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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Copyright Problems! • Vernacular Readings + “Traditionis Custodes”

Jeff Ostrowski · July 23, 2021

ANY QUESTIONS still remain about the recent papal decree (Traditionis Custodes). In particular, there is a section that says: In these celebrations the readings are proclaimed in the vernacular language, using translations of the Sacred Scripture approved for liturgical use by the respective Episcopal Conferences. It’s not clear whether that only refers to the so-called “diocesan EF Mass” that bishops are supposed to establish at some point in the future. Furthermore, it’s doubtful what this statement could possibly mean in light of the 20 November 2012 statement by the USCCB (see below).

A Legal Problem: It must be remembered that the Scripture translations used in the Novus Ordo are a major source of revenue for the USCCB. Even though the Mass is an indulgenced prayer—meaning its texts aren’t supposed to be sold—the USCCB has been selling those texts for decades. Moreover, the various readings (Gospels, Antiphons, Psalms, etc.) are copyrighted under various “shell” organizations, making it harder to know how much money they take in each month. 1 Even when you receive permission, they reserve the right to change their policy at any time. So if you broadcast 1,000 Masses on YouTube, remember that—at any moment—they can force you take down all those videos.

Poor Parishes Lacking Funds: Locations which celebrate the Traditional Latin Mass tend to be the marginalized groups, given “leftovers” that nobody else wants. It’s highly doubtful such parishes can afford the high rates associated with the USCCB readings. Remember, the USCCB does not allow anyone to reproduce or transmit electronically by any means any part of “their” Bible without permission. Sometimes they charge money, sometimes not. It can take months to receive permission from their office—and I speak from personal experience here. It would be risky to even use a loudspeaker or microphone system at Mass, since that “transmits electronically” the USCCB copyrighted readings.

Constantly Changing: There is no “physical Bible” you can purchase which contains the USCCB approved readings. They are constantly making small changes here and there. (I have tons of examples, if anyone cares.) You cannot simply copy the readings from the USCCB website—that’s not the official version although it’s quite similar to it. If you don’t observe these small changes, they threaten you with legal action. Does all this sound absurd? That is one of the reasons people had been flocking to the Traditional Latin Mass: The EF Mass texts are not for sale.

They Don’t Match: The USCCB readings and antiphons don’t match the Traditional Latin Mass. Therefore, priests must create some sort of “hybrid” lectionary. The following were approved for liturgical use by the United States Conference of Catholic Bishops in November of 1966 (and confirmed again in March of 1967):

Confraternity of Christian Doctrine Bible
Douai-Rheims-Challoner Bible
Monsignor Ronald Knox Bible
Revised Standard Version (Catholic Edition) Bible
Jerusalem Bible

Other Approvals: The following were approved for liturgical use by the USCCB (Secretariat for the Bishops’ Committee on the Liturgy) by a communication dated 20 November 2012:

The Bible readings in the Fulton J. Sheen Missal
The Bible readings in the Saint Andrew Missal
The Bible readings in the Father Lasance Missal

That remarkable 20 November 2012 statement by the USCCB Secretariat of Divine Worship—the whole business of “tacit” permission—was confirmed by 80+ snail-mail letters sent to bishops on that committee. This is important, because the Secretariat is supposed to act in the name of the bishops on the committee.

Actions Have Consequences: Because of this USCCB statement (dated 20 November 2012), everything you see at an Ordinary Form Mass—and here I’m speaking of the bad stuff, not the good stuff—is technically “approved,” in spite of what the GIRM says. It has “tacit” approval from the local bishop, according to the USCCB. Here is something I find very troubling:


NOTES FROM THIS ARTICLE:

1   Until recently, everyone who purchased the USCCB Psalms was inadvertently making a very small monetary donation to David Haas. More on this at a later date.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: 1965 Missal, Traditionis Custodes Motu Proprio Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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