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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Stained Glass Windows of Military Saints

Fr. David Friel · November 11, 2019

OVEMBER is the month of All Saints and All Souls, and today is both the feast of one of the Church’s great soldier-saints, Martin of Tours, and Veterans Day in the USA. In that spirit, it seems appropriate to share news of a set of stained glass windows featuring military-related saints that was recently crafted and installed. Now gracing the chapel of the Edwin Cardinal O’Brien Pastoral Center of the Archdiocese for the Military Services, USA (AMS) in Washington, DC, these windows were designed and executed by Washington Art Glass Studio, based in Dunkirk, MD.

The main windows depict saints who have a particular connection to military life. These include the Roman Centurion (Mt 8:5-13; Lk 7:1-10), St. Martin of Tours, St. Joan of Arc, St. John of Capistrano, St. Ignatius of Loyola, and St. Elizabeth Ann Seton.

Also included are Saints Peter & Paul, the four evangelists, symbols of the seven sacraments and the office of preaching, two episcopal coats of arms (belonging to Archbishops Joseph T. Ryan and Timothy P. Broglio, the first and current archbishops of the AMS), and six seals of the military branches and departments.

All the windows were blessed during a ceremony in early September 2019 that included readings from Sacred Scripture and the singing of psalms and hymns. In his remarks, Archbishop Broglio reflected on the significance of the occasion:

When the Church blesses stained glass windows, she does so for the following reasons: that when we look at the representations of those who followed Christ faithfully, we will be motivated to seek the city that is to come, that we will learn the way to attain complete union with Christ, that as we struggle along with our earthly cares, we will be mindful of the saints, those friends and co-heirs with Christ who are also our own brothers and sisters and our special benefactors, that we will remember how they love us, are near to us, intercede ceaselessly for us, and are joined to us in communion.

The following gallery includes photographs of the new windows.

AMS_G2 AMS_F2 AMS_E2 AMS_D2 AMS_C2 AMS_B2 AMS_A2

Two interesting things appear near the back of the chapel. First is a set of two windows side-by-side with no saints depicted. One presumes that these spaces are reserved in the hope that the canonization causes for Fr. Vincent Capodanno and Fr. Emil Kapaun will one day reach fulfillment.

Second, there are two paintings adorning the front of the balcony that, while not new, fit the overall plan of the chapel through their depiction of two additional saints with military connections. On the left appears St. George slaying the dragon, while on the right a young Fr. Angelo Roncalli (later Pope John XXIII) is shown ministering as a chaplain during World War I.

AMS_H2 AMS_Balcony2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

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