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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Biography • Richard J. Clark

Richard J. Clark · January 14, 2013

ICHARD J. CLARK is an eclectic musician—composer, conductor, organist, pianist, and songwriter. In 2018, he was named as the Director of Music for the Archdiocese of Boston and choirmaster at the Cathedral of the Holy Cross. He previously served for twenty-eight years as Music Director and Organist at St. Cecilia Parish, where he oversaw a thriving music program and helped develop the Smith and Gilbert Organ of six divisions and fifty-four ranks. He continues as Chapel Organist (Saint Mary’s Chapel) at Boston College, where he has served since 2004. As performer and composer, his appearances include the Church of Saint-Eustache (Paris, France), the Basilica of the National Shrine of the Immaculate Conception (Washington D. C.), Eternal Word Television Network (EWTN), the Celebrity Series of Boston, Fenway Park (historic home of the Boston Red Sox), the New York Songwriters Circle, and Saint Patrick’s Cathedral (New York).

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The Ministry & Liturgy Magazine has called Mr. Clark’s music “transformative” as well as “expertly arranged and prayerfully sung.” His compositions have been broadcast on radio in New York, New England, and Europe, including Sounds from the Spires with Dr. Jennifer Pascual. In Russia, his organ work Ascent to Freedom was played by American virtuoso Mark Husey and the American Boychoir under the direction of Fernando Malvar-Ruiz. He also appears with his wife, clarinetist Kara Gretschel Clark, on the Cathedral Encores CD featuring the 1875 E. & G.G. Hook, opus 801, at the Cathedral of the Holy Cross. He also appears with trumpeter Richard Kelley in a recording of his Requiem pour une américaine à Paris. His liturgical, choral, and organ works are published by Lorenz/The Sacred Music Music Press, CanticaNOVA Publications, RJC Cecilia Music, Corpus Christi Watershed, and World Library Publications. Mæstro Clark is frequently chosen as presenter at international conferences such as the Sacred Music Symposium and the NPM Annual Convention.

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ORN in Greenwich Village, New York City, Mr. Clark grew up in Long Island at St. William the Abbott Parish. While studying as a chemistry major at New York University, he also studied piano and composition with Justin Dello Joio. He received his Bachelor’s Degree at the Berklee College of Music in 1991 where he studied jazz piano and composition. He studied organ with James David Christie. In 1997 he completed his Master of Music Degree from the Boston Conservatory, and was elected to the National Music Honor Society, Pi Kappa Lambda. He currently lives with his wife and four children in Milton, Massachusetts where they are parishioners at St. Agatha Parish. To reach Richard J. Clark via Email, please click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Tagged With: Catholic Composers Last Updated: August 20, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

Recent Posts

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  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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