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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Communion in the Hand

Dr. Peter Kwasniewski · March 14, 2013

ERMISSION to receive communion in the hand is something the devil worked hard to achieve by influencing ecclesiastical authorities to relax a discipline that was longstanding, unchallenged, and wise. Satan derives a demented pleasure from seeing the Holy Eucharist profaned and desecrated. This happens in two ways: through negligence, as when people carelessly drop fragments of the host or spill the precious Blood; through contempt, as when non-Catholic visitors and tourists receive the Blessed Sacrament, or when anti-Catholics deliberately carry them away in order to destroy them, use them in Satanic worship, or sell them online.

Reports of sacrilege are on the increase. A few years ago we saw the sickening spectacle of a religion-hating professor who posted numerous videos of himself violently disposing of hosts he had carried away from Masses. In one video he drove a nail through the host before throwing it away; in another, he flushed a host down the toilet. It seems hard to believe that he bought hosts from a supplier and merely pretended to do all this. It is far more likely that he was collecting hosts at Masses, because there is rarely any vigilance when it comes to who receives, who doesn’t, and, in general, how the Blessed Sacrament is treated and cared for. All this has been made possible by that most foolish, most nearsighted of all decisions: to allow communion in the hand.

When we ponder the awesome mystery that in the Holy Eucharist is really, truly, substantially present Our Lord Jesus Christ, in his Body, Blood, Soul, and Divinity, the above-mentioned facts should cause us immense anguish, sadness, and righteous anger. To treat a host hatefully is, from a certain aspect, the worst possible sin a person can commit, and the most offensive to a believing Catholic.

Our Lord himself, glorified in heaven, is beyond all suffering; He is not directly harmed when the Blessed Sacrament is harmed. He is present in the sacrament as the Risen Christ seated at the right hand of the Father; after the resurrection He cannot suffer or die, but lives in the glory of immortality, bestowing that immortality on all souls that are incorporated into His Mystical Body and die in union with Him. The person who is harmed by desecration is the desecrator—and this shows us why Satan delights in desecration. Anyone who performs this act is committing the sin of Judas, the crime of betraying that which deserves our fidelity, the crime of hating that which most deserves our love, the crime of holding in contempt that mystery which deserves our heartfelt adoration on bended knee. It is a mockery of Christ; it is nothing less than a rejection of His adorable Person, and therefore a rejection of the Father who sent Him. As unfashionable as it is to say nowadays, it is Jesus Christ who, out of love for truth and righteousness, will send to hell all the souls who have rejected Him and consign their future bodies to the same eternal punishment.

No wonder the devil is eager to see hosts treated carelessly, disrespectfully, or blasphemously. These are steps along the same continuum, steps towards that ultimate separation from the infinitely holy God whom we must worship in spirit and in truth.

Apart from stories of Black Masses, there is the basic question of reverence. The priest’s hands are specially consecrated with holy oil, and why? So that he may rightly and fittingly handle the Blessed Sacrament. His hands are holy in view of touching and administering the holy gifts of the altar. A layman’s hands are not consecrated in this way. We receive the Holy Eucharist from the hands of a priest who is ordained to act in persona Christi, as a representative of the Lord Himself; we open our mouths to receive the nourishment of our body and soul, like a baby bird fed in the nest by its parent. From this symbolic vantage, it is wholly inappropriate that the priest put the host into our hands, so that we may then administer communion to ourselves. This gesture means: “I’m grown up and can feed myself, thank you very much, and my hands are just as good as the priest’s.” But this is simply false; we cannot feed ourselves, only Christ the High Priest can do so, and His ordained minister acts in His place, specially set apart by holy orders, with hands, too, set apart for the work of the altar. Communion in the hand helps create and support that fatal atmosphere of egalitarianism, horizontalism, and activism that has poisoned the spiritual life of the Church in the past forty years.

We must therefore do all in our power—with patience, yes, but also with a perseverance that never quits—to overturn the practice of communion in the hand and to replace it with a worthier manner of reception, namely, on the tongue of the kneeling communicant. Such a manner of receiving cannot, in and of itself, prevent unworthy communions from happening, but the evils will be limited, and the goods of devotion, piety, and reverence greatly increased and multiplied. As we know, it became the only way Pope Benedict distributed communion at his Masses. According to the universal law of the Church, it is a way in which each one of us, right now, can receive our Lord Jesus Christ, wherever we are, whenever we attend His Holy Sacrifice.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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