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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Copyright Problems! • Vernacular Readings + “Traditionis Custodes”

Jeff Ostrowski · July 23, 2021

ANY QUESTIONS still remain about the recent papal decree (Traditionis Custodes). In particular, there is a section that says: In these celebrations the readings are proclaimed in the vernacular language, using translations of the Sacred Scripture approved for liturgical use by the respective Episcopal Conferences. It’s not clear whether that only refers to the so-called “diocesan EF Mass” that bishops are supposed to establish at some point in the future. Furthermore, it’s doubtful what this statement could possibly mean in light of the 20 November 2012 statement by the USCCB (see below).

A Legal Problem: It must be remembered that the Scripture translations used in the Novus Ordo are a major source of revenue for the USCCB. Even though the Mass is an indulgenced prayer—meaning its texts aren’t supposed to be sold—the USCCB has been selling those texts for decades. Moreover, the various readings (Gospels, Antiphons, Psalms, etc.) are copyrighted under various “shell” organizations, making it harder to know how much money they take in each month. 1 Even when you receive permission, they reserve the right to change their policy at any time. So if you broadcast 1,000 Masses on YouTube, remember that—at any moment—they can force you take down all those videos.

Poor Parishes Lacking Funds: Locations which celebrate the Traditional Latin Mass tend to be the marginalized groups, given “leftovers” that nobody else wants. It’s highly doubtful such parishes can afford the high rates associated with the USCCB readings. Remember, the USCCB does not allow anyone to reproduce or transmit electronically by any means any part of “their” Bible without permission. Sometimes they charge money, sometimes not. It can take months to receive permission from their office—and I speak from personal experience here. It would be risky to even use a loudspeaker or microphone system at Mass, since that “transmits electronically” the USCCB copyrighted readings.

Constantly Changing: There is no “physical Bible” you can purchase which contains the USCCB approved readings. They are constantly making small changes here and there. (I have tons of examples, if anyone cares.) You cannot simply copy the readings from the USCCB website—that’s not the official version although it’s quite similar to it. If you don’t observe these small changes, they threaten you with legal action. Does all this sound absurd? That is one of the reasons people had been flocking to the Traditional Latin Mass: The EF Mass texts are not for sale.

They Don’t Match: The USCCB readings and antiphons don’t match the Traditional Latin Mass. Therefore, priests must create some sort of “hybrid” lectionary. The following were approved for liturgical use by the United States Conference of Catholic Bishops in November of 1966 (and confirmed again in March of 1967):

Confraternity of Christian Doctrine Bible
Douai-Rheims-Challoner Bible
Monsignor Ronald Knox Bible
Revised Standard Version (Catholic Edition) Bible
Jerusalem Bible

Other Approvals: The following were approved for liturgical use by the USCCB (Secretariat for the Bishops’ Committee on the Liturgy) by a communication dated 20 November 2012:

The Bible readings in the Fulton J. Sheen Missal
The Bible readings in the Saint Andrew Missal
The Bible readings in the Father Lasance Missal

That remarkable 20 November 2012 statement by the USCCB Secretariat of Divine Worship—the whole business of “tacit” permission—was confirmed by 80+ snail-mail letters sent to bishops on that committee. This is important, because the Secretariat is supposed to act in the name of the bishops on the committee.

Actions Have Consequences: Because of this USCCB statement (dated 20 November 2012), everything you see at an Ordinary Form Mass—and here I’m speaking of the bad stuff, not the good stuff—is technically “approved,” in spite of what the GIRM says. It has “tacit” approval from the local bishop, according to the USCCB. Here is something I find very troubling:


NOTES FROM THIS ARTICLE:

1   Until recently, everyone who purchased the USCCB Psalms was inadvertently making a very small monetary donation to David Haas. More on this at a later date.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: 1965 Missal, Traditionis Custodes Motu Proprio Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

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