• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

The Worth of Waiting

Fr. David Friel · December 2, 2012

ROWING UP, my mom would drive us to school every morning. So my brother, two sisters, and I became very familiar with the route from our house to the parish grade school. Along the way, one of the things we would pass was a Methodist Church. I remember that every year, toward the end of the school year, that Methodist Church always put a sign out on their lawn advertising their annual Strawberry Festival. I probably didn’t think anything of it at first. But, as I got to be in fourth or fifth grade, I started to think about that a bit more. I wondered why on earth anybody would hold a festival to celebrate strawberries. Why would you? It made no sense to me.

I loved strawberries as much as the next kid, but I loved macaroni & cheese, too, and I never saw anybody hold a Macaroni-and-Cheese Festival. So I asked my mom about it, and she explained that strawberry festivals come from the days when you couldn’t get strawberries all year round. Strawberries are really only in season, in these parts, from about April through September. Thanks to improved technology & transportation & imports, I could go to the supermarket today—even in December—and buy a package of delicious-looking strawberries. Fresh strawberries used to be something you had to wait for, whereas you could have mac-and-cheese anytime. That’s why the festival developed: to celebrate the harvest and the return to strawberry season.

I’ve never known what it is to wait for strawberry season. I’ve never known a world in which I couldn’t go to the store and buy strawberries 365 days a year (and at a 24-hour store, no less!). In fact, if I don’t want to wait in line, most stores will let me go through a “self check-out” line to speed things up.

We’ve become so instant that we’ve lost the ability to wait. We make coffee in our Keurig’s, because we don’t want to wait for a pot to brew. We can’t wait to put the car in park before reading our text messages. It used to be a two-week trip to sail to Europe, but now I could be in Rome in time for dinner if I left right after breakfast. All of these advancements are good, in themselves, but they come with unintended side effects. One of those harmful side effects is that we’ve trained ourselves to reject waiting. I propose, however, that we need to rediscover the intrinsic worth of waiting.

The Church has the remedy for this. In her wisdom, she gives us Advent, the season of waiting for our Lord’s coming. I’ll bet you can remember a time when you got really excited for Christmas. Certainly, when you were a young kid, you knew how to look forward gleefully to Christmas. But, what about more recently? Has the whole experience dulled a bit? Has your childish excitement ever matured into an adult excitement for Christmas—the joyful anticipation that longs to see the face of Christ?

Advent is only a few short weeks, but it can be a terrific time to foster that mature excitement within our hearts. It’s not Christmastime yet; it’s Advent, and there are so many graces to be had in the stillness and the waiting. There will be a whole Christmas season, too, but we have to wait for it. That waiting is good for us. Really good waiting stretches us, and it helps us to better appreciate the thing for which we wait.

If we enter into Advent in this spirit of holy waiting, we’ll end up appreciating the Christmas mystery all the more. When we make our way here for Christmas Mass, we’ll see all the candles on the wreath lit and all our decorations hung. We’ll see poinsettias & angels & the manger, but, more importantly, we’ll feel the love of the Christ Child palpably in our hearts. We’ll be like the folks fifty years ago who went to the strawberry festival. After months of waiting, they could finally sink their teeth into a rich, fresh, perfectly ripe strawberry once again. I’ll bet you my grandmother knew how to appreciate a good strawberry when their season returned. We can experience something very similar if we embrace the opportunity to wait for Christ to come.

It’s almost a guarantee that, at some point in the next week, we’ll find ourselves standing in line someplace. Standing in line is something no one enjoys and something we all try to avoid. I challenge you, sometime this week, to wait in line and like it. Relish it! Instead of letting it become an occasion of sin or impatience or anger, use it as a moment of meditation. Thank Jesus for the gift of that moment, and—in a world that’s always rushing— thank Him for the opportunity simply to wait.

If we can find enjoyment in standing in line, we’ll be able to appreciate the grace of Advent waiting. And if we can appreciate Advent waiting, we’ll be better able to sink our teeth into the Christmas mystery.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts
  • “Music List” • 4th Sunday of Easter (Year C)
  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.