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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It’s Personal

Fr. David Friel · June 5, 2012

As a kid growing up, I went to Our Lady of Mt. Carmel School in Doylestown, Pennsylvania. Sometime—I believe around 4th grade—a new kid moved into the area and joined our class. For whatever reason, I became friends with him, and I can distinctly remember the first time I called his house. Like most kids that age, I always got nervous before making phone calls, and my mom would prep me with what to say. So, when I called my friend’s house and his mom answered, I said, as though from a script, “Good morning, this is David Friel. May I please speak with John Smith?”

She replied, “Which one?” I froze. That wasn’t in the script! My mom never prepared me for that!

I came to find out that not only was my friend’s name John Smith, but his father had the same name. And not only that, but his paternal grandfather also lived in the house, and he, too, had the same name. We eventually came up with a system: my friend became just “John,” his dad became “Mr. Smith,” and his grandfather, inventively enough, became “Mr. Mr. Olenick.” Since there were three different people with the same name, I had to do something to specify to whom I was speaking.

When you pray, to Whom do you pray? If your answer is God, let me suggest that we should clarify that. We celebrated this past Sunday the Solemnity of the Most Holy Trinity, the day on which we highlight our belief in a Trinity of three Persons Who are one God—three distinct People, Who go by the one name of “God.” So, perhaps it would be good for us to specify, when we pray, precisely to Whom we are praying.

In the course of a single day, we might pray to all three members of the Trinity, but that doesn’t preclude us from having a unique relationship with each of them. Perhaps we had a troubled relationship with our human father, and so we feel most comfortable praying to God the Father. Maybe we can really relate to Jesus, since He has a human nature, so we want to pray to Him. Or maybe you really need special inspiration, and so you turn to the Holy Ghost.

Why does it matter? Why can’t we just pray generically to “God” and let Him sort out where the prayers go?

Because God is not just a cabinet with different mail slots; nor is He just some amorphous blob in the clouds. God is a Person—three distinct, though not separate, Persons. When I wanted to talk to my friend, I couldn’t just call and speak to “John Smith-ness.” I had to specify which John Smith—which person. In the same way, when we talk to the Lord, we can do better than just addressing “God.” We can specify the Father or the Son or the Holy Spirit.

The fabulous news for us is that, because God is a Personal Being, we can have a relationship with Him. He’s not just a rock or a piece of furniture. He has Personality, to which we can relate. And, for that reason, prayer is a relationship, not just the filing of a memo with God.

If we learn to pray in this way, we may discover sides to God that we’ve never before encountered. We may come to experience the Father, Son, and Holy Spirit more deeply, more vibrantly, and more personally.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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