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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Celibacy

Fr. David Friel · May 8, 2013

N THIS DATE THREE YEARS AGO, I was ordained a deacon. That day, not only did I receive the grace of Holy Orders, but I also publicly professed several promises. Among them was the promise of celibacy. Fittingly enough, I also spent part of yesterday morning teaching our eighth-grade students about Holy Orders and celibacy, so the topic has been active in my mind lately.

For some reason, progressives seem insistent on challenging and destroying the institution of celibacy among the Roman clergy. Is the ultimate demise of celibacy inevitable? As I observe the third anniversary of my own commitment to the celibate state, I can only respond by saying that I perceive celibacy as an extraordinary gift to me, personally, and an equally marvelous gift to the world.

Of course not all priests in the Catholic Church (or even the Roman Rite) have promised celibacy, but the majority have. Entailed in this promise is the renunciation of marriage, but the reason for this is not because marriage is something bad or sinful or detestable. The Catechism clearly teaches that Holy Matrimony is a beautiful Sacrament, instituted by Christ, that contributes to the sanctity of the People of God.

Yet, celibacy cannot be defined simply as “not getting married.” I do not consider myself single or a bachelor. Every time I fill out a form that questions my marital status, I pause to consider whether I should add a category for “celibate.” Celibacy entails not only the renunciation of marriage, but also the total commitment of one’s life to the Lord and to His Church. Thus, marriage and celibacy differ only in the smallest way. Marriage is a total commitment to one particular person (one’s spouse) for the rest of one’s life; celibacy is a total commitment to Christ and the Church for the rest of one’s life.

Neither marriage nor celibacy is a renunciation of love. They are just two different ways of loving. Marriage is a call to love one person exclusively, whereas celibacy is a call to love all people inclusively.

The world thinks it understands marriage. The world (at least superficially) still perceives marriage, which it often reduces to sex, as a way of loving. But the world cannot understand celibacy. The world refuses to see that celibacy is also a way of loving. Despite what the world thinks, my chosen path is not one of darkness, psychological distortion, and affective immaturity. Is it possible for a celibate priest to become a lonely, miserable, cantankerous, vicious scoundrel? Yes. And it is equally possible for a husband or wife to become the same.

In my experience—admittedly brief, though not negligible—celibacy is a gift. It has brought me joy and opened my heart to deeper love than I previously thought possible.

Are we, as a Church, beyond celibacy? No, because we are not beyond love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Rarely indeed,” asserted Pope Benedict XV (2 October 1921), “has the idealism of art and the glory of the faith been joined in such perfect harmony” as in the works of Palestrina and fellow polyphonists.

— Quoted by Gerard Ellard SJ (Church history professor at St. Mary’s College, KS)

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  • “Adeste Fideles” • Too Many Translations!

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