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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Can’t We Use Secular Music During Mass?

Jeff Ostrowski · February 13, 2014

OMPOSER DAN SCHUTTE, formerly a Jesuit priest, published a musical setting in 2012 of the Glory To God which has been widely criticized because it changes the words. 1

To me, however, something else is even more problematic. Please listen to these brief excerpts and see if you can guess what I’m getting at:

* *  “Glory To God” • Refrain by Dan Schutte

* *  “My Little Pony” • Mp3 Audio Excerpt

Am I crazy, or is this resemblance jarring?

ON 22 NOVEMBER 2003, Blessed John Paul II decreed that Church music must “avoid any concessions to frivolity or superficiality.” He went on to remind us of many other important things. For instance, he said neither vocal nor instrumental music can be used at Mass if it “does not possess a sense of prayer, dignity and beauty.”

A few years ago, we created this video which presented Church legislation on Sacred music and drew some conclusions. Some of my friends were angry we used the term “Disney” to describe certain liturgical music. Others thought we were kidding. However, I stand behind that term, because technical descriptions like “modal” and “rhythmically free” mean nothing to the vast majority of Catholics who lack professional training in music.

PLEASE, DON’T LEAVE ANY NASTY COMMENTS saying I am “anti-Schutte” or anything like that. I have absolutely nothing against Schutte, who is incredibly accomplished 2 and literally world-famous. He’s free to write whatever he wishes and folks are free to purchase it.

However, I do object to certain would-be “scholarly” publications treating this music in a serious fashion, using the most outlandish psychobabble. 3 Sometimes I’m tempted to scream: “How can such things be written about a tune lifted from My Little Pony?” Just a decade ago, I believed Musicology symposia had a monopoly on this kind of gibberish — I was wrong!

N.B.   The musically-observant priest who discovered this Schutte/Pony similarity is currently Liturgy Director for a major Archdiocese in the United States. It was sent to me via email “chain letter.” This was the first time I’d ever heard Schutte’s Mass setting.




NOTES FROM THIS ARTICLE:

1   Musical settings which alter the official Mass texts were supposed to have been eliminated beginning in 2011.

2   Dan Schutte (b. 1947) is best known for composing the hymn “Here I Am, Lord.” He has received three honorary doctoral degrees, numerous Grammy nominations, and many other awards. He is considered one of the most influential living composers of “contemporary” Catholic liturgical music.

3   I have some examples I’ve saved over the years, but I hesitate to post them at this moment (I will explain another day).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony, Oregon Catholic Press, Secular vs Sacred Music at Mass Last Updated: October 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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