1903 Solesmes “Liber Usualis” (Mocquereau)

Corpus Christi Watershed · March 19, 2013

HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

* * 1903 Solesmes Liber Usualis (Part 1 of 2)

* * 1903 Solesmes Liber Usualis (Part 2 of 2)

• Mocquereau’s 1903 Liber Usualis • Paroissien Romain: contenant la messe et l’office, pour tous les dimanches et fêtes doubles, Chant Grégorien • Rome; Tournai: Société de Saint Jean L’Évangéliste: Desclée, Lefebvre • Edition: Ed. de Solesmes. •

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski

14 May 2022 • Gorgeous Book

If there is a more beautiful book than Abbat Pothier’s 1888 Processionale Monasticum, I don’t know what it might be. This gorgeous tome was today added to the Saint John Lalande Online Library. I wish I owned a physical copy.

—Jeff Ostrowski

Sound Familiar?

1 June 1579: “The chapter passes a rule that anyone ascending to the new organ without official permission shall be fined a month’s pay.”

26 October 1579: “The altar boys remain always separate and distinct from choirboys—the one group learning only plainchant and assisting at the altar, the other living with the chapel-master and studying counterpoint and polyphony as well. Father Francisco Guerrero postpones his departure for Rome and instead spends the entire year in Seville making ready for the trip. In the meantime he neglects his choirboys. On 16 November, after considerable complaint against their unruliness and ignorance, he engages an assistant, Bartolomé Farfán.”

—Jeff Ostrowski

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