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Views from the Choir Loft

First Look! • Campion Missal and Hymnal for the Laity

St. Edmund Campion Missal and Hymnal · January 31, 2013

The following article was released on 13 January 2013 by several blogs which promote the Traditional Latin Mass. It is reproduced here for ease of reference.


EADERS MIGHT ENJOY this special “first look” at the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass.

244 Ancient Manuscripts Mass


In celebration of the fact that our Missal began shipping on Tuesday, we are releasing for free and instant download the complete Mp3 recording of a special polyphonic Motet written by the great English composer, William Byrd (†1623), in honor of St. Edmund Campion:

     *  “Why do I use my paper, ink and pen” [mp3]

Why doe I use my paper inck and pen,
and call my wits to counsel what to say,
such memories were made for mortal men,
I speak of Saints, whose names cannot decay,
an Angels trump, were fitter for to sound,
their glorious death, if such on earth were found.

The recording serves as the “soundtrack” (for lack of a better word) as viewers watch the Campion Missal Explanation Video. The Mp3 recording is the work of Matthew J. Curtis, a truly gifted singer. Regarding the text itself, an Edmund Campion scholar sent the following via Email:

“The words are moving because Catholics were forced to use manuscript to disseminate works (printing presses being difficult to buy, conceal and feed; paper being bulky and expensive). This poem, written by Henry Walpole within a month of Campion’s death, was printed in the Alfield, A true reporte of the death & martyrdome of M. Campion Iesuite and preiste; the press of Richard Verstegan was seized. The manuscript version was disseminated widely, and set to music by William Byrd, probably with a few months, although the printed version of Byrd’s setting was not published till 1588, without Campion’s name being included (for obvious reasons, in Protestant England). The poem itself is remarkable, since it is in the same form as Shakespeare’s Venus and Adonis: six-line stanzas of rhyming iambic pentameters (unstress/stress). There are thirty of them, divided into clear groups of ten. In other words, it is much more than a popular ballad, and has (unlike many modern Catholic hymns) a very clear concordance between words and metre.”

The picture at the beginning of this article is a snap shot of one of the spreads from the Campion Missal. The reader will notice that, for the first time in history, ancient manuscripts (several going back to the 7th century) were included alongside the Mass Ordinary.

Here are a few more snapshots of the Campion Missal:

     *  Cover Art

     *  Line Art – Sample 1

     *  Line Art – Sample 2

     *  Hymn Sample

     *  Kyriale Sample

     *  Low Mass Spread – Sample 1

     *  Low Mass Spread – Sample 2

     *  Solemn Mass Spread – Sample 1

     *  Solemn Mass Spread – Sample 2A

     *  Solemn Mass Spread – Sample 2B

     *  Solemn Mass Spread – Sample 2C

     *  Smyth Sewn Binding of the absolute highest quality


The size of this 992-page book is a perfect fit for Catholic pews:

249 Width Campion


You can also read the Editor’s Preface.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

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  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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