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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Be Reconciled to God

Fr. David Friel · March 10, 2013

HE PARABLE OF THE PRODIGAL SON is probably the most famous of all Jesus’ parables. It is so rich a story that exhausting its meaning would be difficult. One good way of approaching the parable is through its three characters. If we look closely, we should be able to recognize ourselves in the younger son, the elder son, and even in the father.

Every one of us is the prodigal son. Whether or not we have ever become mired in a rebellious, downward spiral of grave sin, we all know the basic experience of separating ourselves from another. Sometimes we cut ourselves off from our parents or our children; sometimes we separate ourselves from spouses or old friends; sometimes we cut ties with God. We drift away into “a distant country,” until we eventually grow tired of our self-inflicted isolation and loneliness. By God’s mercy, we realize that we have forgotten our identity as His beloved children and finally wake up to His stupendous mercy.

There are also traces of the older son in us. Rather than wandering away, this son stays at home, yet he, too, becomes lost. This elder son is the type of person who did as he was told. He goes to work on time and does his job faithfully. He is an obedient and respectful son. Regardless of his dutifulness, though, his heart becomes calloused. He separates himself from his family not by fleeing to “a distant country,” but by walling up his heart, leaving himself imprisoned by unhappiness and resentfulness. When he sees his father’s joy at the return of his prodigal brother, he simply cannot abide it. His resentfulness reels when exposed to joy. This process is repeated in each of our hearts when we feel forgotten and unappreciated and we witness someone else being remembered and appreciated.

At different times in our lives, we have all played the part of these two singular, yet strikingly similar sons. The destiny of our lives, however, is not only to be the lost child who is found by the father. What St. Paul calls the “upward calling” of Christian life is the supernatural process of becoming the father.

In the father, we see an image of God, Himself, Who actively seeks out the lost and the broken. As much as we may feel separated from his love—either by our prodigality or by our sense of being overlooked—we never really are. The father loves both of his sons equally, and there is nothing at all they can do or say that will actually separate them from his love. This father demonstrates spendthrift generosity by going out to meet each of his sons in their need and welcoming them back with heartfelt joy. Every Christian must imitate that example. In all the relationships of our lives, especially the difficult ones, the challenge of Christianity is to love with the same balance and effusiveness as God the Father.

At the heart of this tremendous parable is reconciliation. We, ourselves, first require reconciliation with God, and we are subsequently charged with the imperative to work toward reconciliation with our neighbors. In the words of St. Paul, God “has reconciled us to Himself through Christ and given us the ministry of reconciliation. . . . We implore you on behalf of Christ, be reconciled to God.” Reconciliation means not separating ourselves, like the two sons do. Rather, it means imitating the father by removing obstacles and restoring relationships.

Through prayer, it is possible to recognize the ways in which we resemble the younger and elder sons. Also through prayer, it is possible to chart our progress on the path toward becoming the father. Only when we engage all three perspectives within this parable will we be able to comprehend its marvelous message of mercy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

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