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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Pope’s interview, context and Latin.

Veronica Brandt · September 21, 2013

Elizabeth My daughter, who currently speaks Latin and English equally well. EADING THE POPE’S INTERVIEW is a great way to start the day. I’d better admit though, I haven’t read the whole thing yet, but quotes have been flying around the interwebs like confetti. Everyone is doing a take on it. There’s so much in the interview that everyone can find a chunk to bolster their own personal bandwagon. But if you want to really understand it, you need to go back to the interview and look at the chunks in context.

Just out of interest, the word “Latin” pops up in the interview three times. Which is exactly the same frequency as “abortion” and “homosexual”, so let me go off on that tangent, although, like abortion and homosexuality, that is not the main message in the Pope’s interview.

From time to time the idea comes up that it is not practical to use Latin prayers or hymns because your average person in the pew can’t understand it. Some will say that one must study Latin before attempting any liturgical applications of the language. There is a logic here – if one were writing a letter or watching a show, it would be important to know the language, but that is a different context.

Back when I first came across a place that used Latin with lavish abandon, I did fret that I was missing out because I didn’t know what it all meant. I was used to being on the inside of the choir, knowing what was coming up next, having the words and music handy. So I put together a new book of old hymns, digging up old translations and bugging people to help me with new ones.

Then I was sort of disappointed to find that most people didn’t really care that much. They were happy to listen to the beautiful music. Over time they would become familiar with bits and pieces. They might ask after Mass about a particularly striking piece and there would be a choir member there to give more than enough information about its meanings and origins.

More recently someone was warning against relying on Latin hymns, saying the average person can’t understand them. I reassured her that the Mass books in the church had the English versions following each Latin hymn. Except O Sanctissima. That was one of the later additions, when I was making all those compromises that come with collective decisions. But that was alright, she said, because everyone knows that one.

Which is the point with Latin in the liturgy. People just get to know the bits they like. The translations are not that far away. You’re not expected to know everything. If you want to know, then there is someone to ask. And most people don’t care that much.

To borrow a chunk from the Pope:

I see the church as a field hospital after battle. It is useless to ask a seriously injured person if he has high cholesterol and about the level of his blood sugars! You have to heal his wounds. Then we can talk about everything else. Heal the wounds, heal the wounds…. And you have to start from the ground up.

People come to Mass to pray in all sorts of ways. Some for the peace, some to plead for a loved one, some to give something of themselves, some just to glorify God. In our parish there are broken families, broken hearts, people struggling with various trials. In our world it is even crazier. So much to pray for. So much beyond our ability to comprehend!

If you want to join in the singing, then come an hour before Mass starts and I’ll go through the music with you. Please. Your kids can kick a ball around with my kids. And I’ll make sure there’s a piece of cake for you after Mass.

In the meantime you can read Jeffrey Tucker’s pick from the Big Interview at Chant Cafe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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