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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On Correcting Deviant Liturgical Customs

Dr. Peter Kwasniewski · April 18, 2013

N MY LAST BLOG, I talked about the phenomenon, quite common today, of those who would delay or oppose the correction of liturgical abuses or imperfections because they feel that people’s feelings will be hurt or that they will be confused by “more change.”

While I grant that too much change too fast would be a bad thing, and that all change should be accompanied by explanations, I maintain that it is morally necessary to change from bad practices to good ones and, to the extent possible, from inferior practices to superior ones. That is, it would be sinful to refuse to make such changes. (For example, if you currently have no one in the parish who knows how to sing Gregorian chant, you can’t very well insist that the next Mass will be a full-blown Missa Cantata; but you can send a couple of talented singers to a chant workshop, or invite a schola director to come and give a workshop. There are always steps that can be taken to improve the liturgical life of the community.)

Sometimes one finds even orthodox bishops voicing a certain despair: “Well, you are right, in principle—it would be better to discontinue the habitual use of extraordinary ministers of holy communion, and to have more chant, as Vatican II called for. But what’s the cost? Most of our people are trying their best to be good, many are involved in our parish ministries . . . I don’t want to discourage them by insisting too much on a severe liturgical regimen. After all, the Vatican permits X, Y, and Z, and who am I to change what even the Vatican isn’t changing? Are we supposed to be more Catholic than the pope?”

The serious problem with this kind of mentality is that it overlooks the serious long-term damage that is done by poor liturgy and poor custom; it does not recognize that reform has to come from all sides, not just from the top down (which is usually ineffective anyway, as the consistent and yet consistently ignored legislation on extraordinary ministers of holy communion shows); and it fails to acknowledge that each and every bishop has the grave responsibility to take charge and take action when the Holy of Holies is at stake. Lex orandi, lex credendi: the way people worship determines what they believe. The lack of a spirit of reverent adoration at so many liturgies, together with the countless ways we have abandoned our holy tradition, is the root cause of why Catholics believe so little nowadays, have so little reverence for the Eucharist, and dissent so blithely from Church teaching, especially in matters of morality. Indeed, what we have done to our Church in the past five decades deserves to be punished with loss of faith, desecration, scandal, and moral confusion. The Lord will not be mocked: those who repudiate His gifts will be repudiated, until and unless they repent.

A bishop might also be tempted to think: “Summorum Pontificum is a nice idea, in and of itself, and the enthusiasm among some young people for Latin, chant, and what have you is all fine and good, but we have to concentrate on the basics of faith and morals—we can’t waste precious time and energy promoting such exotic causes.” But this is exactly wrong. The liturgy is the tip of the spear. If you sharpen it, you succeed in your hunting. Once the right priorities are set in the sanctuary, the right priorities begin to be set elsewhere, too. First things first. The Church is mainly about the business of worshiping God and sanctifying souls, and this takes place above all in the sacred liturgy.

As we know from the luminous teaching and example of Pope Benedict XVI, many treasures of our faith, particularly in the liturgy, were not supposed to vanish from the Church’s life after the Council. They did vanish in most places—but their absence is in no way normative! It’s as if everyone in a family decided to stop paying attention to Grandma. Grandma does not disappear as a result; she just rocks in her chair in the corner, waiting until someone will talk to her again, will love her and show her due respect. The Tradition does not lose its normativity just because ungrateful revolutionaries turn their backs to it.

Against the argument that “we don’t want to make the same mistake as before, by too suddenly changing things and so risking alienating good people,” it should be said that in the church, as in one’s personal moral life, certain mistakes deserve to be undone, the sooner the better. Pastors owe it to their flocks to lead them into the truth that sets us free, even when it is painful, even when some will walk away (cf. John 6). The main problem is that the longer the abuses and the spirit of rupture prevail, the more quasi-normativity they acquire—so much so that Catholics today frequently see the aberrations and experiments of the past forty years as “tradition,” when in fact they are pure innovation, novelty, and rupture. You cannot make a lion into a tiger, no matter how much you paint stripes onto it. Similarly, a defective stance vis-à-vis tradition can never be rendered legitimate, no matter how many decades it lasts. If the papacy had remained in Avignon for centuries, it would be no less an embarrassment, abnormality, and scandal, no less immune to the critique of whatever Saint Catherines the Lord in His mercy would raise up. In fact, it would be more scandalous the longer it lasted. The same is true with liturgical abuses and rupture. They are not normalized and regularized by their continuation; they are rendered all the more displeasing to the Lord and harmful to the faithful.

The longer the hermeneutic of rupture and its expressions are allowed to continue as practical norms, the longer a “Great Schism” between the preconciliar and postconciliar periods will be perpetuated. A house divided against itself cannot stand; neither can the Church be the leaven of the world unless she brings order to her own household. We can pretend all we want, but the naked truth is that the Catholic Church as now embodied in most parishes and their manner of worship is something that could not be recognized as being in continuity with her traditional doctrine and practice. In other words, there is a Great Divorce. To the extent that this is true, there is a real, pressing, desperate need for healing, reconciliation, and reunification.

The only way to achieve reform is to have the courage to begin it, and to continue it in a consistent and principled way, as did the great saints of the Counter-Reformation. Though it may sound simplistic, it is nonetheless true: where there is a will, there is a way. Some Catholics will make a fuss and threaten to quit, but ultimately, it is the Catholic’s duty to stick with the Church, not the Church’s duty to adapt herself to the whims and tantrums of the people. There must be true leadership that leads the way along the path of Tradition, and does so with consistency, fervor, and vision.

Doing the right thing can mean standing against many. Doing the right thing is the only way of setting up a counter-example that inspires others by its integrity. It is like soldiers making a stand: behind them more and more gather until the tide of battle turns.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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