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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Spirit of Solesmes

Dr. Peter Kwasniewski · June 27, 2013

HAVE BEEN READING a beautiful book called The Spirit of Solesmes, a compilation of spiritual writings by Dom Prosper Guéranger, Abbess Cécile Bruyère, and Dom Paul Delatte, with wonderful notes by Sister Mary David Totah. I simply cannot recommend this book highly enough to anyone who is seriously interested in monastic spirituality. The writings display that uniquely Benedictine synthesis of down-to-earth practical wisdom, a pervasive presence of the rhythms of liturgical prayer, and a vibrant serenity that is always hovering somewhere between the poetry of everyday life and the silence of eternity.

St. Thomas is fond of the axiom: “What is last in execution is first in intention.” Or as the ancients put it still more succinctly: Respice finem. One must begin any major action—such as taking care of one’s children or teaching classes each day!—with the end in view. God, our ultimate end, is known through prayer, in which, by His grace, we enter more deeply into the union of indwelling that He gives us in baptism and all the sacraments.

“Being a Christian does not only mean accepting Christ’s teaching and receiving the graces won by Him; it also means becoming a worshiper in spirit and in truth, reliving His mysteries, ascending to God in the liturgy in the way Christ descended to us and returned to the Father. Here is realized the unity of our human life, the participation of whole persons in their highest act, which is worship.” (Spirit of Solesmes, 24)

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy. This is what endows the fragments of each day, colorful and leaden alike, with the unity of a stained glass window.

Many of the Church’s liturgical prayers contain the petition that we should experience in ourselves the mystery we celebrate. Without prayer, we might (for a time at any rate) “have” this union objectively, but it would not be the place we dwell, the determinative content of our thoughts and desires. If we want then to sanctify our actions, whatever they may be, we must enter consciously and lovingly into this union, so as to draw from God, for whom nothing is impossible, the strength to do all the work He asks of us.

When speaking of the gifts of the Holy Spirit (Summa Ia-IIae, Question 68), Saint Thomas argues the absolute necessity of special assistance by the Holy Spirit, every day, throughout the day, if we are to attain the glorious end God has in store for us, so greatly does it exceed our natural abilities—even the superadded power of the theological virtues in us. “Let your good spirit lead me into the promised land.” And he makes clear that it is not only for reaching the ultimate end but also for attaining any of the particular ends we aim at as Christians, if we want to do them as God’s children, that is, with wisdom, knowledge, counsel, fortitude, and so on.

So we have to listen to the Spirit in order to be directed in our activity. In this sense, there cannot be a genuine apostolate at all without contemplative prayer behind it, as the Acts of the Apostles so clearly shows. Moreover, prayer of all sorts, but especially quiet prayer in solitude, disposes one to be a good listener and a keen perceiver of reality. You learn how to listen to others and, at times painfully, discover the secret workings of your own heart.

Finally, then, we are left with a question, an examination of conscience: What is at the center of my day? What is the center of my being—what is the still point?

Prayer is

The world in tune,

A spirit-voice,

And vocal joys

Whose echo is heaven’s bliss.

(Henry Vaughan)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

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  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

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