• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Copyright Problems! • Vernacular Readings + “Traditionis Custodes”

Jeff Ostrowski · July 23, 2021

ANY QUESTIONS still remain about the recent papal decree (Traditionis Custodes). In particular, there is a section that says: In these celebrations the readings are proclaimed in the vernacular language, using translations of the Sacred Scripture approved for liturgical use by the respective Episcopal Conferences. It’s not clear whether that only refers to the so-called “diocesan EF Mass” that bishops are supposed to establish at some point in the future. Furthermore, it’s doubtful what this statement could possibly mean in light of the 20 November 2012 statement by the USCCB (see below).

A Legal Problem: It must be remembered that the Scripture translations used in the Novus Ordo are a major source of revenue for the USCCB. Even though the Mass is an indulgenced prayer—meaning its texts aren’t supposed to be sold—the USCCB has been selling those texts for decades. Moreover, the various readings (Gospels, Antiphons, Psalms, etc.) are copyrighted under various “shell” organizations, making it harder to know how much money they take in each month. 1 Even when you receive permission, they reserve the right to change their policy at any time. So if you broadcast 1,000 Masses on YouTube, remember that—at any moment—they can force you take down all those videos.

Poor Parishes Lacking Funds: Locations which celebrate the Traditional Latin Mass tend to be the marginalized groups, given “leftovers” that nobody else wants. It’s highly doubtful such parishes can afford the high rates associated with the USCCB readings. Remember, the USCCB does not allow anyone to reproduce or transmit electronically by any means any part of “their” Bible without permission. Sometimes they charge money, sometimes not. It can take months to receive permission from their office—and I speak from personal experience here. It would be risky to even use a loudspeaker or microphone system at Mass, since that “transmits electronically” the USCCB copyrighted readings.

Constantly Changing: There is no “physical Bible” you can purchase which contains the USCCB approved readings. They are constantly making small changes here and there. (I have tons of examples, if anyone cares.) You cannot simply copy the readings from the USCCB website—that’s not the official version although it’s quite similar to it. If you don’t observe these small changes, they threaten you with legal action. Does all this sound absurd? That is one of the reasons people had been flocking to the Traditional Latin Mass: The EF Mass texts are not for sale.

They Don’t Match: The USCCB readings and antiphons don’t match the Traditional Latin Mass. Therefore, priests must create some sort of “hybrid” lectionary. The following were approved for liturgical use by the United States Conference of Catholic Bishops in November of 1966 (and confirmed again in March of 1967):

Confraternity of Christian Doctrine Bible
Douai-Rheims-Challoner Bible
Monsignor Ronald Knox Bible
Revised Standard Version (Catholic Edition) Bible
Jerusalem Bible

Other Approvals: The following were approved for liturgical use by the USCCB (Secretariat for the Bishops’ Committee on the Liturgy) by a communication dated 20 November 2012:

The Bible readings in the Fulton J. Sheen Missal
The Bible readings in the Saint Andrew Missal
The Bible readings in the Father Lasance Missal

That remarkable 20 November 2012 statement by the USCCB Secretariat of Divine Worship—the whole business of “tacit” permission—was confirmed by 80+ snail-mail letters sent to bishops on that committee. This is important, because the Secretariat is supposed to act in the name of the bishops on the committee.

Actions Have Consequences: Because of this USCCB statement (dated 20 November 2012), everything you see at an Ordinary Form Mass—and here I’m speaking of the bad stuff, not the good stuff—is technically “approved,” in spite of what the GIRM says. It has “tacit” approval from the local bishop, according to the USCCB. Here is something I find very troubling:


NOTES FROM THIS ARTICLE:

1   Until recently, everyone who purchased the USCCB Psalms was inadvertently making a very small monetary donation to David Haas. More on this at a later date.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: 1965 Missal, Traditionis Custodes Motu Proprio Last Updated: April 13, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.