For all the problems there may have been in the 1950s, this sort of behavior was not even conceivable.

Similarly, for the priest to take some minutes to recollect himself before Mass, especially by praying the traditional vesting prayers (which used to be required and which is now being recommended anew by a growing number of priests and bishops), seems only sensible in view of the great mystery about to be celebrated and the importance of a reverent and recollected frame of mind if he is to obtain as many and as great graces from the celebration as he can, and lead the people into the same green pastures.

The New Evangelization is a bold project, but it will not succeed, it cannot even get off the ground, unless we recover a strong sense of the sacred and refocus, with utmost reverence, on the sublime mystery of the Holy Eucharist present in every tabernacle of the world. Otherwise, we will spend our days making and hearing empty talk and missing the demanding silence where the mystery of God can impress itself upon our souls.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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