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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Communion in the Hand

Dr. Peter Kwasniewski · March 14, 2013

ERMISSION to receive communion in the hand is something the devil worked hard to achieve by influencing ecclesiastical authorities to relax a discipline that was longstanding, unchallenged, and wise. Satan derives a demented pleasure from seeing the Holy Eucharist profaned and desecrated. This happens in two ways: through negligence, as when people carelessly drop fragments of the host or spill the precious Blood; through contempt, as when non-Catholic visitors and tourists receive the Blessed Sacrament, or when anti-Catholics deliberately carry them away in order to destroy them, use them in Satanic worship, or sell them online.

Reports of sacrilege are on the increase. A few years ago we saw the sickening spectacle of a religion-hating professor who posted numerous videos of himself violently disposing of hosts he had carried away from Masses. In one video he drove a nail through the host before throwing it away; in another, he flushed a host down the toilet. It seems hard to believe that he bought hosts from a supplier and merely pretended to do all this. It is far more likely that he was collecting hosts at Masses, because there is rarely any vigilance when it comes to who receives, who doesn’t, and, in general, how the Blessed Sacrament is treated and cared for. All this has been made possible by that most foolish, most nearsighted of all decisions: to allow communion in the hand.

When we ponder the awesome mystery that in the Holy Eucharist is really, truly, substantially present Our Lord Jesus Christ, in his Body, Blood, Soul, and Divinity, the above-mentioned facts should cause us immense anguish, sadness, and righteous anger. To treat a host hatefully is, from a certain aspect, the worst possible sin a person can commit, and the most offensive to a believing Catholic.

Our Lord himself, glorified in heaven, is beyond all suffering; He is not directly harmed when the Blessed Sacrament is harmed. He is present in the sacrament as the Risen Christ seated at the right hand of the Father; after the resurrection He cannot suffer or die, but lives in the glory of immortality, bestowing that immortality on all souls that are incorporated into His Mystical Body and die in union with Him. The person who is harmed by desecration is the desecrator—and this shows us why Satan delights in desecration. Anyone who performs this act is committing the sin of Judas, the crime of betraying that which deserves our fidelity, the crime of hating that which most deserves our love, the crime of holding in contempt that mystery which deserves our heartfelt adoration on bended knee. It is a mockery of Christ; it is nothing less than a rejection of His adorable Person, and therefore a rejection of the Father who sent Him. As unfashionable as it is to say nowadays, it is Jesus Christ who, out of love for truth and righteousness, will send to hell all the souls who have rejected Him and consign their future bodies to the same eternal punishment.

No wonder the devil is eager to see hosts treated carelessly, disrespectfully, or blasphemously. These are steps along the same continuum, steps towards that ultimate separation from the infinitely holy God whom we must worship in spirit and in truth.

Apart from stories of Black Masses, there is the basic question of reverence. The priest’s hands are specially consecrated with holy oil, and why? So that he may rightly and fittingly handle the Blessed Sacrament. His hands are holy in view of touching and administering the holy gifts of the altar. A layman’s hands are not consecrated in this way. We receive the Holy Eucharist from the hands of a priest who is ordained to act in persona Christi, as a representative of the Lord Himself; we open our mouths to receive the nourishment of our body and soul, like a baby bird fed in the nest by its parent. From this symbolic vantage, it is wholly inappropriate that the priest put the host into our hands, so that we may then administer communion to ourselves. This gesture means: “I’m grown up and can feed myself, thank you very much, and my hands are just as good as the priest’s.” But this is simply false; we cannot feed ourselves, only Christ the High Priest can do so, and His ordained minister acts in His place, specially set apart by holy orders, with hands, too, set apart for the work of the altar. Communion in the hand helps create and support that fatal atmosphere of egalitarianism, horizontalism, and activism that has poisoned the spiritual life of the Church in the past forty years.

We must therefore do all in our power—with patience, yes, but also with a perseverance that never quits—to overturn the practice of communion in the hand and to replace it with a worthier manner of reception, namely, on the tongue of the kneeling communicant. Such a manner of receiving cannot, in and of itself, prevent unworthy communions from happening, but the evils will be limited, and the goods of devotion, piety, and reverence greatly increased and multiplied. As we know, it became the only way Pope Benedict distributed communion at his Masses. According to the universal law of the Church, it is a way in which each one of us, right now, can receive our Lord Jesus Christ, wherever we are, whenever we attend His Holy Sacrifice.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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