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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Roman Missal 3.0 — Installment No. 3

Fr. David Friel · February 10, 2012

We take up today the third “highlight” I would like to present on the topic of the new Roman Missal in English: the orientation of the canon. (And I’m not talking about where to point the big gun!)

The Roman Canon, sometimes also called Eucharistic Prayer I, is one of several different canons the priest may choose to pray during the Liturgy of the Eucharist. There are four main options, plus several others, but the Roman Canon is the canon with the longest history in the Roman Rite. In fact, it has been prayed almost unchanged for roughly 1500 years.

By comparing the first words of Eucharistic Prayer I in the new and old English translations with the Latin original, a remarkable change becomes obvious. Let’s begin with the official Latin, employed from time immemorial:

Te igitur, clementissime Pater…

This line, in the English translation of the former Sacramentary, was rendered:

We come to you, Father…

Now, with the newly translated Roman Missal, the following begins the Canon:

To you, therefore, most merciful Father, we…

In Latin, the words of a sentence can be placed almost anywhere and still maintain sensibility. Thus, the placement of words is empowered as a manner of conveying meaning. It is not by mistake, then, that the very first word of the Roman Canon is Te (“You”), referring to God. That the prayer begins with Te tells us the orientation of the whole prayer: toward the Father.

Word placement commands power in English, too, although there is less freedom in its regard than there is in Latin. What we have been praying since 1973, noticeably, changes the initial focus from Te (God) to We (us). This translation fails to capture the fundamental orientation that is so clear in the Latin and instead, unfortunately, places undue emphasis upon the worshipping community.

The new English translation has masterfully restored the essential orientation of this prayer. In addition to reinstating the loving description of our Father as “most merciful,” the placement of the word “you” at the outset of this prayer faithfully accomplishes the same nuance realized by the Latin.

Guided by the tremendous fidelity of our new translation, may we all be led “toward the Father!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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