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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An FYI on EP in the OF – Part 2

Andrew R. Motyka · June 5, 2013

For Part 1 of this series, please click HERE.

WO WEEKS AGO (I’ve been lazy), we covered the first part of Evening Prayer, specifically, the Hymn and Psalmody. This contains the real “meat” of the liturgy, since the Liturgy of the Hours centers around the proclamation of the Psalms. This week, we will take a look at the reading and Responsory.

Immediately following the psalms is the reading. The reading is prescribed for each specific day of the cycle, or for the given feast on the calendar. It is permissible to use a different reading, usually from the Mass of the day, as a substitution, but in my opinion you should stick with the prescribed reading for the day. The cycle is there for a reason.

If a priest or a deacon is leading Evening Prayer, he may give a homily at this time, but it is optional. Following the reading (or homily), the Responsory is sung. The Responsory is an odd moment in the Ordinary Form because it is quite short. For this reason, singing it is one of the only ways to make it non-trivial. It is best to sing this with a cantor, and the form of the Responsory follows:

Responsory (Phrases A and B) – cantor

Responsory (Phrases A and B) – all

Versicle (a short verse) – cantor

Responsory (Phrase B only) – all

Doxology (only the first part, up to “Holy Spirit”) – cantor

Reponsory (Phrases A and B) – all

It is best to simply see this, in full text, for an example. Following my previous examples, let us look at the text of the Responsory for May 31, the Feast of the Visitation:

Hail Mary, full of grace, —the Lord is with you.
Hail Mary, full of grace, —the Lord is with you.
Blessed are you among women, and blessed is the fruit of your womb.
—the Lord is with you.
Glory to the Father, and to the Son, and to the Holy Spirit,
—Hail Mary, full of grace, the Lord is with you.

This form lends itself well to very simple musical adaptations. Here is an example of the above text:

DOWNLOAD a sample responsory.

Next week, we will wrap up our examination of Evening Prayer and its defining canticle, the Magnificat.

 

PART 3

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 28, 2026

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

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