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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Gregorian Chant

Richard J. Clark · March 31, 2013

OME STYLES OF MUSIC do certain things better than others. I work in a parish that utilizes many styles from chant and polyphony to Gospel and contemporary. This is a product of three merged parishes, the preferences of the pastor, and the pastoral realities of an inner city parish. However, chant and polyphony are normative. They are present in some way at every liturgy.

While we do not process to the Introit propers from the Graduale Romanum, we often sing them as a prelude before mass in lieu of an organ prelude. This allows the congregation to enter into a prayerful state and meditate on the text which is provided on the worship aid.

Keep in mind, I am an organist who studied for many years with James David Christie, organist of the Boston Symphony Orchestra. I have a wonderful four manual, fifty rank pipe organ to play in an extraordinary acoustic. As I did not play any preludes or postludes during Lent (save Laetare Sunday), I am certainly itching to get back to letting the organ roar again!

However, I LOVE singing the Gregorian Introits as does my schola. They get EXCITED when we sing them. To forego an organ prelude on Easter Sunday speaks to the power of the Mode IV Introit, Resurrexi.

So this morning, something very blessed happened. Easter Sunday is filled with many people who are not regular churchgoers. Instead of griping about it, this is an opportunity to reach out and evangelize to those who do not attend church with any frequency.

As such, there was a standing room only overflow crowd of close to 1,000 people. There was a LOT of noise and talking before mass. It was certainly not a prayerful or reverent environment.

But then, amidst the cacophony the schola began to sing Resurrexi. By the time we got to the first “alleluia” there was a hush… The crowd slowly quieted down to a still silence. They listened through the antiphon, and the extraordinarily intimate verse from Psalm 139: “O Lord, you have searched me, and know me; you know when I sit and when I rise up.” At the end of the last antiphon one could hear nothing—nothing at all. A crowd of nearly 1,000 people, many who don’t come to mass, many who may not prefer Gregorian Chant, many who know nothing about chant—fell silent.

I don’t know what was in their hearts and minds, but intuitively, a sense of reverence and awe prevailed. Perhaps for many it was a rare moment of stillness in a busy, noisy world. Perhaps it was an opportunity for interior prayer. Perhaps it was a moment to revel in presence of the Risen Christ—the Salvation of the World. My hope is that the ineffable mystery of the Resurrection shone forth in these words:

I am risen, and am always with you, alleluia; you have placed your hand upon me, alleluia; your wisdom has been shown to be most wonderful, alleluia, alleluia. v. O Lord, you have searched me and know me; you know when I sit down and when I rise up. Psalm 139: 18, 5, 6 and 1-2

Happy Easter!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

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