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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

First Look! • Campion Missal and Hymnal for the Laity

St. Edmund Campion Missal and Hymnal · January 31, 2013

The following article was released on 13 January 2013 by several blogs which promote the Traditional Latin Mass. It is reproduced here for ease of reference.


EADERS MIGHT ENJOY this special “first look” at the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass.

244 Ancient Manuscripts Mass


In celebration of the fact that our Missal began shipping on Tuesday, we are releasing for free and instant download the complete Mp3 recording of a special polyphonic Motet written by the great English composer, William Byrd (†1623), in honor of St. Edmund Campion:

     *  “Why do I use my paper, ink and pen” [mp3]

Why doe I use my paper inck and pen,
and call my wits to counsel what to say,
such memories were made for mortal men,
I speak of Saints, whose names cannot decay,
an Angels trump, were fitter for to sound,
their glorious death, if such on earth were found.

The recording serves as the “soundtrack” (for lack of a better word) as viewers watch the Campion Missal Explanation Video. The Mp3 recording is the work of Matthew J. Curtis, a truly gifted singer. Regarding the text itself, an Edmund Campion scholar sent the following via Email:

“The words are moving because Catholics were forced to use manuscript to disseminate works (printing presses being difficult to buy, conceal and feed; paper being bulky and expensive). This poem, written by Henry Walpole within a month of Campion’s death, was printed in the Alfield, A true reporte of the death & martyrdome of M. Campion Iesuite and preiste; the press of Richard Verstegan was seized. The manuscript version was disseminated widely, and set to music by William Byrd, probably with a few months, although the printed version of Byrd’s setting was not published till 1588, without Campion’s name being included (for obvious reasons, in Protestant England). The poem itself is remarkable, since it is in the same form as Shakespeare’s Venus and Adonis: six-line stanzas of rhyming iambic pentameters (unstress/stress). There are thirty of them, divided into clear groups of ten. In other words, it is much more than a popular ballad, and has (unlike many modern Catholic hymns) a very clear concordance between words and metre.”

The picture at the beginning of this article is a snap shot of one of the spreads from the Campion Missal. The reader will notice that, for the first time in history, ancient manuscripts (several going back to the 7th century) were included alongside the Mass Ordinary.

Here are a few more snapshots of the Campion Missal:

     *  Cover Art

     *  Line Art – Sample 1

     *  Line Art – Sample 2

     *  Hymn Sample

     *  Kyriale Sample

     *  Low Mass Spread – Sample 1

     *  Low Mass Spread – Sample 2

     *  Solemn Mass Spread – Sample 1

     *  Solemn Mass Spread – Sample 2A

     *  Solemn Mass Spread – Sample 2B

     *  Solemn Mass Spread – Sample 2C

     *  Smyth Sewn Binding of the absolute highest quality


The size of this 992-page book is a perfect fit for Catholic pews:

249 Width Campion


You can also read the Editor’s Preface.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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