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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fulton Sheen on the Priesthood of the Baptized

Fr. David Friel · November 4, 2018

ECENTLY, I delivered a paper at the annual conference of the Society for Catholic Liturgy. The theme of the conference was Romano Guardini, in honor of the centenary of his classic book, The Spirit of the Liturgy (1918). The title of my presentation was “Romano Guardini and the Priesthood of the Baptized.”

In researching this topic, I have grown more keenly aware of the need for renewal in the common understanding of the baptismal priesthood. The Second Vatican Council speaks very clearly about the subject in Lumen gentium, nos. 10–11. Too often, however, it seems that we are hesitant to speak about the priesthood of the baptized, for fear that it might somehow denigrate or take away from the ministerial priesthood. A healthier view might see the necessity of understanding both forms of the priesthood together.

Disclaimer: I may be the only member of the millennial generation who still regularly uses cassette tapes. Most of the cassettes I own are retreats and catechism talks by Servant of God Fulton J. Sheen. While listening to one of his retreats, given to the presbyterate of Gary, Indiana in 1973, I was struck by a section in which he speaks forcefully, albeit indirectly, about the need for the laity to recover a sense of their share in the baptismal priesthood.

Although the retreat was directed chiefly at priests, there were also religious sisters and members of the laity present for the conferences. Here is my transcription of Sheen’s comments directed toward the laity:

Lay people: you are Christ. You belong to the royal priesthood. The royal priesthood differs from the hierarchical priesthood in two ways. First of all, you make spiritual offerings, we [ministerial priests] make a Eucharistic offering. Secondly, we are directly united with Christ the Head, you are in the Body and then are united to Christ the Head through His priests. But that we need not stress.

What I wish to emphasize is that, simply because you have the faith, you offer something. You are not just coming here and offering Mass, offering something in the collection. You’ve also got to be victims! And this we’ve forgotten. . . . We are all victims. . . . We are tied up to Christ, Who offers Himself. 1

In Sheen’s view, the difference between the baptismal and ministerial priesthoods was not in need of stress. It was, rather, the commonality between them—namely, the ability to unite oneself to the sacrifice of Christ—that required attention.

In Ratzinger’s book, The Spirit of the Liturgy, titled in homage to Guardini’s text, the future pontiff argues that, during the canon, the human action steps back in order to allow the divine action to take priority. Ratzinger goes even so far as to observe: “In this real ‘action,’ in this prayerful approach to participation, there is no difference between priests and laity. . . . Participation in that which no human being does, that which the Lord himself and only he can do—that is equally for everyone.” 2

Renewal of this sense among the faithful, I have found, was a prevailing goal of the Liturgical Movement of the early twentieth century. Even now, in the early twenty-first century, such renewal remains a largely unfulfilled goal.

HILE composing this blog, I discovered that Sheen’s retreat for the Diocese of Gary, IN is now available on CD. I would highly recommend this retreat, as well as his famous Dublin retreat, to priests and seminarians. I have found much spiritual profit—as well as homiletic material—in these retreats.

Details of next year’s conference of the Society for Catholic Liturgy have already been announced. The theme will be The Sacred Liturgy and the Family, and it will be held at the Cathedral of Ss. Peter and Paul in Providence, RI from September 26–28, 2019. The call for papers is posted on the SCL website.




NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Bishop Sheen Retreat for Clergy, cassette 1, side 2, “Christ, Priest and Victim” (North Haledon, NJ: Keep the Faith, Inc., 1973).

2   Joseph Ratzinger, The Spirit of the Liturgy, trans. John Saward (San Francisco: Ignatius Press, 2000), 174.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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